Jack A Roe (Cuts In) | 1989-10-09 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson
-- Billed as 'Formerly The Warlocks'
-- Tape flips and Encore patched with a Dat Master
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 25

3:01:38

SBD

gd1989-10-09.147611.ultramatrix.sbd.pearson.miller.flac24

Source:

UltraMatrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson
-- Billed as 'Formerly The Warlocks'
-- Tape flips and Encore patched with a Dat Master

SOURCE 3 OF 25

gd1989-10-09.sbd.miller.80840.sbeok.flac16

Source:

SBD -> Dat (48k) D

Lineage:

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

Taper Notes:

View NotesPatch Info:
The following songs were patched from Cassette Master SBD
Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy
Notes:
-- This has an upgraded patch source
-- Discs 2 and 3 can be re-joined seamlessly
-- Feel Like A Stranger appears on Without A Net

SOURCE 4 OF 25

gd1989-10-09.sbd.miller.32902.sbeok.flac16

Source:

SBD -> Dat (48k) D

Lineage:

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

Taper Notes:

View NotesPatch Info:
The following songs were patched from SBD>Cm>Dat>CD>Samplitude>WAV
Little Red Rooster, Ramble On Rose, Jack-A-Roe through Row Jimmy
There is also a patch in Row Jimmy from 0:09 - 0:15 from
Schoeps CMC4/MK21>Dat>SEK'D Prodif32>Sound Forge>CD>Samplitude>WAV
Notes:
-- Discs 2 and 3 can be re-joined seamlessly
-- Parts of Row Jimmy mono due channel loss in left channel
-- Feel Like A Stranger appears on Without A Net

SOURCE 5 OF 25

gd1989-10-09.mtx.v2.haugh.92495.flac16

Source:

SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)

SOURCE 6 OF 25

gd1989-10-09.mtx.dan.26236.sbeok.shnf

Source:

SBD + AUD Matrix Mix (60%-SBD/40%-AUD)

Taper Notes:

View Notes---------------------------------------------------------

Source Info

SBD
SBD: PCM (analog out) > DAT x 4 > CDR

AUD
FOB: Schoeps CMC641 > DAT 

---------------------------------------------------------

Tech Notes

I used EAC in secure mode to extract all tracks at 100%
no reported errors.  Cool Edit Pro 2.0 was used to align &
synch both of the sources. This is a 60% SBD, 40% AUD mix.    
- Mixed by dan@am-dig.com
- Shn conversion 8-SEP-2004 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
- Special thanks to "For Your Eyes Only" for images used
in this artwork.

---------------------------------------------------------

Notes

I performed a 'light NR' to the SBD source.

Disc 2 and 3 can be assembled seamlessly on longer media.

38:55.468 - 39:20.585 First verse of Jack-A-Roe missing on 
SBD source.  Patched 25.117 using the AUD.  This patch was 
EQ'ed & levels raised +3db.  Source change from SBD to
AUD is obvious to the listener.

48:42.358 - 48:42.758 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.400 seconds of left channel.  The result is smooth and 
most likely undetectable.

49:52.712 - 49:53.222 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.510 seconds of left channel.  The result is smooth and 
most likely undetectable.

50:02.412 - 50:02.525 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.113 seconds of left channel.  The result is smooth and 
most likely undetectable.

Between Jack-A-Roe and Memphis Blues the AUD was missing
37.221 seconds of crow cheer.  The SBD was trimmed to match.
The result is smooth and most likely undetectable.

59:52.730 - 59:59.107 Drums missing on SBD source.  Patched 
6.377 using the AUD.  This patch was EQ'ed & levels raised 
+3db.  The result is smooth and most likely undetectable.

1:31:48.154 - 1:32:54.219 A solo and a verse of Good Lovin' 
missing on SBD source.  Patched 1:06.065 using the AUD.  This 
patch was EQ'ed & levels raised +3db.  Source change from 
SBD to AUD is obvious to the listener.

Billed as "Formerly The Warlocks"
Last "Dark Star": 7-13-84
Last "Attics Of My Life": 9-27-72

---------------------------------------------------------

SOURCE 7 OF 25

gd89-10-09.sbd.serafin.7721.sbeok.shnf

Source:

Lineage: SBD > PCM (analog output) > D > D > D > D

Lineage:

SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes

Taper Notes:

View NotesLineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes

SOURCE 8 OF 25

gd89-10-09.sbd.paino.2276.sbeok.shnf

Source:

SBD> CASS(x)> DAT> CDR> EAC> SHN

Taper Notes:

View NotesSBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com

SOURCE 9 OF 25

Scott Clugston and Charlie Miller

SHNID:

gd1989-10-09.142510.fob.schoeps.cmc4.mk4.mattes.miller.clugston.flac1648

Source:

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort

Mastered by Scott Clugston
July 2, 2018

SOURCE 10 OF 25

2:55:38

SHNID:

gd1989-10-09.154043.5-1.tobin.flac1648

SOURCE 11 OF 25

2:55:30

SHNID:

gd1989-10-09.154042.dts.tobin.flac16

SOURCE 12 OF 25

2:55:30

SHNID:

gd1989-10-09.154041.mtx.tobin.flac16

SOURCE 13 OF 25

Lance Deal and jwpetty

SHNID:

gd1989-10-09.131003.cmc521.fob.deal.flac16

Source:

Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1;

Lineage:

Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5)

SOURCE 14 OF 25

Lenny Stubbe and Craig Hillwig

SHNID:

gd1989-10-09.125738.mk4.flac16

Source:

Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;

Lineage:

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

Taper Notes:

View Notes- show billed as "Formerly The Warlocks"
- Dark Star last time played 07/13/1984 (359 shows)
- Attics of My Life last time played 10/28/1972 (1082 shows)
- This version of Feel Like A Stranger appears on the official release "Without A Net"
- power supply and DAT deck in the gear chain are unconfirmed
- 48khz version exists

Seeded to etree on:

09/22/2013

SOURCE 15 OF 25

Lenny Stubbe and Craig Hillwig

SHNID:

gd1989-10-09.125737.mk4.48khz.flac16

Source:

<b>flac16/48kHz</b>; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB;

Lineage:

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe

Taper Notes:

View Notes- show billed as "Formerly The Warlocks"
- Dark Star last time played 07/13/1984 (359 shows)
- Attics of My Life last time played 10/28/1972 (1082 shows)
- This version of Feel Like A Stranger appears on the official release "Without A Net"
- power supply and DAT deck in the gear chain are unconfirmed
- 44.1khz version exists

Seeded to etree on:

09/22/2013

SOURCE 16 OF 25

2:55:22

Taper:

Alabama Bob,Mr. Currier

Transferrer:

Keo

SHNID:

gd1989-10-09.120404.Nak300sSenn441.AlabamaBob.Currier.Keo.Flac1644

Source:

Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* Added From Ted Carpenter's Nak300/CP4>Sony-TC-D5M>Maxell MX-90's
    Thanks Ted and Andrew for the missing songs! *

 Comments:A Huge Huge Thanks out To Mr. Currier for
supplying these master tapes and to Alabama Bob for
running the sweet 3-Mic Mix!Mr. Currier stated that 
these tapes have not been played but maybe once or
twice since they were recorded back in 1989!Hats off 
to you Mr. Currier for the excellent preservation
of these excellent recordings!There were a few cuts
one from the first set tape flip and a couple in the
end of the "Jam" and in "Drums" and at the end of 
"Throwing Stones" and this set of masters was missing 
"Good Lovin and Attics". I chose to leave the 24/96 
"As Is",this 16/44 bit was patched from Ted Carpenter's
Nak 300/CP4 recording for the missing songs only.I 
beleive in the near future I will get the chance to 
work on the Nak 550 masters from the lead deck down 
the line as well!Even though some cuts exist the "Meat" 
of this transfer shines and a True Honor to work on!
Thanks Gentlemen!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

SOURCE 17 OF 25

Alabama Bob,Mr. Currier

Transferrer:

Keo

SHNID:

gd1989-10-09.120403.Nak300sSenn441.AlabamaBob.Currier.Keo.Flac2496

Source:

Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge Huge Thanks out To Mr. Currier for
supplying these master tapes and to Alabama Bob for
running the sweet 3-Mic Mix!Mr. Currier stated that 
these tapes have not been played but maybe once or
twice since they were recorded back in 1989!Hats off 
to you Mr. Currier for the excellent preservation
of these excellent recordings!There were a few cuts
one from the first set tape flip and a couple in the
end of the "Jam" and in "Drums" and at the end of 
"Throwing Stones" and this set of masters was  missing 
"Good Lovin and Attics". I chose to leave this 24/96 
transfer "As Is".I beleive in the near future I will 
get the chance to work on the Nak 550 masters from 
the lead deck down the line as well!Even though some 
cuts exist the "Meat" of this transfer shines and a 
True Honor to work on!Thanks Gentlemen!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

SOURCE 18 OF 25

3:04:21

Transferrer:

Jeff Bowen;Brad Foster

SHNID:

gd1989-10-09.nak300.juteau.116646.flac

Source:

Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10;

Lineage:

DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster

Taper Notes:

View NotesNotes:
- Billed as 'Formerly The Warlocks.'
- Dark Star LTP = 1984-07-13.
- Attics Of My Life LTP = 1972-10-28.
- One sec. spot of digi-noise during s2t05 Dark Star at [12:53].
- Tracked by set, burn to disc however you please.


-- Thanks to Gene for sharing his master!
Thanks to Jeff for sharing his transfer!
All discs extracted in secure/range mode, seamlessly joined to one file and re-tracked by set.
Log and cue files included.
Enjoy!

SOURCE 19 OF 25

SOURCE 20 OF 25

gd1989-10-09.mtx.dts.haugh.92005.flac16

Source:

Three Source DTS-Audio-CD 5.1 Mix

SOURCE 21 OF 25

gd1989-10-09.nak304.carpenter.89563.sbeok.flac16

Source:

Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View Notes- ShnID-443 patches cover the 2nd set tape-flips, as follows: 
- Dark Star 18:28 > 18:32, and Good Lovin' 0:10 > 0:21. 
- Second set disc break is seamless. 
- Soundforge used to make fades, add patches, and adjust levels. 
- TLH used for SBE-OK, FLAC compression, and checksums.

SOURCE 22 OF 25

gd1989-10-09.aud.robr.31211.sbeok.shnf

Source:

3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn

SOURCE 23 OF 25

gd1989-10-09.dts.dan.26235.sbeok.shnf

Source:

DTS-Audio-CD 5.1 Mix

Taper Notes:

View Notes---------------------------------------------------------

Source Info

SBD
SBD: PCM (analog out) > DAT x 4 > CDR

AUD
FOB: Schoeps CMC641 > DAT 

---------------------------------------------------------

Tech Notes

I used EAC in secure mode to extract all tracks at 100%
no reported errors.  Cool Edit Pro 2.0 was used to align &
synch both of the sources.  CEP2.0 used to adjust the volume
for the AUD source, center and LFE channels.  Surcode CD 
Pro DTS was used to encode to DTS.  
- Mixed by dan@am-dig.com
- Shn conversion 8-SEP-2004 
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
- Special thanks to "For Your Eyes Only" for images used
in this artwork.

---------------------------------------------------------

DTS-Audio-CD Info

Front Left 	Left Channel SBD: PCM (analog out) > DAT 
Front Right 	Right Channel SBD: PCM (analog out) > DAT  
Center 		Mono Mix -5db SBD: PCM (analog out) > DAT 
Surround Left	Left Channel FOB: Schoeps CMC641 > DAT
Surround Right	Right Channel FOB: Schoeps CMC641 > DAT
Sub/LFE 	Mono Mix -4db SBD: PCM (analog out) > DAT 

---------------------------------------------------------

Notes

I performed a 'light NR' to the SBD source.

Disc 2 and 3 can be assembled seamlessly on longer media.

38:55.468 - 39:20.585 First verse of Jack-A-Roe missing on 
SBD source.  Patched 25.117 using the AUD.  This patch was 
EQ'ed & levels raised +3db.  Source change from SBD to
AUD is obvious to the listener.

48:42.358 - 48:42.758 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.400 seconds of left channel.  The result is smooth and 
most likely undetectable.

49:52.712 - 49:53.222 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.510 seconds of left channel.  The result is smooth and 
most likely undetectable.

50:02.412 - 50:02.525 Zizzle/pop/dropout in Memphis Blues
on right channel only. Corrected via channel swap using 
.113 seconds of left channel.  The result is smooth and 
most likely undetectable.

Between Jack-A-Roe and Memphis Blues the AUD was missing
37.221 seconds of crow cheer.  The SBD was trimmed to match.
The result is smooth and most likely undetectable.

59:52.730 - 59:59.107 Drums missing on SBD source.  Patched 
6.377 using the AUD.  This patch was EQ'ed & levels raised 
+3db.  The result is smooth and most likely undetectable.

1:31:48.154 - 1:32:54.219 A solo and a verse of Good Lovin' 
missing on SBD source.  Patched 1:06.065 using the AUD.  This 
patch was EQ'ed & levels raised +3db.  Source change from 
SBD to AUD is obvious to the listener.

Billed as "Formerly The Warlocks"
Last "Dark Star": 7-13-84
Last "Attics Of My Life": 9-27-72

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and put a 5.1 surround recording on a regular 
Audio-CD.  To play a DTS-Audio-CD you must connect your 
DVD/CD player via a digital cable (optical or coaxial) to 
your DTS Dolby-Digital receiver. It is not 100% sure that 
your receiver will recognize a DTS-Audio CD, so the first 
time you're trying to playback a DTS-Audio-CD you must do 
a test to determine if it can. Begin with the volume very 
low, start the disc and rise the volume gradually. NEVER 
listen to a DTS-Audio-CD through the analog audio outputs 
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way you would burn any normal 
Audio-CD from .shn files.

---------------------------------------------------------

SOURCE 24 OF 25

gd1989-10-09.aud.fishman.17704.sbeok.shnf

Source:

Schoeps CMC421>DAT>CD>EAC>ADDAWAV>CDWav>WAV>SHN (FOB)

Taper Notes:

View NotesRecording Notes
------------------------
This is a slightly boomy but a very good recording of the classic 2nd "stealth show" from  the 2 nite Hampton 10/89 mini-run.  Some minor retracking of the original CD's was done with ADDAWAV/CDWAV from a copy burned in 1998 using a Fostex D-10 STudio DAT Standalone hhb CD recorder.  All CD's can be placed back together on one contiguous medium (DAT, DVD-R)

Music  Notes 
------------------
* -  The tracking for UJB is correct / Garcia was offkey for the 1st few notes of Uncle's Johns Band
(1) - A slightly amusing loud woman (nearing an auditory orgasm) is heard prominently during the 1st 2 minutes of Dark Star

All conversions done by 
JR Fishman 
fishmanj_98@yahoo.com
NY, NY

SOURCE 25 OF 25

gd89-10-09.schoeps.howland.443.sbeok.shnf

Source:

Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav>WAV > SHN

Taper Notes:

View NotesSchoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif
32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav>
WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn
26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little
muddy, but the second sounds thin and trebley, totally different from the first set"; 
note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- 
see his public comments, and md5s marked "ren" (for "rename")