1989-04-29 | Grateful Dead | Relisten

Bands

Featured

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Bands

American Babies

Animal Collective

Animal Liberation Orchestra

Aquarium Rescue Unit

Assembly of Dust

Barefoot Manner

Bela Fleck and the Flecktones

Benevento Russo Duo

Bernie Worrell Orchestra

Billy & the Kids

Blueground Undergrass

Camper Van Beethoven

Choice And Company

Circles Around The Sun

Dark Star Orchestra

Dave Harrington

Dead and Company

Deep Banana Blackout

Del McCoury Band

Derek Trucks Band

Donna the Buffalo

Drive-By Truckers

ekoostik hookah

Electric Beethoven

Everyone Orchestra

Forgotten Space

From Good Homes

G. Love and Special Sauce

Godspeed You Black Emperor!

God Street Wine

Greensky Bluegrass

Greyboy Allstars

Hard Working Americans

Horseshoes and Hand Grenades

Hot Buttered Rum

Infamous Stringdusters

Jazz Mandolin Project

Jeff Austin and Chris Castino

Jeff Austin And Friends

Jeff Austin Band

Jerry Joseph and the Jackmormons

Jerry's Middle Finger

Joe Russo Presents: Hooteroll? + Plus

Joe Russo's Almost Dead

Keller Williams

King Gizzard & the Lizard Wizard

Kitchen Dwellers

Leftover Salmon

Marco Benevento

Marcus King Band

My Morning Jacket

New Riders of the Purple Sage

North Mississippi Allstars

Perpetual Groove

Phil Lesh and Friends

Pigeons Playing Ping Pong

Pink Talking Fish

Quality Cinema Band

Rumpke Mountain Boys

Smashing Pumpkins

Sound Tribe Sector 9

Steve Kimock Band

String Cheese Incident

Surprise Me Mr. Davis

Tedeschi Trucks Band

Ted Leo and the Pharmacists

The California Honeydrops

The Clock Reads

The Decemberists

The HippoCampus

The Mountain Goats

The New Mastersounds

The War on Drugs

The Wood Brothers

Trampled by Turtles

Umphrey's McGee

Widespread Panic

Powered by PanicStream

Yonder Mountain String Band

Shows

1989

Ante Up - Built to Last interview

Various, Various

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Henry J. Kaiser Convention Center

Oakland, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Club Front - Grateful Dead Studio

Atlanta, GA, USA

Atlanta, GA, USA

Greensboro Coliseum

Greensboro, NC, USA

Greensboro Coliseum

Greensboro, NC, USA

Pittsburgh, PA, USA

Pittsburgh, PA, USA

Ann Arbor, MI, USA

Ann Arbor, MI, USA

Riverfront Arena

Cincinnati, OH, USA

Louisville, KY, USA

Rosemont Horizon

Rosemont, IL, USA

Rosemont Horizon

Rosemont, IL, USA

Rosemont Horizon

Rosemont, IL, USA

Milwaukee, WI, USA

Milwaukee, WI, USA

Metropolitan Sports Center

Bloomington, MN, USA

Irvine, CA, USA

Irvine, CA, USA

Irvine, CA, USA

Frost Amphitheatre

Palo Alto, CA, USA

Frost Amphitheatre

Palo Alto, CA, USA

Oakland-Alameda County Stadium

Oakland, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Sullivan Stadium

Foxboro, MA, USA

Buffalo, NY, USA

John F Kennedy Stadium

Philadelphia, PA, USA

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Washington, DC, USA

Washington, DC, USA

Deer Creek Music Center

Noblesville, IN, USA

Alpine Valley Music Theatre

East Troy, WI, USA

Alpine Valley Music Theatre

East Troy, WI, USA

Alpine Valley Music Theatre

East Troy, WI, USA

Sacramento, CA, USA

Sacramento, CA, USA

Sacramento, CA, USA

Berkeley, CA, USA

Berkeley, CA, USA

Berkeley, CA, USA

Philadelphia, PA

Warfield Theater

San Francisco, CA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Hampton Coliseum

Hampton, VA, USA

Hampton Coliseum

Hampton, VA, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Meadowlands Arena

East Rutherford, NJ, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Charlotte Coliseum

Charlotte, NC, USA

Charlotte Coliseum

Charlotte, NC, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Great Western LA Forum

Inglewood, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Oakland-Alameda County Coliseum

Oakland, CA, USA

Sources

SOURCE 1 OF 10

Recorded by Don Pearson and Dan Healy

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net December 23, 2022

gd1989-04-29.164177.UltraMatrix.sbd.cm.miller.t.flac1644

UltraMatrix SBD > Cassette Master (TDK MA-XG)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple ultramatrix masters were used to make this show complete
-- This is 161421 2496 > 1644

SOURCE 2 OF 10

8.22 / 9 ratings

gd1989-04-29.sbd.miller.88124.sbeok.flac16

SBD -> Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16

SOURCE 3 OF 10

8.00 / 3 ratings

gd89-04-29.sbd.clugston.13756.sbefail.shnf

Master Soundboard Cassette > CDR

View NotesMaster Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor

SOURCE 4 OF 10

Scott Clugston and Charlie Miller

gd1989-04-29.142344.schoeps.cmc4.mk2.mattes.miller.clugston.flac1648

<b>flac16/48kHz</b>; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648

View NotesNotes:
- Thanks to Ted Mattes for the master Dat recording
- Thanks to Charlie Miller for the transfer and coordinating this effort


Mastered by Scott Clugston
June 17, 2018

SOURCE 5 OF 10

Scott Clugston and Charlie Miller

gd1989-04-29.141009.schoeps.cmc4.mk4.pcm.mattes.miller.clugston.flac1644

Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16

SOURCE 6 OF 10

gd1989-04-29.161421.ultramatrix.miller.flac2496

SOURCE 7 OF 10

10.00 / 1 rating

gd1989-04-29.fob.french.loy.76511.sbeok.flac16

Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.

Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown.

View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd.,
and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail
at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows 
further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far 
back as possible in the seated area.



Patched and edited by Bob Loy  -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping,
convert sample rate ultra high 1 -> 44100hz,  dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries 
aligned -> id3 tag   < Seamless transition between Discs 2 and 3 >

_____________________________________________________________________________________________________________
editing notes:  balloon pops reduced in volume, smoothed w/ pencil tool at both edges
		d1t04 	3:35.748 - .749 -9 db
		d1t07 	3:53.985 - .991 -15
			6:41.634 - .639 -15
		d1t10	0:25.819 - .824 -15
		d2t03 	1:29.468 - .500 -18
		d3t06 	8:53.118 - .133 -18

patched the end of d1t07 to the start of d1t08 w/ 1:06.517464  shnid9052 converted to 96khz - 24bit using wavelabs5 
and isotpe ozone3, raised +6db to match. patched end of d3t06 to start of encore w/ 4:45.693067 raised level +3db to match 
patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, 16/44.1 conversion,
renamed to etree naming conventions. small spots of light static in just a couple tracks, not too obtrusive. 
all in all a a very good listen, No EQ or NR.
     
				and still tmns...

SOURCE 8 OF 10

gd1989-04-29.fob.french.loy.76495.sbeok.flac24

Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.

Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.

View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd.,
and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail
at the front of this audience section, directly above the lighting board.The OTS for this concert was likely 75 rows 
further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far 
back as possible in the seated area.

______________________________________________________________________________________________________
balloon pops reduced in volume, smoothed w/ pencil tool at both edges
set1t4 	3:35.748 - .749 -9
set1t7 	3:53.985 - .991 -15
	6:41.634 - .639 -15
set1t10	0:25.819 - .824 -15
set2t03 1:29.468 - .500 -18
set2t12 8:53.118 - .133 -18

patched the end of t7 to the start of t8 w/ 1:06.517464  shnid9052 converted to 96khz - 24bit using wavelabs5 
and isotpe ozone3, raised +6db to match 
patched end of t12 to start of encore w/ 4:45.693067 raised level +3db to match 
patching done w/ crossfades. retracked a few spots to move tuning to the end of previous track, renamed to etree standards.
small spots of light static in just a couple tracks, not too obtrusive. all in all a a very good listen, No EQ or NR.
     
				and still tmns...

SOURCE 9 OF 10

gd1989-04-29.fob.french.35360.sbeok.flac24

Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master.

Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96.

View NotesFrom the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd.,
and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail
at the front of this audience section, directly above the lighting board.
The OTS for this concert was likely 
75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right,
as far back as possible in the seated area.

SOURCE 10 OF 10

10.00 / 1 rating

gd89-04-29.aud.wiley.9052.sbeok.shnf

AUD>PCM>DAT>CDR

View NotesAUD>PCM>DAT>CDR; Seeded to etree by Tim W