Let The Good Times Roll | 1989-08-19 | Grateful Dead

View NotesNotes:
-- Set 1 recorded by Joani Walker
-- Set 2 recorded by Don Pearson and Dan Healy
-- Thanks to Paul Scotton for supplying Joani's masters
-- Multiple ultramatrix masters were used to make this show complete
-- This is 163645 2496 > 1644

SOURCE 2 OF 21

2:32:36

SBD

Taper:

-- Set 1 recorded by Joani Walker -- Set 2 recorded by Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net February 11, 2023

SHNID:

gd1989-08-19.163645.ultramatrix.miller.flac2496

Source:

Ultramatrix SBD > Cassette Master (Sony TC-D5M/Maxell MX90/TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Set 1 recorded by Joani Walker
-- Set 2 recorded by Don Pearson and Dan Healy
-- Thanks to Paul Scotton for supplying Joani's masters
-- Multiple ultramatrix masters were used to make this show complete

SOURCE 3 OF 21

gd1989-09-19.139782.sbd.weir.miller.pearson.flac1644

Source:

SBD -> Cassette Master (Sony TC-D5M/TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- This is an isolated stereo feed from Bob Weir's guitar patched off the board
-- The crew recorded the isolated feed to check for distortion

SOURCE 4 OF 21

gd1989-08-19.sbd.walker-scotton.miller.83775.sbeok.flac16

Source:

SBD -> Cassette Master (TDK MA-XG90) D

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->

Taper Notes:

View NotesNotes:
-- Disc change is seamless
-- Two SBD Cassette Masters were used to make this show seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes

SOURCE 5 OF 21

gd1989-08-19.mtx.hansokolow.96303.sbeok.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources:

SBD: shnid=83775
SBD -> Cassette Master (TDK MA-XG90)

Transfer Info:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v8.01 -> FLAC/16
(2 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 20, 2007

Notes:
-- Disc change is seamless
-- Two SBD Cassette Masters were used to make this show seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes

-------------------------------

DAUD: shnid=13254
Taper:  Jim Oade
Source:   Schoeps cmc42S ->M118 -> Oade Mod PCM-F1
 
Transfer:  Tascam DA-20 (DAT)-> Tascam CDRW4U -> EAC (secure) -> CDWave (tracking) -> CDR -> SHN (MKWact)

Thanks to Jim & Doug Oade for the DAT's !!

Transferred and Tracked by Matt Shapiro (slipknot77@comcast.net) 10/02

EAC'd and SHN'd by jim@juddcreek.com 11/02

-------------------------------

hansokolow's Notes:
Some parts proved squirrelly, particularly LTGTR, so lots of cutting was necessary to eliminate (as much as possible) phasing.  This was my very first Dead show, about a month before my 18th birthday.  I was on the upper steps, Phils side, with my dad and step-mom.  My drugs were pot, then in the second set, ecstacy (possibly my first time) and also some mushrooms (thanks again, Mark).  Quite the cocktail.  Obviously it has a huge significance for me, and I recall that I didn't really "get it" until The Other One.  At the time, of course, I didn't really know what a huge Other One this is, but everyone around me and on the way out made it clear that this show had been special.  Enjoy.

-Tano (hansokolow@gmail.com)

SOURCE 6 OF 21

gd89-08-19.sbd.hinko.23066.sbeok.shnf

Source:

SBD > MC > DAT > CD > EAC > SHN

Taper Notes:

View NotesSBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko

SOURCE 7 OF 21

gd89-08-19.sbd.5213.sbeok.shnf

Source:

SBD Cassette Master > DAT > .WAV > .SHN

Taper Notes:

View NotesSBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes

SOURCE 8 OF 21

2:33:56

SHNID:

gd1989-08-19.166838.5-1.tobin.flac1648

SOURCE 9 OF 21

2:33:53

SHNID:

gd1989-08-19.166837.dts.tobin.flac1644

SOURCE 10 OF 21

2:33:53

SHNID:

gd1989-08-19.166836.matrix.tobin.flac1644

SOURCE 11 OF 21

2:41:56

Transferrer:

Three Source Matrix created in Audacity by photoLeon

SHNID:

gd1989-08-19.139669.mtx.photoLeon.LL.t-flac16

Source:

Three Source Matrix created in Audacity

SOURCE 12 OF 21

Willl Petty, Joe Noel, Lance Deal

SHNID:

gd1989-08-19.138155.FOB.Schoeps.Mattes.Petty.patch.t-flac16

Source:

Original Source info (shnid 131536): FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clones provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Patched, Tracked, Flac'd & rePacked in Audacity by Joe Noel; Checksum & tags created in xACT

Taper Notes:

View NotesPatch info:
shnid 131526
Schoeps CMC 52 S (spread 8')> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and others
supplies
s1t01 - 0:00 - 0:25 & 0:30 - 0:34
s2t02 - 6:17 - 6:18
s2t04 - 2:21 - 2:22
s2t05 - 3:30 - 3:36
s2t12 - 0:31 - 0:33

shnid 83775*
SBD -> Cassette Master (TDK MA-XG90)
Transferred & Mastered by Charlie Miller
supplies
s1t08 - 5:19 - 5:21
*the only source that does not have the PA going out momentarily.

a drop-out post encore was removed

SOURCE 13 OF 21

gd1989-08-19.131536.cmc44.fob.mattes.petty.flac16

Source:

Source info: FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clones provided by Lance Deal. Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty

SOURCE 14 OF 21

gd1989-08-19.131526.cmc52S.deal.petty.flac16

Source:

Source info: Schoeps CMC 52 S (spread 8')> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and others. Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty

SOURCE 15 OF 21

gd1989-08-19.124775.akg-c460b.thompson-damico.flac16

Source:

Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard

Taper Notes:

View Notes* 3:34.000 TO 4:40.000 Spliced In From Source: 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M.

SOURCE 16 OF 21

gd1989-08-19.124774.akg-c460b.thompson-damico.flac24

Source:

Taper Notes:

View Notes* 3:34.000 TO 4:40.000 Spliced In From Source: 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M.

SOURCE 17 OF 21

gd1989-08-19.119339.d5scott.SonicStudioDSM-1Sx.flac16

Source:

Source: 2 Sonic Studio DSM-1S/x microphones > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notesnote:
* That's Sal & Vinnie chatting before Chinacat.
---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 18 OF 21

gd1989-08-19.111998.fm.HoltzNaks.Flac16

Source:

SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C;

Lineage:

(By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename

SOURCE 19 OF 21

gd1989-08-19.senn421.andrewf.91088.sbeok.flac16

Source:

Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS.

Lineage:

MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog input > Soundforge > CD-Wave > TLH > FLAC.

Taper Notes:

View NotesNotes: 
- Brief P.A. system malfunction at 5:13 in Memphis Blues. 
- Disc break is seamless. 
- Patches from ShnID-13254, as follows: 
- Space 6:10 > 6:30, Foolish Heart 8:01 > 8:07, and 9:03 > 9:23. 
- This was the final GD concert at this venue. 
- Alternate disc-burn option: make Disc One as Set One plus crowd 
  track and encore, make Disc Two as all of Set Two. 
- Soundforge used to make fades, add patches, adjust levels. 
- TLH used for SBE-OK, FLAC compression, and checksums.

SOURCE 20 OF 21

gd1989-08-19.aud-senn.pa-deli-mike.mrchips.83803.flac16

Source:

2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M.

Lineage:

Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC

Taper Notes:

View Notes*NOTE: Canare microphone cables used, otherwise Monster cables throughout.

Here we go with another installment of the 'PA Deli Mike Project'.  A great venue and a great
show.  As was typical, Mike was in the front of the OTS for this one.  Hope you all enjoy it,
and thanks for all your support.

MrChips-

SOURCE 21 OF 21

gd89-08-19.schoeps.13254.sbeok.shnf

Source:

Schoeps cmc42s ->M118 -> Oade Mod PCM-F1

Lineage:

Tascam DA-20 (DAT)-> Tascam CDRW4U -> EAC (secure) -> CDWave (tracking) -> CDR -> SHN (MKWact), from Oade DATs, by Matt Shapiro; EAC'd and SHN'd by jim

Taper Notes:

View NotesSchoeps cmc42s ->M118 -> Oade Mod PCM-F1, Taper Jim Oade; Transfer: Tascam DA-20 (DAT)-> Tascam CDRW4U -> EAC (secure) -> CDWave (tracking) -> CDR -> SHN (MKWact), from Oade DATs, by Matt Shapiro; EAC'd and SHN'd by jim