Friend Of The Devil | 1989-07-18 | Grateful Dead

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Ante Up - Built to Last interview

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Oakland, CA, USA

5:39:09

17 tapes

Sources

SOURCE 1 OF 13

gd1989-07-18.138496.ultra.matrix.sbd.miller.flac16

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete
-- This is 138479 24 bit -> 16 bit

SOURCE 2 OF 13

gd1989-07-18.138479.sbd.miller.flac24

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of master were used to make this show complete

SOURCE 3 OF 13

gd1989-07-18.mtx.hansokolow.96231.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View NotesThis is a matrix, done by hansokolow in ProTools, of the following sources:

DSBD: shnid=9854

Source:  DSBD

Transfer:  D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT
Transfer and Seed by Jason Brantley (jason@spreadwidepanic.com)

-Fades added at start and end of Sets
-Seek Tables Appended

3/27/2003
-sector boundary error in d1t02; disc fixed with shntool

-----------------------------------

AUD: shnid=92430

Source: Sennheiser 441 > Marantz PDM 340 w/ dbx
Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack
Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz]
Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 24, 2008

Notes: Crossfades applied tape flips after Friend of the Devil, during Drums and before the encore. 
Quinn The Eskimo was taped at end of 1st set. No patch sources were used.
To burn to 3 discs begin d1 with s1t01, d2 with s2t01 and d3 with s2t07.

-----------------------------------

My Notes: DSBD was used as the reference, and the AUD was stretched to match.

-Tano (hansokolow@gmail.com)

SOURCE 4 OF 13

gd89-07-18.sbd.9854.sbeok.shnf

Source:

DSBD

Lineage:

D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT (seeking); Transfer and Seed by Jason Brantley; see inof file for flaw notes

Taper Notes:

View NotesDSBD; Transfer:  D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT (seeking); Transfer and Seed by Jason Brantley; see inof file for flaw notes

SOURCE 5 OF 13

gd1989-07-18.sbd.walstib.435.shnf

SOURCE 6 OF 13

Charlie Miller and Joe Noel

SHNID:

gd1989-07-18.142298.Lawn.Schoeps.Mattes.Miller.Noel.t-flac1648

Source:

<b>flac16/48kHz</b>; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller

Lineage:

DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes:
- Thanks to Ted for sharing his recordings.
- Thanks to Charlie for being events coordinator.
- Officially released The Second Annual Grateful Dead Meet Up at the Movies (April 19, 2012 - one night only)
- Right channel has been repaired from 4:07 mark of s2t04 to end of show
- This show doesn't get its due & proper, crank this sucker up!

SOURCE 7 OF 13

gd1989-07-18.147567.beyerCM101.ebel.flac2496

Source:

TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's)

Lineage:

Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)

SOURCE 8 OF 13

gd1989-07-18.Nak300CP4.Baker.Keo.125511.Flac1644

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Baker
for recording and sharing his source for this
show!Another excellent share from the Mr. Baker
collection and the Grateful Dead summer 1989!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 9 OF 13

gd1989-07-18.Nak300CP4.Baker.Keo.125510.Flac2496

Source:

Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Baker
for recording and sharing his source for this
show!Another excellent share from the Mr. Baker
collection and the Grateful Dead summer 1989!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 10 OF 13

gd1989-07-18.119772.nak.boedicker.flac16

Source:

Source:Sony WM-D6C Cassette Master(Maxell MX Metal Tapes,Dolby "B" On)>Dak Shotgun Mics>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,On The Hill About 20 Yards In Front Of The Relay Tower

Taper Notes:

View Notes1)Quality IS About A(Subjective Of Course).Samples Included.

2)Tape Flip After "Memphis Blues"(No Music Missed On Next Song "Bird Song").

3)Tape Flip During "Space"

Enjoy!!!!

SOURCE 11 OF 13

2:28:03

Taper:

Dave Cohen and Justin Lee

Transferrer:

Dave Cohen

SHNID:

gd1989-07-18.nak.cohen-lee.106720.sbeok.flac16

Source:

2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. Front Row of Lawn 8 foot stand

Lineage:

The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).

SOURCE 12 OF 13

gd1989-07-18.nak300.holtz.jaz.106491.flac16

Source:

Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M ("1st two nights we were up on the lawn shooting at the repeater stacks from very close range")

Lineage:

Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename

SOURCE 13 OF 13

gd1989-07-18.senn441.coniff.gmb.92430.flac16

Source:

Sennheiser 441 > Marantz PDM 340 w/ dbx (Cassette Master Maxell MX-S 90)

Lineage:

Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac

Taper Notes:

View NotesCrossfades applied tape flips after Friend of the Devil, during Drums and before the encore. 
Quinn The Eskimo was taped at end of 1st set. No patch sources were used.
To burn to 3 discs begin d1 with s1t01, d2 with s2t01 and d3 with s2t07.