We Can Run But We Can't Hide | 1989-02-11 | Grateful Dead

View NotesNotes:
-- Thanks to David Gans for his help with this
-- The first set was recorded a little 'hot' but is still pretty clean
-- Drums with Airto and Diana Moreira and Flora Purim
-- Eyes Of The World with Airto Moreira

SOURCE 2 OF 10

2:39:49

SBD

Transferrer:

Charlie Miller

SHNID:

gd1989-02-11.134776.sbd.miller.flac16

Source:

Set 1: SBD -> Cassette Master -> DatSet 2: SBD -> PCM Master -> Dat

Lineage:

Dat (Tascam DA-20) -> Sound Devices 744T -> WAV ->Samplitude Professional v11.2.1 -> FLAC

Taper Notes:

View NotesNotes:
-- Drums with Airto and Diana Moreira and Flora Purim
-- Eyes Of The World with Airto Moreira

SOURCE 3 OF 10

gd89-02-11.sbd.wiley.9203.sbeok.shnf

Source:

SBD>MC>DAT>CDR

Taper Notes:

View NotesSBD>MC>DAT>CDR; Seeded to etree by Tim W

SOURCE 4 OF 10

Ted Mattes and Sean Weber-Small

Transferrer:

Charlie Miller and Joe Noel

SHNID:

gd1989-02-11.140999.FOB.Schoeps.PCM.Mattes.Weber-Small.Miller.Noel.t-flac1644

Source:

Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small

Taper Notes:

View NotesNotes:
- DC offset was removed
* w/ Airto Moreira, Flora Purim and Diana Moreira
* w/ Airto Moreira

SOURCE 5 OF 10

Charlie Miller and Scott Clugston

SHNID:

gd1989-02-11.140731.set1.akg.c42.ambient.mics.gans.miller.clugston.flac2496

Source:

Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS (dubbed by David Gans, January 1991)

Taper Notes:

View NotesNotes:
- Thanks to David Gans for the 1st gen Hi-Fi VHS source
- Thanks to Charlie Miller for the transfer
- This is the ambient mic source used for the ultramatrix

Mastered by Scott Clugston
January 18, 2018

SOURCE 6 OF 10

Charlie Miller and Scott Clugston

SHNID:

gd1989-02-11.140730.set1.akg.c42.ambient.mics.gans.miller.clugston.flac1644

Source:

Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS (dubbed by David Gans, January 1991)

Taper Notes:

View NotesNotes:
- Thanks to David Gans for the 1st gen Hi-Fi VHS source
- Thanks to Charlie Miller for the transfer
- This is the ambient mic source used for the ultramatrix

Mastered by Scott Clugston
January 18, 2018

SOURCE 7 OF 10

gd1989-02-11.124830.AT835.laurentis.flac16

Source:

AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8

SOURCE 8 OF 10

2:35:43

SHNID:

gd1989-02-11.fob.french.sirmick.76125.sbeok.flac16

Source:

Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike FrenchSet two; ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level. ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French

Lineage:

Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French

Taper Notes:

View Notes*with Airto Moreira, Flora Purim and Diana Moreira
# with Airto Moriera

These were exceedingly loud concerts. So loud that our clothes were pinned to us for all 3 nights of the shows.  We experienced brickwalling to a degree, and it is present in the first set of the show, as well as the second set, but not as apparent. It was so loud that even after realizing that we were brickwalling the hrtf rig, and changing to the oade/schoeps ortf rig that was also present, even the oade/schoeps rig experienced some brickwalling, as can be heard. None of it is overbearing. Perhaps it might be more palettable in knowing that it could not be avoided in this instance, even by the best of rigs. It was just an incredibly loud series of concerts.All three nights of this run are from the exact same spot, as marked by a piece of gaffers tape on the vinyl floor covering. The second run of shows later in this year were also from this same spot. So all 6 shows of the '89 Dead Forum runs are from the same spot, the Impact Zone (fob/dfc)There were dead crew members in the light rack looking for, pointing out, and shutting down FOB tapers during this run of shows.enjoy!peace and wellness to you and yours

Mike

additional notes:

- downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. New flacs, etc created.  Apart from retracking to fit on 3 discs, the only other change made was to discard most of the silence at the end of d3t07.
- there is a sub-second gap between d1t05-06, the latter track is slightly clipped at the start, just a couple of notes missing..

SOURCE 9 OF 10

gd1989-02-11.fob.french.35158.sbeok.flac24

Source:

Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5"Set two; ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level. ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French

Lineage:

Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96

Taper Notes:

View Notes*with Airto Moreira, Flora Purim and Diana Moreira


These were exceedingly loud concerts. So loud that our clothes were pinned to us for all 3 nights 
of the shows.  We experienced brickwalling to a degree, and it is present in the first set of the show,
as well as the second set, but not as apparent. 
It was so loud that even after realizing that we were brickwalling the hrtf rig, 
and changing to the oade/schoeps ortf rig that was also present, even the oade/schoeps rig experienced 
some brickwalling, as can be heard. None of it is overbearing. Perhaps it might be more palettable in 
knowing that it could not be avoided in this instance, even by the best of rigs. It was just an incredibly 
loud series of concerts.

All three nights of this run are from the exact same spot, as marked by a piece of gaffers tape on the 
vinyl floor covering. The second run of shows later in this year were also from this same spot. So all 6 
shows of the '89 Dead Forum runs are from the same spot, the Impact Zone (fob/dfc)

There were dead crew members in the light rack looking for, pointing out, and shutting down FOB tapers 
during this run of shows.

enjoy!

peace and wellness to you and yours

Mike

SOURCE 10 OF 10

gd89-02-11.aud.bauer.20759.sbeok.shnf

Source:

DAUD[master] > CDR > EAC > AddaWav > CDWAV > SHN

Taper Notes:

View NotesDAUD[master] > CDR > EAC > AddaWav > CDWAV > SHN; EAC > SHN by harlan; CDR from D. Loebig.