Promised Land | 1995-06-21 | Grateful Dead

View NotesNotes:
- Thanks to Ray for sharing his stellar recording.
- Thanks to Charlie for orchestrating.
- final "Row Jimmy"
- Down in the Boondocks tuning while striding for just exactly perfect [s1t01]
- final Man Smart (Woman are Smarter) 
- final/last Supplication Jam: 08-14-91 [286]
- final Morning Dew

SOURCE 2 OF 12

2:39:56

Taper:

gd1995-06-21.148797.nak300-cp4.boedicker.flac1644

Source:

Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes(Maxell XL-2-S 90 Minute Cassette Tape For 1st Set,Scotch Black Watch 2020 100 Minute Tape For 2nd Set.)

Taper Notes:

View NotesNotes:

1)I Took The Rare Occasion At The Time And Didn't Tape This Show As I Was Taking My Girlfriend At The Time To Her First

GD Shows,So We Sat About 10 Rows Or So Up To The Side Of Vince Welnick And Watched The Show From There.I Lent My Friend

Andy My Mics And Deck,And He Recorded The Show For Me That Night.

2)Tape Flip After"Row Jimmy"(No Music Missed oN Next Song "Broken Arrow").

3) Tape Flip During "Playing In The Band"

4)Some Wow And Flutter During Start Of "Tuning For 2nd Set And Part Of "Scarlet Begonias"

Warts And All

Enjoy!!!

SOURCE 3 OF 12

gd1995-06-21.141999.walsh.suraci.at835.flac1648

Source:

<b>flac16/48kHz</b>; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci

Taper Notes:

View Notes* Master Cassette transferred to DAT in 2003. DAT tape used for this source.

SOURCE 4 OF 12

Eric Vandercar and Lenny Stubbe

SHNID:

gd1995-06-21.bk4021.120371.flac1648

Source:

Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center;

Lineage:

Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart

Taper Notes:

View Notes- Summer Solstice show
- Long 6:10 tuning to begin the show. I trimmed only very little of what was on the DAT.  Weir comments around the 4:20 mark about the need to get it "just exactly perfect", much to the crowds excitement. Thanks to the delay, I didn't miss the opening notes to the show!
- Couple spots of slight digi noise that was between songs minimized/removed. No music was affected
- Say what you will about 1995, I attended this one and found it to be an amazing experience inside and outside the Knickerbocker Arena.  A Summer Solstice Scarlet>Fire and a Morning Dew that made the whole show and had strangers hugging strangers in every row/aisle!
- 44.1 khz version exists

Seeded to etree on:

05/26/2012

SOURCE 5 OF 12

Eric Vandercar and Lenny Stubbe

SHNID:

gd1995-06-21.bk4021.120370.flac1644

Source:

Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center;

Lineage:

Taper Notes:

View Notes- Summer Solstice show
- Long 6:10 tuning to begin the show. I trimmed only very little of what was on the DAT.  Weir comments around the 4:20 mark about the need to get it "just exactly perfect", much to the crowds excitement. Thanks to the delay, I didn't miss the opening notes to the show!
- Couple spots of slight digi noise that was between songs minimized/removed. No music was affected
- Say what you will about 1995, I attended this one and found it to be an amazing experience inside and outside the Knickerbocker Arena.  A Summer Solstice Scarlet>Fire and a Morning Dew that made the whole show and had strangers hugging strangers in every row/aisle!
- 48 khz version exists

Seeded to etree on:

05/26/2012

SOURCE 6 OF 12

gd1995-06-21.Nak300CP4.Heaton.Keo.115993.Flac1644

Source:

First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper

Taper Notes:

View NotesComments:Big thanks to Mr. Heaton for sharing
his masters with me and spinning me the tapes right
after the shows!This was an excellent show for 
the summer 95 run and this recording is superb
as well,unfortunately the dats no longer play so
this will be the best we can do for this recording!
As always ENJOY!

SOURCE 7 OF 12

gd1995-06-21.Nak300CP4.Heaton.Keo.115992.Flac2496

Source:

First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz

Taper Notes:

View NotesComments:Big thanks to Mr. Heaton for sharing
his masters with me and spinning me the tapes right
after the shows!This was an excellent show for 
the summer 95 run and this recording is superb
as well,unfortunately the dats no longer play so
this will be the best we can do for this recording!
As always ENJOY!

SOURCE 8 OF 12

gd1995-06-21.sndchk.fm.gmb.91352.flac16

Source:

FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT

Lineage:

Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 (iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise) > CD Wave > TLH > FLAC

SOURCE 9 OF 12

gd1995-06-21.fob.schoeps.sisler.stephens.76664.sbeok.flac1648

Source:

Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7

Lineage:

ascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz)

Taper Notes:

View Notesspot of diginoise in "It's All Too Much" at 05:44

SOURCE 10 OF 12

gd1995-06-21.fob.schoeps.sisler.stephens.76663.sbeok.flac16

Source:

Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7

Lineage:

Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > Flac Frontend 1.7.1

Taper Notes:

View Notesspot of diginoise in "It's All Too Much" at 05:44

SOURCE 11 OF 12

DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn

Taper Notes:

View NotesTapes provided by Tom and Roger.

SOURCE 12 OF 12

gd95-06-21.naks.5971.sbeok.shnf

Source:

Audience: Nakamichi 300's w/CP-4 caps

Lineage:

Nakamichi 300's w/CP-4 caps > Sony TCD-D7 (Oade Mod) > Tascam DA-20mkII > SBLive! (48-44.1) > CD Wave > mkwACT > SHN

Taper Notes:

View NotesNakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson