Slipknot!-> | 1991-09-20 | Grateful Dead

Bands

Featured

Grateful Dead

2,056 shows

16,447 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

176 shows

211 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,246 shows

1,992 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1991

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Sam Boyd Silver Bowl, U.N.L.V.

Sam Boyd Silver Bowl, U.N.L.V.

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Deer Creek Music Center

Deer Creek Music Center

Buckeye Lake Music Center

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Pine Knob Music Theater

Pine Knob Music Theater

Sandstone Ampitheatre

Bonner Springs, KS, USA

Sandstone Ampitheatre

Bonner Springs, KS, USA

Shoreline Amphitheater

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Shoreline Amphitheatre

Mountain View, CA, USA

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Madison Square Garden

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Polo Field, Golden Gate Park

San Francisco, CA, USA

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

3:04:08

7 tapes

Sources

SOURCE 1 OF 19

2:39:36

SBD

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 10, 2020

SHNID:

gd1991-09-20.149655.sbd.cm.miller.flac16

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 19

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net April 10, 2020

SHNID:

gd1991-09-20.149505.sbd.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 19

2:40:45

SBD

Taper:

PO and Stucco TINA Holmes

Transferrer:

Jamie Waddell

SHNID:

gd1991-09-20.138147.dsbd.GEMS.flac1648

Source:

<b>flac16/48kHz</b>; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017

Taper Notes:

View NotesThere are short bits of slight distortion here and there

Band:
Jerry Garcia
Bob Weir
Phil Lesh
Bill Kreutzmann
Mickey Hart
Vince Welnick
Bruce Hornsby

Sound:
Dan Healy

originally shared at www.shnflac.net

SOURCE 4 OF 19

2:41:32

SBD

Transferrer:

Matrix by Dave Usborne

SHNID:

gd1991-09-20.133731.mtx.dusborne.flac16

Source:

2 Source Matrix by Dusborne; Soundboard (shnid:034799) SBD > DAT > CDR > WAV > SHNv3 and Audience (shnid:101438) Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255; Set 2 - B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro 16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0

Taper Notes:

View NotesMatrix by dusborne

04-27-2015

twentydegreesofsolitude@gmail.com
-------------------------------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player 
capable of directly playing flac files. 
If converted to wav during processing, all tags 
will be stripped, however audio data will remain 
unaffected. If you must transcode to a lossy format, 
do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 04-27-2015

SOURCE 5 OF 19

gd1991-09-20.111352.mtx.fix.sirmick.sbeok.flac16

Source:

Matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7

Lineage:

mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; editing and matrix by SIRMick

Taper Notes:

View Notes- This is a fix of shnid 111333.  Love Light is now properly synced
- The sbd has repeated sections in "Bird Song" and "Drums", which have been removed.
- The aud has a tape flip in "Drums" which was previously crossfaded.  This has now been patched
   with the sbd.
- Seamless transition between discs 2 and 3


Thanks to the tapers for being there.


editing and matrix
SIRMick
December 2010

SOURCE 6 OF 19

gd1991-09-20.111333.mtx.sirmick.sbeok.flac16

Source:

matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7

Lineage:

mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; <a href="http://db.etree.org/shn/111352">Upgrade</a> in circulation

Taper Notes:

View Notes- The sbd has repeated sections in "Bird Song" and "Drums", which have been removed.
- The aud has a tape flip in "Drums" which was previously crossfaded.  This has now been patched
   with the sbd.
- Seamless transition between discs 2 and 3


Thanks to the tapers for being there.


editing and matrix
SIRMick
December 2010

SOURCE 7 OF 19

gd1991-09-20.sbd.ladner.tetzeli.fix-5700.34799.sbeok.shnf

Source:

Fix of shnid 5700

Taper Notes:

View NotesI made the transition between CDs 2 and 3 seamless.  Sector boundaries in CD 3 were fixed and verified using shntool.  Overlapping fade tracks were added to the end of CD 2 and the beginning of CD 3.  For seamless playback simply remove the fade tracks.

I also moved Boston from New York to Massachusetts.  Damn, I got a lot done in one day! ;-)

Bill Tetzeli (btet@adelphia.net)
3/30/2006

SOURCE 8 OF 19

gd91-09-20.sbd.ladner.21647.sbeok.shnf

SOURCE 9 OF 19

thanks to Andy 'Bear' G. for the seeds.

Transferrer:

DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L.

SHNID:

gd1991-09-20.sbd.ladner.5700.shnf

Source:

SBD > DAT > CDR > WAV > SHNv3

SOURCE 10 OF 19

Sirmick and Charlie Miller

SHNID:

gd1991-09-20.154501.s1.senn-me88.rogosa.miller.sirmick.flac16

Source:

Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k)

Lineage:

Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48

Taper Notes:

View NotesThanks to Dan Rogosa foir providing this source

Thanks to Charlie Miller for doing the transfer

edited and mastered
SIRMick
November 2021

SOURCE 11 OF 19

Sirmick and Charlie Miller

SHNID:

gd1991-09-20.148910.NeumanKMi86.dalton.miller.sirmick.flac1648

Source:

Source: Neuman KMi86 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Taper Notes:

View NotesThanks to Tim for his recording.

Thanks to Charlie Miller the transfer.


edited and mastered
SIRMick
February 2020

SOURCE 12 OF 19

2:44:31

SHNID:

gd1991-09-20.153420.mtx.photoleon.flac16

Source:

A photoLeon Matrix

Taper Notes:

View NotesMatrix Created in Adobe Audition by Joe Noel
September 15, 2021

Notes:
- Thanks to Dan O'Neill for the FOB recording & JC Mahoney for the transfer.
- Thanks to Don Pearson & Dan Healy for the SBD recording.
- Thanks to Charlie Miller for transferring & processing the SBD recording.
- Thanks to Jack Schlottman for the critique.
- the SBD was speed corrected
- The whistler in Bird Song was removed as was the piss'd off patron.

SOURCE 13 OF 19

2:16:24

SHNID:

gd1991-09-20.152512.cm100.fob.flac16

Source:

Nakamichi CM-100 (CP-4) > Casio DA-7 DAT (16/44,1) (FOB), 6' high on stand :)

Taper Notes:

View NotesVery interesting side note:
My GDTS "taper" ticket for this show was actually a FOB seat, due to some sort of seating screw up. I had a nice crowd around me. I got hassled by security before the show opener, and just showed them my stub, and was not bothered the rest of the night :). I received many "WTF??" looks from the main East Coast taping crews that I generally would see at about every show I ever went to. Lucky for me, the Taper's section at the Garden was the tightest space-wise I had ever experienced, even worse than Hartford :P
I experienced a similar benefit at the Worcester '87 shows :)

SOURCE 14 OF 19

2:44:32

Taper:

Recording by Dan O'Neill

Transferrer:

Transfer by JC Mahoney Edited & Mastered (Adobe Audition) by Joe Noel January 24, 2021

SHNID:

gd1991-09-20.151922.FOB-Schoeps.Master-DAT.ONeill.Mahoney.Noel.t-flac1648

Source:

Schoeps CMC34 (ORTF) > M1000 cables > Tao Research / Oade supply > Panasonic SV255 (48k) Location: FOB/DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand)

Lineage:

Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16/48

Taper Notes:

View NotesNotes:
- Set I fresh transfer & mastering of shnid 101438
- Set II new to circulation

SOURCE 15 OF 19

Rob Berger and Doug Lamarre

SHNID:

gd1991-09-20.139815.aud.liff.lamarre.berger.flac1648

Source:

<b>flac16/48kHz</b>; source: daud; taped by Dan Liff R.I.P; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger

SOURCE 16 OF 19

gd1991-09-20.AKG451.Currier.Keo.124202.Flac1644

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier for
recording and sharing his source for this show.Some
of Drums/Space missing but what is here makes up for
the missing specially the Help > Slip > Fire, what a 
sweet unexpected transiton when this happened the crowd
went crazy and we all embraced the welcoming sound of
those first few notes!Awesome to revisit this show 
again and remember how much fun was had for this run!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 17 OF 19

gd1991-09-20.AKG451.Currier.Keo.124201.Flac2496

Source:

Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Mr. Currier for
recording and sharing his source for this show.Some
of Drums/Space missing but what is here makes up for
the missing specially the Help > Slip > Fire, what a 
sweet unexpected transiton when this happened the crowd
went crazy and we all embraced the welcoming sound of
those first few notes!Awesome to revisit this show 
again and remember how much fun was had for this run!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

SOURCE 18 OF 19

James Young and Clay Brennecke and Dan Oneil

Transferrer:

Todd Evans and Jamie Waddell

SHNID:

gd1991-09-20.fob.oneil.brennecke-young.gems.101438.flac16

Source:

Set 2 Master DAT, Set 1 Clone of Master DAT Recording Equipment: Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255 Set 2 - B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: Set 1 FOB - Set 2 FOB Section BB Row 24 Seat 3

Lineage:

16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 (Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither)

Taper Notes:

View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994.  James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time!  Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS.

SOURCE 19 OF 19

gd1991-09-20.nak300.bleich.sirmick.94608.sbeok.flac16

Source:

Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 taped by John Bleich from section U, row k, seat 7

Lineage:

Master Cassette > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > flac

Taper Notes:

View NotesNotes:
- tapeflip after d1t05 crossfaded
- tapeflip in d2t07 crossfaded
- the tape was paused during the applause at the end of d3t03 to conserve tape, this has been crossfaded 
- seamless change between d2 and d3
- Thanks to John for lending me his masters
- mastered with iZotope Ozone and iZotope RX Advanced