Greatest Story Ever Told | 1991-09-17 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 12

2:44:23

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net June 7, 2020

SHNID:

gd1991-09-17.150054.sbd.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 12

gd1991-09-17.110644.dmtx.hansokolow.flac16

Source:

This is a matrix of these sources: SBD: shnid=12847 (SBD: DAT> CD> EAC> SHN) // DAUD: shnid=97390 (B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)

SOURCE 4 OF 12

SBD: DAT> CD> EAC> SHN

Taper Notes:

View NotesSBD: DAT> CD> EAC> SHN

SOURCE 5 OF 12

2:40:43

SHNID:

gd1991-09-17.167539.me88.rogosa.flac2496

SOURCE 6 OF 12

2:40:43

SHNID:

gd1991-09-17.167538.me88.rogosa.flac1644

SOURCE 7 OF 12

2:43:58

SHNID:

gd1991-09-17.151779.SennME88.rogosa.miller.sirmick.flac1648

SOURCE 8 OF 12

gd1991-09-17.nak300.gidley.121837.flac2448

Source:

OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012

Taper Notes:

View NotesNotes: Patch from ID-94213, crowd at end of IAON 7:22 >
BEW 0:19. Patch from ID-113421, Space 5:40 > 6:13.

SOURCE 9 OF 12

gd1991-09-17.113422.Nak300CP4.Floater.Keo.Flac1644

Source:

<b>flac16:</b> Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Trader's Little Helper

Taper Notes:

View NotesComment's:Another big thanks to Floater for the source tapes!
This is a fun show and an excellent recording!The only flaw is
some of the beginning of "Brown Eyed Women" gets cut from the
tape flip.As always,ENJOY!

SOURCE 10 OF 12

gd1991-09-17.113421.Nak300CP4.Floater.Keo.Flac2496

Source:

<b>flac24:</b> Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files

Taper Notes:

View NotesAnother big thanks to Floater for the source tapes!
This is a fun show and an excellent recording!The only flaw is
some of the beginning of "Brown Eyed Women" gets cut from the
tape flip.As always,ENJOY!

SOURCE 11 OF 12

2:45:31

Taper:

James Young and Clay Brennecke

Transferrer:

Todd Evans and Jamie Waddell

SHNID:

gd1991-09-17.fob.brennecke-young.GEMS.97390.flac16

Source:

B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB

Lineage:

16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008 Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging

Taper Notes:

View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994.  James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time!  Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. 

If you have questions or comments, Clay would love to hear from you - clayb@fobdfc.com - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - shnflac@gmail.com  -  todd@bluedakota.com

A **GEMS** Production  www.shnflac.net

SOURCE 12 OF 12

gd1991-09-17.senn-ME80.wklitz.94213.flac16

Source:

Sennheiser ME-80's>Technics SV-MD1 (DAT)

Lineage:

DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC