Let The Good Times Roll | 1991-09-14 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete
-- This file set is 16 bit @ 44.1

SOURCE 2 OF 15

2:35:40

SBD

Taper:

Don Pearson and Dan Healy

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net May 26, 2020

SHNID:

gd1991-09-14.149977.sbd.miller.flac2496

Source:

SBD > Cassette Master (TDK SA-X100)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple sets of masters were used to make this show complete

SOURCE 3 OF 15

gd1991-09-14.sbd.miller.32904.sbeok.flac16

Source:

SBD -> Dat -> CD D

Lineage:

CD -> Samplitude Professional v7.02 -> FLAC

Taper Notes:

View NotesPatch Info:
Desolation Row patched from 0:48 - 4:07 with SBD Cassette Master
Notes:
-- Thanks to David Gans for supplying the patch source

SOURCE 4 OF 15

gd1991-09-14.110643.dmtx.hansokolow.flac16

Source:

This is a matrix of these sources: SBD: shnid=77789 (SBD -> Dat -> CD) // DAUD: shnid=97388 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)

SOURCE 5 OF 15

gd1991-09-14.sbd.hinko.77789.sbeok.flac16

Source:

Clean up of SHNid=32904 by Darryl Hinko

Taper Notes:

View NotesCleaned up by Darryl Hinko using Cool Edit Pro.  Thanks to Charlie
Miller for the original files.  Most of the bass buzz is gone in
this source along with a bunch of other problems.  Slight changes
to the tracking.  Not that there were any problems with the
tracking, but I had to join everything together which meant I had
to recut it.

SOURCE 6 OF 15

gd91-09-14.sbd.kowalski.522.sbeok.shnf

Source:

sbd> dat> cd> eac> shn

Taper Notes:

View Notessbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet
etreed

SOURCE 7 OF 15

Charlie Miller, Mark Goldey

SHNID:

gd1991-09-14.167491.me88.rogosa.flac2496

Source:

2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)

Lineage:

Transfer: MC (MX-90, 100) > Nak Dragon (no Dolby) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 11 (tracking, patch, cross-fades, DDI Codec (Dolby B @ -20.8 dBFS)) > FLAC 2496

Taper Notes:

View NotesPitch corrected against Dan's DAT, SHNID 151340, which also provides a patch for the tape flip during Drums.  The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two.

Enjoy!

--mhg:  2024-04-26

SOURCE 8 OF 15

Charlie Miller, Mark Goldey

SHNID:

gd1991-09-14.167490.me88.rogosa.flac1644

Source:

2x Senn ME88s (stand, OTS) > TCD-D3 > line out > TCD-D5 (Dolby B)

Lineage:

Taper Notes:

View NotesPitch corrected against Dan's DAT, SHNID 151340, which also provides a patch for the tape flip during Drums.  The other flips were during crowd noise and were removed, along with some of the crowd before the encore, shortening the show compared to the DAT by a minute or two.

Enjoy!

--mhg:  2024-04-26

SOURCE 9 OF 15

Sirmick and Charlie Miller

SHNID:

gd1991-09-14.151340.SennME88.rogosa.miller.sirmick.flac1648

Source:

Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k)

Lineage:

Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48

Taper Notes:

View Notes
Many thanks to Dan for another fine recording and to Charliw miller for the transfer


edited and mastered
SIRMick
January 2021

SOURCE 10 OF 15

Sirmick and Charlie Miller

SHNID:

gd1991-09-14.147629.FOB-BK4011.dalton.miller.sirmick.flac1648

Source:

(FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Taper Notes:

View Notes02cc55d3c60864cd558c4a5ee42b9d2a *gd1991-09-14s1t01.flac
e3c0751bd63b367502f4961c85eafb73 *gd1991-09-14s1t02.flac
815c6f9d3c0ef0b5924cb166572704f5 *gd1991-09-14s1t03.flac
af2070755e84985d8cfe44d2cfe76dff *gd1991-09-14s1t04.flac
5541d252705c76ecd9a593c691b487a9 *gd1991-09-14s1t05.flac
07935730e929ac96fc94443a60af9b98 *gd1991-09-14s1t06.flac
413a9a6052aa1735c5b4fb3af9ade4af *gd1991-09-14s1t07.flac
970b805d745c83662b800a5d933b9c5c *gd1991-09-14s1t08.flac
dc884b43e9bf85cf05bdba5c952ff26c *gd1991-09-14s1t09.flac
f772d4b6d617363b054513e708e899ac *gd1991-09-14s2t01.flac
22220a24f6c9f2f840c99311dc7e56a8 *gd1991-09-14s2t02.flac
50d5fe501eea203a2f229c6ced7726d8 *gd1991-09-14s2t03.flac
f7770c9e419ce389e5a3d37bf6d8f0fa *gd1991-09-14s2t04.flac
b15a2af9739ee93e942b6b034321a346 *gd1991-09-14s2t05.flac
58f1e425789d2b5475ef693f8dfdee88 *gd1991-09-14s2t06.flac
bfb62983fa17a2fcb1d6b97d9e3790c6 *gd1991-09-14s2t07.flac
67d85baeaf626a5599b98f77028fcf7a *gd1991-09-14s2t08.flac
a6bee9974c2cac56c58f38a007b1ab17 *gd1991-09-14s2t09.flac
da286562f5643f608a2d86b4f013d283 *gd1991-09-14s2t10.flac
04673c0b60a8a3e87af2b9fc153ab028 *gd1991-09-14s2t11.flac
310c22b48a21089a3fd20c8b7c04f356 *gd1991-09-14s2t12.flac
89bd2a2ae2319ca6935bbc4e99a79d7d *gd1991-09-14s2t13.flac
eb64f31600127f52280e4781f580faf4 *gd1991-09-14s2t14.flac

SOURCE 11 OF 15

gd1991-09-14.138918.cmc34.flac16

Source:

<b>flac16/48kHz</b>; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k);

Lineage:

(DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, FOB/DFC

SOURCE 12 OF 15

gd1991-09-14.nak300.gidley.122035.flac2448

Source:

OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012

Taper Notes:

View NotesNote: ID-25318 patches; crowd end of FOTD 8:37 > Rooster 
0:04, crowd end of Jackaroe 4:46 > Desolation Row 0:13, 
and Space 0:04 > 0:23.

SOURCE 13 OF 15

gd1991-09-14.nak300.bleich-sirmick.111250.sbeok.flac16

Source:

Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC;

Lineage:

MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich

Taper Notes:

View NotesPatches:

Little Red Rooster 6:18 - 6:21
Jack-A-Roe last 8 seconds
Desolation Row first 4.5 seconds
Drums 8:48 - 8:53

Patch source:

B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro (shnid 97388)
Recording Location: FOB
Lineage: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008
Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging

- Seamless transition between discs 2 and 3


Many thanks to John


edited and mastered
SIRMick
December 2010

SOURCE 14 OF 15

James Young and Clay Brennecke

Transferrer:

Todd Evans and Jamie Waddell

SHNID:

gd1991-09-14.fob.brennecke-young.GEMS.97388.flac16

Source:

B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB

Lineage:

16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008 Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC with Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging

Taper Notes:

View NotesThe James Young & Clay Brennecke FOB Vault - a GEMS Production
May 2008 ... we are in progress with The James Young and Clay Brennecke FOB Vault Transfer Project. We have all the Master DATs and are hard at work transferring, editing and soon to be releasing the shows Clay & James recorded from 1991 through 1994.  James and Clay began recording with B&K 4011 microphones and a Sony Pro DAT in the Spring of 1991. Summer 1991 mainly saw recordings from the Front Row Dead Center of the Official Taper Section (OTS). June 28, 1991 was their first FOB Recording. And starting with Fall 1991, all of their recordings were All FOB All The Time!  Early they recorded with the B&K 4011 Cardiod Mics in the ORTF pattern into a Modified Sony Pro DAT Deck. In 1993, James traded in the B&K's for the AMS ST-250 Soundfield Mic and recorded in the Blumlein pattern into the modified Sony Pro DAT Deck. We are starting at the beginning and working our way to the end of this vault. Spring 1991 through 1994. We have added artwork for CD's and included an m3u playlist for import into your choice of PC/MAC media player ... and if your player supports FLAC, all you have to do is place the folder where you plan to store the files and import the playlist - tracks, tagged and with art are ready for you. We hope you enjoy their body of recording work. ------- Todd & Jamie - Project GEMS. 

If you have questions or comments, Clay would love to hear from you - clayb@fobdfc.com - and of course Jamie (**__**) and I (bluedakota) welcome any input you may have - shnflac@gmail.com  -  todd@bluedakota.com

A **GEMS** Production  www.shnflac.net

SOURCE 15 OF 15

gd1991-09-14.nak300.lynn.25318.sbeok.flac16

Source:

NAK CM 300s + CP4->Casio DA7

Lineage:

Sony 60 ES-> Emagic AudiowerkII -> Soundforge (record/resample) -> CDWAV (track) -> FLAC

Taper Notes:

View NotesRecorded and converted by Mark Lynn: lynnzzz@comcast.net

Location:On The Floor Directly Behind The Soundboard In Front Of The Official Taper Section 

^^Promised Land is from a different audience source.My first set battery died as they were starting this song. I cloned it from the guy next to me who was running a Sony single point stereo mic into a Sony D 10 Pro.