Spa..ce > The Other One Jam > (Tape Flip) | 1991-03-25 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Jam out of Spoonful sounds like Nobody's Fault But Mine meets Russian Lullaby
-- Thanks to Dave Brotman, Jeff Metchick and Joe Noel for the patch source

SOURCE 2 OF 14

2:53:26

SBD

gd1991-03-25.sbd.miller.87731.sbeok.flac16

Source:

SBD -> Dat -> Cassette Master (TDK SA-X100) D

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->

Taper Notes:

View NotesPatch Info:
Nakamichi 300/CP4 -> Dat -> Sound Forge -> CD (shnid=84645) supplies:
It's All Over Now (0:00 - 0:09)
Space (6:31 - 6:54)
Notes:
-- Set 2 is seamless
-- Jam out of Spoonful sounds like Nobody's Fault meets Russian Lullaby
-- Playing In The Band was started 2 nights earlier

SOURCE 3 OF 14

2:53:58

SBD

SHNID:

gd1991-03-25.154463.UltraMatrix.sbd.cm.miller.t.flac16

SOURCE 4 OF 14

2:58:24

Taper:

Master Digital FOB Recording by Dave Brotman & Jeff Metchick

Transferrer:

Transfer By Charlie Miller Edited & Mastered using Adobe Audition by Joe Noel March 12, 2020

SHNID:

gd1991-03-25.149547.FOB.Schoeps.Brotman.Metchick.Miller.Noel.t-flac1648

Source:

Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48) Location: FOB three rows in front of soundboard

Lineage:

Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48

Taper Notes:

View NotesNotes;
- Thanks to Dave Brotman & Jeff Metchick for recording & sharing
- Thanks to Ted Mattes for all his efforts coordinating this.
- Thanks to Charlie Miller for the transfer.
- Thanks to Tim Dalton for suppling the patch source.
- taper bust @ 5:29 of T. Jed

Patch;
- shnid 146016 (Nak 300) supplies
- s1t08; 05:46 - end of set
- PiTB is finished from the 23rd

SOURCE 5 OF 14

Sirmick and Charlie Miller

SHNID:

gd1991-03-25.146016.nak300-shotgun-omni-mix.dalton.miller.sirmick.flac1648

Source:

Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton

Lineage:

Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648

Taper Notes:

View NotesThanks to Tim Dalton for his recording

Thanks to Charlie Miller for the transfer


edited and mastered
SIRMick
April 2019

SOURCE 6 OF 14

1:39:05

Transferrer:

John Ammons and Joe Noel

SHNID:

gd1991-03-25.138814.set2.FOB.Schoeps.Ammons.Noel.t-flac16

Lineage:

from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edited & Mastered in Audacity, exported > flac 16/48; Checksum & tags created in xACT

Taper Notes:

View Notes- Mic adjustments at the onset have been smoothed over.
- Welcome to the sweet spot.
- A little plaintive tune outta Spoonful.
- PITB is finished from the 23rd

SOURCE 7 OF 14

gd1991-03-25.133309.Nak300sSenn441s.Fitzy.Keo.Flac2496

Taper Notes:

View Notes* Patches Used From Mr. Baker's Masters Nak300CP4s + Senn441s >
    Sony D6, Same Transfer Lineage From DSD Files 2015 *

 Comments:Another Huge Thanks out to Fitzy for 
recording and sharing his source for this show!
Some songs with missing starts and ends, thanks
to Mr. Baker for the patch source used for them.
All and all another excellent share from the 
Fitzy collection of masters and the Grateful
Dead's Spring 1991 Tour!!!!
AS ALWAYS ENJOY!!!!!!!!!!

SOURCE 8 OF 14

gd1991-03-25.133308.Nak300sSenn441s.Fitzy.Keo.Flac1644

Taper Notes:

View Notes* Patches Used From Mr. Baker's Masters Nak300CP4s + Senn441s >
    Sony D6, Same Transfer Lineage From DSD Files 2015 *

 Comments:Another Huge Thanks out to Fitzy for 
recording and sharing his source for this show!
Some songs with missing starts and ends, thanks
to Mr. Baker for the patch source used for them.
All and all another excellent share from the 
Fitzy collection of masters and the Grateful
Dead's Spring 1991 Tour!!!!
AS ALWAYS ENJOY!!!!!!!!!!

SOURCE 9 OF 14

gd1991-03-25.AKG451.Currier.Keo.122507.Flac1644

Source:

Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Huge Thanks out to Mr. Currier for
recording and sharing his source for this show!A few right
channel drops during space after the tape flip but very
minut and not a total loss of music,other than that a 
flawless set of pristine masters from Mr. Currier's collection!
Thank You Kindly, Kind Sir!!!!!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!

SOURCE 10 OF 14

gd1991-03-25.AKG451.Currier.Keo.122506.Flac2496

Source:

Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Huge Thanks out to Mr. Currier for
recording and sharing his source for this show!A few right
channel drops during space after the tape flip but very
minut and not a total loss of music,other than that a 
flawless set of pristine masters from Mr. Currier's collection!
Thank You Kindly, Kind Sir!!!!!!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!

SOURCE 11 OF 14

gd1991-03-25.Nak300CP4.Floater.Keo.111860.flac2496

Source:

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz

Taper Notes:

View NotesHuge thanks to Floater for these source tapes to
work on!This run of shows was a lot of fun and as always
the boys didn't dissapoint us at the Knick and put on 
another fine show!Enjoy!

SOURCE 12 OF 14

gd1991-03-25.Nak300CP4.Floater.Keo.111859.flac1644

Source:

Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Traders Little Helper

Taper Notes:

View NotesHuge thanks to Floater for these source tapes to
work on!This run of shows was a lot of fun and as always
the boys didn't dissapoint us at the Knick and put on 
another fine show!Enjoy!

SOURCE 13 OF 14

gd1991-03-25.senn-me80.wklitz.91972.flac16

Source:

Sennheiser ME-80's>Techics SV-MD1

Lineage:

DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC

SOURCE 14 OF 14

gd1991-03-25.nak300.andrewf.84645.sbeok.flac16

Source:

Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in front row of taper's section, one seat off center. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up).

Lineage:

MAD > Sony D10-P > Coax SPDIF > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC.

Taper Notes:

View NotesNotes: 
- Deck was accidentally paused at 0:17 in Shakedown for aprx 5 seconds. 
- Soundforge used to make fades, and for 48kHz > 44.1kHz resample. 
- TLH used for SBE-OK, FLAC compression, and making checksums. 
- Discs two and three can be rejoined seamlessly onto longer media.