Devil With The Blue Dress On > Good Golly Miss Molly > Devil With The Blue Dress On | 1987-09-09 | Grateful Dead

View NotesNotes:
-- Playing In The Band tease before Drums
-- All Along The Watchtower tease out of The Wheel
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 2 OF 13

2:14:53

SBD

gd1987-09-09.sbd.miller.106823.flac16

Source:

SBD -> Cassette Master (TDK SA-X90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16

Taper Notes:

View Notes-- Watchtower tease out of The Wheel
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 3 OF 13

gd87-09-09.sbd.miller.21014.sbeok.shnf

Source:

Recording Info:SBD -> Cassette Master -> Dat

Taper Notes:

View NotesRecording Info:
SBD -> Cassette Master -> Dat
Transfer Info #1:
Dat (Tascam DA-20mkII) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700)
Transfer Info #2:
CD (Plextor 48/24/48A) -> EAC (v0.9 beta 4)-> Samplitude v7.02 Professional -> SHN
All transfers and edits by Charlie Miller

SOURCE 4 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-09.151427.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Andrew F. for the Nakamichi 300 source which supplies the first 0:52 of "Hey Pocky Way", as well as a 0:32 patch in the "Drums > Space" transition
- Wheel space included in "The Wheel"
- Watchtower tease before "Gimme Some Me Lovin'"
- Pitch corrected

Mastered by Scott Clugston
November 2020

SOURCE 5 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1987-09-09.151426.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Andrew F. for the Nakamichi 300 source which supplies the first 0:52 of "Hey Pocky Way", as well as a 0:32 patch in the "Drums > Space" transition
- Wheel space included in "The Wheel"
- Watchtower tease before "Gimme Some Me Lovin'"
- Pitch corrected

Mastered by Scott Clugston
November 2020

SOURCE 6 OF 13

gd1987-09-09.ecm220t.keshavan.miller.106827.flac16

Source:

Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16

Taper Notes:

View Notes-- Thanks to Rango Keshavan for lending me his masters

SOURCE 7 OF 13

2:09:59

SHNID:

gd1987-09-09.156740.nak300.carpenter.flac1644

SOURCE 8 OF 13

gd1987-09-09.nak300.morris.crazyfingers.106591.flac16

Source:

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

SOURCE 9 OF 13

gd1987-09-09.nak300.damico.90033.sbeok.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5 D

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D

SOURCE 10 OF 13

gd1987-09-09.nak300.andrewf.75532.sbeok.flac16

Source:

Nakamichi CM-300\'s with CP-4 shotgun capsules >Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby

Lineage:

MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC

Taper Notes:

View NotesThe \"Nak-300\'s > Sony D5\" source from LMA was used
for patching. The patches are located at 0:02 thru 0:10 of
The Wheel, and 8:30 of Not Fade Away thru 0:12 of Not Fade
Away Reprise (mostly crowd noise). Soundforge was used for
the patches and to make fades.

SOURCE 11 OF 13

Thanks to Steve Aserkoff for the discs!

Transferrer:

Peter Braverman

SHNID:

gd1987-09-09.aud.braverman.10161.shnf

Source:

Audience (but see note below)

Lineage:

Master Cassette> DAT> CD> SHN (unconfirmed but likely)

Taper Notes:

View NotesThis came to me as a supposed Matrix recording, but this is from an audience source. There is a ton of crowd noise, and there is altogether too much reverb around the vocals to think that Healy put it there (as opposed to the room). Check the first couple lines of "West LA," for instance, or the "inside the coliseum" line from "Masterpiece." The bass is also distant, a hallmark of audience recordings, even good ones. Overall, the issue for me is that the crowd is often louder than the music, especially during the relatively quiet parts (the intro to "FOTD," the nearly inaudible drums in the intro to "Cassidy," "China Doll") -- this is never the case on a true Matrix. Assuming it's an audience recording, it's a very good one, but not outstanding.

Stephen Porter's audience cassette supplies the first 1:28 of China Cat Sunflower, which is mostly tuning.

It's not clear the world needs another seed of this (the etree db already shows two at this point), but it's a pretty high-energy show. Thanks to Steve Aserkoff for the discs! Tracked, normalized, and seeded by Peter Braverman (braverman@earthlink.net), June 2002.

SOURCE 12 OF 13

Nak DR1 using Azimuth adjustment > Sony PCMR500 DAT with SBM ON for A>D > Turtle Beach Montego II Digital I/O sound card >CDWav > Shorten

SHNID:

gd87-09-09.sony.dnc.8598.sbeok.shnf

Source:

OTS > Sony ECM220T mics > Sony TCDM5 Cassette deck > Maxell MX90 tapes NO DOLBY

Taper Notes:

View NotesRecorded:  Sec: 8, Row: E, Seat: 4 (Taper's Section)
Sony ECM220T mics > 
Sony TCDM5 Cassette deck > 
Maxell MX90 tapes NO DOLBY

Digitizing process:  
Nak DR1 using Azimuth adjustment > 
Sony PCMR500 DAT with SBM ON for A>D > 
Turtle Beach Montego II Digital I/O sound card >
CD Waves > Cool Edit for putting waves together >
CDWav for breaking up wav > Shorten
; via DNC vine

SOURCE 13 OF 13

gd87-09-09.naks.valis-under.6686.sbeok.shnf

Source:

Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten

Taper Notes:

View NotesNak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten; via valis_under