Gimme Some Lovin' > | 1987-03-24 | Grateful Dead

View NotesSBD + AUD Matrix 2 Source Mix 

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 25-MAY-2018 - Trader Little Helper
- Tagged 25-MAY-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 2 OF 18

2:11:15

SBD

Transferrer:

Kevin Tobin

SHNID:

gd1987-03-24.142041.mtx.tobin.flac2496

Source:

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix (96/24)

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 25-MAY-2018 - Trader Little Helper
- Tagged 25-MAY-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 3 OF 18

gd1987-03-24.140920.UltraMatrix.sbd.cm.miller.flac1644

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-R90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete
-- This file set is 16 bit

SOURCE 4 OF 18

gd1987-03-24.140805.sbd.miller.flac2496

Source:

Ultra Matrix SBD > Cassette Master (TDK MA-R90)

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Two sets of masters were used to make this show complete

SOURCE 5 OF 18

gd87-03-24.set2-sbd.miller.25581.sbeok.shnf

Source:

Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller

Taper Notes:

View NotesSet 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller

SOURCE 6 OF 18

Scott Clugston, Charlie Miller

SHNID:

gd1987-03-24.163462.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Greg Holtz and Mike Rice (RIP) for the Nakamichi 104 source which supplies some crowd and the beginning of "Let It Grow", as well as a 0:43 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2020

SOURCE 7 OF 18

Scott Clugston, Charlie Miller

SHNID:

gd1987-03-24.163461.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Greg Holtz and Mike Rice (RIP) for the Nakamichi 104 source which supplies some crowd and the beginning of "Let It Grow", as well as a 0:43 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2020

SOURCE 8 OF 18

gd1987-03-24.142040.pp-aud.hill.tobin.flac1644

Source:

<i>Patched & Pitch Corrected Audience</i> (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin

Taper Notes:

View NotesPatched and pitch corrected audience (44/16)

SOURCE 9 OF 18

gd1987-03-24.142039.pp-aud.hill.tobin.flac2496

Source:

Taper Notes:

View NotesPatched and pitch corrected audience (44/16)

SOURCE 10 OF 18

gd1987-03-24.135546.set2.chasingwilma.flac24

Source:

Set 2 source: neuman kmr 184 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 11 OF 18

gd1987-03-24.Senn441.Hill.Keo.131807.Flac2496

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge Thanks out to Steve for recording 
and sharing his source for this show!Some tape pauses
present between songs for the first set and again at
the start of Space.All and All another excellent share
from the Hill collection of masters and the Grateful
Dead's Spring 1987 Tour!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!

SOURCE 12 OF 18

gd1987-03-24.Senn441.Hill.Keo.131806.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:A Huge Thanks out to Steve for recording 
and sharing his source for this show!Some tape pauses
present between songs for the first set and again at
the start of Space.All and All another excellent share
from the Hill collection of masters and the Grateful
Dead's Spring 1987 Tour!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!

SOURCE 13 OF 18

gd1987-03-24.senn441fob.scarletdog.126241.flac16

Source:

2 Sennhesier 441s and Sony TC-D5m Cassette Master; FOB;

Lineage:

Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670

Taper Notes:

View Notes* Ah, yes - the excitment of fob taping - some bad level adjustments in the first couple minutes of Jack Straw

** I obviously wasn't the first deck in line and someone in front of me didn't know how to hold their record button down - two cuts in the beginning of Let It Grow.

SOURCE 14 OF 18

Greg Holtz & Mike Rice

Transferrer:

Jamie Waddell

SHNID:

gd1987-03-24.nak.holtz.gems.91254.sbeok.flac16

Source:

Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder - located just at the right front lip of the soundboard.

Lineage:

master cassette> tascam112mkII>presonus firestudio>firewire>Wavelab 6.0

SOURCE 15 OF 18

gd1987-03-24.nak300.damico.89110.sbeok.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5 D

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D

SOURCE 16 OF 18

gd1987-03-24.senn.koucky.gmb.77915.sbeok.flac16

Source:

Sennheiser ME88 shotguns > Sony D6 > TDKMA90s

Lineage:

MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding)

SOURCE 17 OF 18

gd87-03-24.schoeps.weber-small.gardner.10354.sbeok.shnf

Source:

FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT

Taper Notes:

View NotesFOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 
Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks

SOURCE 18 OF 18

2:09:41

Transferrer:

Stephen B. Porter; Seeded to etree by Peter Braverman

SHNID:

gd1987-03-24.nak300.braverman.10077.shnf

Source:

AUD (Nakamichi 300/Sony D-5)

Lineage:

Nakamichi BX-300 > CD > SHN

Taper Notes:

View NotesKnown issues:

Crossfades placed between songs in the first set where some of the crowd noise is missing.

There is a fade right at the beginning of Let It Grow. It's unclear if any music is missing.

Tape flip at 3:24 of drums; only a few seconds missing.

Tape flip between drums and space.

Thanks to Stephen B. Porter, wherever he is these days, for the excellent recording. Seeded by Peter Braverman (braverman@earthlink.net), June 2002.