Bogus Ticket Rap/Crowd/Tuning | 1987-03-22 | Grateful Dead

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 22-JUN-2017 - Trader Little Helper
- Tagged 22-JUN-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 2 OF 15

2:16:12

SBD

Transferrer:

Kevin Tobin

SHNID:

gd1987-03-22.138633.dts.tobin.flac16

Source:

DTS-Audio-CD 5.1 Mix; SBD (shnid = 25580)Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller + AUD (shnid = 77199) Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky.

Lineage:

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 22-JUN-2017 - Trader Little Helper
- Tagged 22-JUN-2017 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 3 OF 15

gd87-03-22.sbd.miller.25580.sbeok.shnf

Source:

Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller

Taper Notes:

View NotesRecording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller

SOURCE 4 OF 15

2:21:02

SBD

SHNID:

gd1987-03-22.147634.UltraMatrix.sbd.cm.miller.flac16

SOURCE 5 OF 15

Jamie Waddell and Jim Blackwood

SHNID:

gd1987-03-22.mtx.peterson.GEMS.123019.flac16

Source:

SBD/AUD Matrix master tapes recorded by Don Pearson; transferred by Jim Blackwood; mastered by Jamie Waddell at 24/96 src with Weiss Saracon to 16/44.1; Tracked in CD Wave Editor; Tag&Rename for Meta Data; TradersLittleHelper for FLAC (Level 8 by Patrick White(wharfratpat@shnflac.net)

Taper Notes:

View NotesAll files have been meta-data tagged appropriately.
Please do not manipulate this recording in any way. Please do not dub to analog tape or convert to MP3 (or any other lossy format) and circulate.
If you would like to re-seed this torrent in the future, please use the exact files contained in the torrent with no file or ID tag manipulation. This will insure that the FLAC fingerprints, ST5 and MD5 hashes verify, keeping the integrity of the torrent intact.

SOURCE 6 OF 15

gd87-03-22.sbd.clugston.9734.sbefail.shnf

Source:

Master Soundboard Cassette (Ultra-Matrix) > Reel to Reel > PCM > CDR

Taper Notes:

View NotesMaster Soundboard Cassette (Ultra-Matrix) > Reel to Reel > PCM > CDR; CD Mastering, SHN'ed by Scott Clugston; To abgd via Charlie Connor

SOURCE 7 OF 15

gd1987-03-22.138632.mtx.tobin.flac16

Lineage:

from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44 > Wave; Joe Noel Edits: T,F,P & P: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 22-JUN-2017 - Trader Little Helper
- Tagged 22-JUN-2017 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

SOURCE 8 OF 15

gd1987-03-22.135544.chasingwilma.flac24

Source:

lineage: sennheiser 421 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 9 OF 15

gd1987-03-22.132232.AKG224.Hill.Keo.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; AKG D224Es "8" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Intense Crowd to start, some tape pauses between 
tracks for the first set and also some higher 
recording levels through out both sets. Still 
all and all another excellent share from the
Hill collection of masters and the Grateful 
Dead's 1987 Spring Tour!!!!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!

SOURCE 10 OF 15

gd1987-03-22.132231.AKG224.Hill.Keo.Flac2496

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; AKG D224Es "8" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename

SOURCE 11 OF 15

gd1987-03-22.akg451.scarletdog.fixed.126109.flac16

Source:

2 AKG 451s with CK-8 Capsules and Sony TC-D5m Cassette MasterTaping Section;

Lineage:

Playback Maxell XLII-S cassette masters on Sony TC-D5m to Marantz PMD-670 (note: on the original source tracks 15 & 16 will not decode to .wav; a fixed version mow circulates)

Taper Notes:

View Notes* First Generation, I don't remember why

SOURCE 12 OF 15

gd1987-03-22.nak300.damico.89045.sbeok.flac16

Source:

nak 300 mics w/ cp4 shotguns > sony d-5 D

Lineage:

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend D

SOURCE 13 OF 15

gd1987-03-22.nak104.holtz.gems.88595.sbeok.flac16

Source:

Nakamichi CM-100 mics with CP-4 shotgun capsules

Lineage:

GEMS Edit Station > Cdwave > level 8 TLH

SOURCE 14 OF 15

gd1987-03-22.senn_me88.koucky.gmb.77199.sbeok.flac16

Source:

Sennheiser shotguns > Sony D6 > TDKMA90s

SOURCE 15 OF 15

gd87-03-22.schoeps.weber-small.dnk.3854.sbefail.shnf

Source:

FOB Schoeps CMC441 > Oade P.S. > Sony PCMF1

Taper Notes:

View NotesFOB Schoeps CMC441 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; Tranfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; <a href="http://groups.yahoo.com/group/dankseeds/files/gd87-03-22/" rel="nofollow">QC</a> by <a href="http://groups.yahoo.com/group/dankseeds/" rel="nofollow">dankseeds</a>