Don't Ease Me In | 1986-03-25 | Grateful Dead

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 09-MAR-2019 - Trader Little Helper
- Tagged 09-MAR-2019 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 2 OF 20

2:14:51

SBD

Transferrer:

Kevin Tobin

SHNID:

gd1986-03-25.145618.PandP-sbd.tobin.flac16

Source:

Patched and pitch corrected soundboard (44/16)

Taper Notes:

View NotesPatches during start of Desolation Row and close to the end of Drums. This recording was extremely fast - about 1 second per minute

Brokedown House Production

SOURCE 3 OF 20

gd86-03-25.sbd.braverman-munder.9880.sbeok.shnf

Source:

Shntool fix by Willy of previous <a href= "http://db.etree.org/shninfo_detail.php?shnid=9404">Braverman</a> seed

Taper Notes:

View NotesShntool fix by Willy of previous <a href="http://db.etree.org/shninfo_detail.php?shnid=9404" rel="nofollow">Braverman</a> seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start

SOURCE 4 OF 20

2:14:02

SBD

Transferrer:

Rob Harrison and Peter Braverman

SHNID:

gd1986-03-25.sbd.braverman.9404.shnf

Source:

Soundboard

Lineage:

Master Cassette> DAT> CD> SHN

Taper Notes:

View NotesKnown flaws:

Desolation Row cuts in abruptly at the vocal, the result of a tape flip.

Thanks to Rob Harrison for the discs. Seeded by Peter Braverman
(braverman@earthlink.net), May 2002.

SOURCE 5 OF 20

Scott Clugston and Charlie Miller

SHNID:

gd1986-03-25.151099.senn441.mattes.miller.clugston.flac2496

Source:

Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master cassettes
- Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08)
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
December 2019

SOURCE 6 OF 20

Scott Clugston and Charlie Miller

SHNID:

gd1986-03-25.151098.senn441.mattes.miller.clugston.flac1648

Source:

Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes for the master cassettes
- Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08)
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
December 2019

SOURCE 7 OF 20

gd1986-03-25.139773.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644

Source:

Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller

Lineage:

DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT

Taper Notes:

View Notes- DAT clone of Bryant's master
- Hints of Revolutionary Hamstrung Blues after hints of IMBTR after CC Rider
- Starting out the second set, Healy invites a little chaos.
- Phil, he's going back to Cuernavaca.
- Bob musta got some, he thanks Philly (once again).

SOURCE 8 OF 20

2:13:27

Taper:

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1986-03-25.156081.beyerm201-murtha.holbrook.flac2448

Source:

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]

Lineage:

Taper Notes:

View Notesnote:
++ Bobby says before they start playing, "This next one is in the key of F...I think"
## First time played
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

SOURCE 9 OF 20

2:13:29

Taper:

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1986-03-25.156080.beyerm201-murtha.holbrook.flac1644

Source:

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]

Lineage:

Taper Notes:

View Notesnote:
++ Bobby says before they start playing, "This next one is in the key of F...I think"
## First time played
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

SOURCE 10 OF 20

2:14:49

Transferrer:

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

SHNID:

gd1986-03-25.145624.5-1.tobin.flac1648

Source:

5.1 LPCM Surround Sound Mix (48k)

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 09-MAR-2019 - Trader Little Helper
- Tagged 09-MAR-2019 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 11 OF 20

2:14:51

SHNID:

gd1986-03-25.145619.PandP-aud.tobin.flac16

SOURCE 12 OF 20

gd1986-03-25.127540.chasingwilma.flac24

Source:

source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 13 OF 20

gd1986-03-25.117825.BeyerM160.d5scott.flac16

Source:

Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notesnote:
* There are gaps that are filled in with this alternative source: 
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 14 OF 20

gd1986-03-25.senn441.mccue.ford.111954.sbeok.flac16

Source:

MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford

Taper Notes:

View NotesComments:

- * First time played


Notes:

- Set One tape flip patched with shnid 3188 (Beyer Dynamic M88 > Sony TC-D5M)
- Set Two tape flip patched with shnid 102169 (Nakamichi cm 100's w/shotguns > Sony TC-D5) 
- SBE Free. Files meta tagged with Tag&Rename. All editing and mastering with UAD-1 in 24/88.2.

SOURCE 15 OF 20

Jon Pasternak and Dave Mallick

SHNID:

gd1986-03-25.nak300.pasternak.mallick.105580.flac16

Source:

Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)

Lineage:

Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors

SOURCE 16 OF 20

gd1986-03-25.nak100.holtz.jaz.102169.flac16

Source:

2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5

Lineage:

Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8

SOURCE 17 OF 20

gd1986-03-25.nak300.damico.87672.flac16

Source:

nak 300 mics w/ cp4 shotguns

Lineage:

nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

SOURCE 18 OF 20

gd1986-03-25.nak300.mandel.80002.shnf

Source:

Nakamichi 300 Shotguns CP4's & Sony TCD5M

Lineage:

Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

Taper Notes:

View NotesNote - Disc1  Flip after It Must Have Been the Roses

Note - Disc 2 goes over 80 minutes, you can either move the encore or tuning/space to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start .
flip - after Drums/Space

SOURCE 19 OF 20

gd1986-03-25.nakcm304.suraci.sbeok.79901.flac16

Source:

Nak CM304's>Sony D5

Lineage:

Nak CR5A>Lunatec V3>SD722

Taper Notes:

View Notes# first Desolation Row, also a tape flip at the 9:42 mark.
* Recorded from directly behind SBD, very close to center.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

SOURCE 20 OF 20

gd86-03-25.beyer.connor.3188.sbeok.shnf

Source:

AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (

Taper Notes:

View NotesAUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR  redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min