Shakedown Street -> | 1985-04-07 | Grateful Dead

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 14-OCT-2017 - Trader Little Helper
- Tagged 14-OCT-2017 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 2 OF 27

2:20:38

SBD

Transferrer:

Matrix by Kevin Tobin DTS

SHNID:

gd1985-04-07.139541.dts.tobin.flac16

Source:

DTS-Audio-CD 5.1 Mix; - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix


More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 3 OF 27

2:20:38

SBD

Transferrer:

Matrix by Kevin Tobin

SHNID:

gd1985-04-07.139540.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 14-OCT-2017 - Trader Little Helper
- Tagged 14-OCT-2017 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

SOURCE 4 OF 27

2:22:00

SBD

Transferrer:

Matrix by Dave Usborne

SHNID:

gd1985-04-07.132713.mtx.dusborne.flac16

Source:

2 Source Matrix by Dusborne; Soundboard(shinid:003346) CSBD>DAT>CDR>EAC>SHN and Audience(shinid:128613) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav

SOURCE 5 OF 27

gd1985-04-07.118484.sbd.healy.damico.flac16

Source:

Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico

Taper Notes:

View Notes*Missing From Tape . Replaced With My Copy Nak 300 Mics > Sony D-5   Source From Etree (87419)

SOURCE 6 OF 27

gd85-04-07.sbd.keith.14614.sbeok.shnf

Source:

Seeded by Todd CampbellEAC & SHN by Jim KeithLineage SBD>?>CD (WILL UPDATE)

Taper Notes:

View NotesSeeded by Todd Campbell
EAC & SHN by Jim Keith
Lineage SBD>?>CD (WILL UPDATE)

SOURCE 7 OF 27

gd85-04-07.sbd.sacks.3346.sbeok.shnf

Source:

Csbd> DAT> CDR> EAC> SHN

Taper Notes:

View NotesCsbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks

SOURCE 8 OF 27

Scott Clugston, Charlie Miller

SHNID:

gd1985-04-07.168027.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
May 2023

SOURCE 9 OF 27

Scott Clugston, Charlie Miller

SHNID:

gd1985-04-07.168026.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
May 2023

SOURCE 10 OF 27

Scott Clugston, Charlie Miller

SHNID:

gd1985-04-07.163934.nak304.thomas.miller.clugston.flac1648

Source:

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:08 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
March 2023

SOURCE 11 OF 27

Charlie Miller and Joe Noel

Lineage:

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesPatch info: 
- source #128613 (Schoeps)
- s1t01; all
- s1t02; start - 0:17

Notes:
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

SOURCE 12 OF 27

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesPatch info:
- source #128613 (Schoeps)
- s1t01; all
- s1t02; start - 0:17

SOURCE 13 OF 27

gd1985-04-07.senn421.pauline.miller.91389.sbeok.flac16

Source:

Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->

Taper Notes:

View NotesNotes:
-- Disc change is seamless
-- Two different masters (same lineage) were used to make this complete
-- Recorded By Rick Pauline

SOURCE 14 OF 27

2:23:56

SHNID:

gd1985-04-07.163935.nak304.thomas.miller.clugston.flac2496

SOURCE 15 OF 27

2:13:24

Taper:

Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis

Transferrer:

Kyle Holbrook

SHNID:

gd1985-04-07.152156.beyerm88s.holbrook.flac2448

Source:

Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level

Lineage:

SOURCE 16 OF 27

2:13:24

Taper:

Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis

Transferrer:

Kyle Holbrook

SHNID:

gd1985-04-07.152155.beyerm88s.holbrook.flac1644

Source:

Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level

Lineage:

SOURCE 17 OF 27

2:19:08

Taper:

Rob Hunt and Ted Mattes

Transferrer:

SHNID:

gd1985-04-07.149319.senn441.hunt.mattes.miller.clugston.flac1648

Source:

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:29 patch in "Drums", as well as the "Keep Your Day Job" encore in its entirety
- Pitch verified

Mastered by Scott Clugston
March 2020

SOURCE 18 OF 27

gd1985-04-07.145488.aud.lamarre.berger.flac16

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's

Lineage:

nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

SOURCE 19 OF 27

gd1985-04-07.145487.aud.lamarre.berger.flac24

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's

Lineage:

nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

SOURCE 20 OF 27

gd1985-04-07.128613.schoeps.oade.BCE.flac16

Source:

Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper

Taper Notes:

View NotesPatches:
gd1985-04-07.senn421.pauline.miller.91389.sbeok.flac16
--end of Truckin'
--Smokestack Lightnin' 
--Morning Dew 
--Sugar Magnolia
--Keep Your Day Job


metadata added

Thanks to Doug Oade & Jim Wise for making this beautiful recording available.

BCE Collaboration
twentydegreesofsolitude@gmail.com

SOURCE 21 OF 27

gd1985-04-07.124835.chasingwilma.flac24

Source:

lineage: sennheiser 421 (fob)> optimus> d-5 > sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 22 OF 27

gd1985-04-07.beyerm160.d5scott.107238.flac16

Source:

Two Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's

Lineage:

Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

Taper Notes:

View NotesGreat sound!
This show was general addmission and needless to say lots of fun!!
I did not split into disc. I've seen this around as 2 or 3 disc, so you can decide for yourself.
Beginnings of sets and encore fade in and the ends of the sets and encore fade out.
I'm sure gonna miss the Good Old Spectrum!!!

R.I.P. Sandy- aka "Bigfoot"   He was a friend of mine, who had nothing to do with this recording, but we sure do miss him!

SOURCE 23 OF 27

gd1985-04-07.senn421.cohen.103429.flac16

Source:

Just to the right of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was used on the Master Cassettes.