Ramble On Rose | 1984-04-17 | Grateful Dead

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206 shows

254 tapes

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12 shows

14 tapes

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57 shows

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1984

Carrier Dome, Syracuse U

Marin County Veterans Auditorium

Marin County Veterans Auditorium

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Marin County Veterans Auditorium

Community War Memorial Auditorium

Niagara Falls Convention Center

Niagara Falls, NY, USA

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Philadelphia, PA, USA

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Philadelphia, PA, USA

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Philadelphia, PA, USA

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Veterans Memorial Coliseum

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Silva Hall, Hult Center

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Red Rocks Amphitheatre

Red Rocks Amphitheatre

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Maple, Ontario, Canada

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Merriweather Post Pavilion

Merriweather Post Pavilion

Cuyahoga Falls, OH, USA

Indianapolis Sports and Music Center

Indianapolis, IN, USA

Pine Knob Music Theater

Cedar Rapids, IA, USA

Alpine Valley Music Theatre

Alpine Valley Music Theatre

Ventura County Fairgrounds

Ventura County Fairgrounds

Hartford Civic Center

Hartford Civic Center

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Carrier Dome, Syracuse U.

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

3:04:23

24 tapes

Sources

SOURCE 1 OF 31

gd1984-04-17.137250.sbd.miller.flac1648

Source:

SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k)

Lineage:

Dat (Sony R500) > Tascam DA-3000 >Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/

Taper Notes:

View NotesNotes:
-- Thanks to Rob Eaton for the Dats
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 2 OF 31

Scott Clugston and Charlie Miller

SHNID:

gd1984-04-17.154530.fob.senn441.lamarre.miller.clugston.flac2496

Source:

Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rob Eaton for the Neumann U87 source which supplies some crowd and first few notes of "Jack Straw" (0:12 total), as well as a 7:53 patch in "Drums"
- Pitch Corrected

Mastered by Scott Clugston
October 2021

SOURCE 3 OF 31

Scott Clugston and Charlie Miller

SHNID:

gd1984-04-17.154529.fob.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rob Eaton for the Neumann U87 source which supplies some crowd and first few notes of "Jack Straw" (0:12 total), as well as a 7:53 patch in "Drums"
- Pitch Corrected

Mastered by Scott Clugston
October 2021

SOURCE 4 OF 31

Joe Noel and Charlie Miller

SHNID:

gd1984-04-17.145264.nak.senn..blend.ackerman.miller.noel.t-flac1644

Source:

Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6

Lineage:

Transfer info; Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesEdited & Mastered by Joe Noel:
WAV > Audacity > FLAC 24/96
April 29, 2018

This file set is 16 bit @ 44.1

Patch info
- shnid 90543 (Neumann U87) supplies
- s1t06; 07:10 - end
- s1t07; start - 00:08
- s2t08; 01:04 - 01:21
- s2t12; 06:36 - 07:18

Notes:
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- Thanks to Rob Eaton for suppling the patch source
- Grateful for Jerry Garcia's interpretation of Slipknot!
- tapes pauses cross faded

SOURCE 5 OF 31

Charlie Miller and Joe Noel

SHNID:

gd1984-04-17.141837.NAK.Blend.Ackerman.Miller.Noel.t-flac2496

Source:

Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesPatch info 
- shnid 90543 (Neumann U87) supplies
- s1t06; 07:10 - end
- s1t07; start - 00:08
- s2t08; 01:04 - 01:21
- s2t12; 06:36 - 07:18

Notes:
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- Thanks to Rob Eaton for suppling the patch source
- Grateful for Jerry Garcia's interpretation of Slipknot!
- tapes pauses cross faded

SOURCE 6 OF 31

Charlie Miller, Scott Clugston

SHNID:

gd1984-04-17.139330.fob.schoeps.mk41.oade.bryant.miller.clugston.flac2496

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded By Robert Bryant (patched out of the Oade brothers)
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Smoothed several between song transitions. Some are rather abrupt
-- Tape flip in "Drums" smoothed and is transparent

Transfer by Charlie Miller
Mastered by Scott Clugston
September 13, 2017

SOURCE 7 OF 31

Charlie Miller, Scott Clugston

SHNID:

gd1984-04-17.139329.fob.schoeps.mk41.oade.bryant.miller.clugston.flac1644

Source:

(FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24

Taper Notes:

View NotesNotes:
-- Recorded By Robert Bryant (patched out of the Oade brothers)
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Smoothed several between song transitions, some are rather abrupt
-- Tape flip in "Drums" smoothed and is transparent

Transfer by Charlie Miller
Mastered by Scott Clugston
September 13, 2017

SOURCE 8 OF 31

gd1984-04-17.neumann-u87.eaton.miller.90543.sbeok.flac16

Source:

(FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) D

Lineage:

Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC

Taper Notes:

View NotesPatch Info:
(FOB) Sennheiser 441 -> Cassette Master -> Dat -> Samplitude -> CD supplies:
Drums (0:05 - end of track)

-- Set 2 is seamless
-- Recorded By Rob Eaton

SOURCE 9 OF 31

2:45:30

SHNID:

gd1984-04-17.164733.neumann.u87.eaton.miller.clugston.flac2496

SOURCE 10 OF 31

2:45:30

SHNID:

gd1984-04-17.164732.neumann.u87.eaton.miller.clugston.flac1648

SOURCE 11 OF 31

2:37:59

Taper:

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-17.149495.beyerm201.holbrook.flac2448

Source:

MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH.

Lineage:

Taper Notes:

View Notes// tape flip
* Beer Barrell Polka tuning

SOURCE 12 OF 31

2:37:59

Taper:

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-17.149494.beyerm201.holbrook.flac1644

Source:

MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH.

Lineage:

Taper Notes:

View Notes// tape flip
* Beer Barrell Polka tuning

SOURCE 13 OF 31

2:37:28

Taper:

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-17.149173.mke2002.holbrook.flac2448

Source:

MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK.

Lineage:

Taper Notes:

View Notes// tape flip
* Beer Barrell Polka tuning

***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

SOURCE 14 OF 31

2:37:28

Taper:

Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1984-04-17.149172.mke2002.holbrook.flac1644

Source:

MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK.

Lineage:

Taper Notes:

View Notes// tape flip
* Beer Barrell Polka tuning

***The Sennheiser MKE2002 binaural microphones were pressure gradient "omni" type capsules designed to be worn on a human head or the supplied dummy head. For the optimal listening experience wear headphones or earbuds; for playback on stereo speakers you may choose to increase bass slightly.***

SOURCE 15 OF 31

2:27:19

Taper:

david barfield and david lane

Transferrer:

david barfield

SHNID:

gd1984-04-17.145332.nak300.barfield.lane.t-flac16

Source:

ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades)

SOURCE 16 OF 31

2:27:20

Taper:

david barfield + david lane

Transferrer:

david barfield

SHNID:

gd1984-04-17.140463.ma90.flac2496

Source:

source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades) > xact (tags, ffp, md5); recorded: david barfield + david lane; transfer-seeded: barfield

SOURCE 17 OF 31

gd1984-04-17.133028.Nak100CP4.Hill.Keo.Flac2496

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* Drums Patch Info - Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40,
    the rest used from shnid # 127261 in 24/48.Shnid # 123129 used
     for the first minute or so of Space in 24/96. *

 Comments:Another Huge Thanks out to Steve 
for recording and sharing his source for this 
show!Some tape pauses/blank spots between first 
set songs,one short 5 second loss of music in 
"Eyes Of The World" near the end of song.All of 
"Drums" patched with and the first minute or so 
of "Space" patched, may be some overlapping or a
short section missing.All and all an excellent
share from the Hill collection of masters and 
the Grateful Dead's Spring 1984 Tour!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!

SOURCE 18 OF 31

gd1984-04-17.133027.Nak100CP4.Hill.Keo.Flac1644

Source:

Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

Taper Notes:

View Notes* Drums Patch Info - Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40,
    the rest used from shnid # 127261 in 24/48.Shnid # 123129 used
     for the first minute or so of Space in 24/96. *

 Comments:Another Huge Thanks out to Steve 
for recording and sharing his source for this 
show!Some tape pauses/blank spots between first 
set songs,one short 5 second loss of music in 
"Eyes Of The World" near the end of song.All of 
"Drums" patched with and the first minute or so 
of "Space" patched, may be some overlapping or a
short section missing.All and all an excellent
share from the Hill collection of masters and 
the Grateful Dead's Spring 1984 Tour!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!

SOURCE 19 OF 31

2:39:59

Taper:

Tim Friend and Joe Morrone

Transferrer:

Andrew F.

SHNID:

gd1984-04-17.nak300.friend-morrone.127261.flac1644

Source:

AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.

Lineage:

MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2014

Taper Notes:

View NotesNote: A few patches in this one... ID-32709 LLR 0:00 > 0:09, ID-113881 
Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40, and Touch 0:00 > 0:16.

CDR Burning: D1= s1t01 > s1t09, D2= s2t01 > s2t06, D3= s2t07 > s2t11.

SOURCE 20 OF 31

2:39:59

Taper:

Tim Friend and Joe Morrone

Transferrer:

Andrew F.

SHNID:

gd1984-04-17.nak300.friend-morrone.127260.flac2448

Source:

AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.

Lineage:

MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2014

Taper Notes:

View NotesNote: A few patches in this one... ID-32709 LLR 0:00 > 0:09, ID-113881 
Drums 0:22 > 1:06, ID-123129 Drums 1:06 > 9:40, and Touch 0:00 > 0:16.

SOURCE 21 OF 31

gd1984-04-17.123129.chasingwilma.flac24

Source:

source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 22 OF 31

gd1984-04-17.nak300.morris.113881.flac24

Source:

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

SOURCE 23 OF 31

gd1984-04-17.109346.beyer-senn.daweez.D5scott.flac16

Source:

source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (way up front) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes;

Lineage:

Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

SOURCE 24 OF 31

gd1984-04-17.aud.morris.107548.sbeok.flac16

Source:

Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris

SOURCE 25 OF 31

gd1984-04-17.fob.at-nak300.jtjames.96460.flac16

Source:

ATII/Nak 300 FOB > ?

Lineage:

?>CDR>EAC>SHN > ? > FLAC

Taper Notes:

View NotesNo further lineage info available other than aud>?>CDR>EAC>SHN by jtjames@pacbell.net

There were numerous cuts in the tape (between every song in the first set, plus tape flips in the second).  These were crossfaded or, in a few cases, audience noise was flown in from another part of the show to replace the missing time where a smooth crossfade could not be accomplished due to lack of adequate material.  The entire show was hard limited to 7 dB.  No further alterations such as EQ or NR were made.  There are a couple places, particularly in Drums wher ethe mics were overloaded by a large amount of bass from the PA. There are also a couple digital flaws (a buzz, kind of a lightsaber type sound) that could not be removed.

SOURCE 26 OF 31

gd1984-04-17.neumannu87.sharpless.minches.86942.sbeok.flac16

Source:

Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5

Lineage:

Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC

SOURCE 27 OF 31

gd1984-04-17.fob.mccue.ford.79670.sbeok.flac16

Source:

(FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s

Lineage:

MAC>Nakamichi CD2 [azimuth adjusted]>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav >Traders Little Helper>FLAC16

Taper Notes:

View Notes- d1t07 My Brother Esau dropout patched , d2t06 Eyes Of The World tape flip joined, d3t06 Touch Of Grey added (missing from recording)
- d1t08 Ramble On Rose (tape garbled at very end)
- all patches were taken from shn id# 79556 - http://db.etree.org/shn/79556
- sector boundary errors fixed & verified with Trader's Little Helper

SOURCE 28 OF 31

2:39:12

Source:

FOB: Audio Technica + 2 Nakamichi 300s/cp4s > Sony D5 > DAT > CDR > EAC (no errors) > CDWAV > TLH > FLAC16

Taper Notes:

View NotesThis could very well be a different transfer of shnid=8460

SOURCE 29 OF 31

gd1984-04-17.senn441.koucky.ladner.32708.sbeok.flac16

Source:

FOB Sennheiser 441 > Sony D5 > MAC > Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs > (EAC)WAV > FLAC > WAV > Wavelab > Waves L3 > WAV > FLAC

SOURCE 30 OF 31

2:28:38

Source:

2 Beyer M160 > Sony TCD5M Master Cassette FOB > SHN

Taper Notes:

View Notes- Between tune crowd edited out from master
- Drumz edited out from master

SOURCE 31 OF 31

gd84-04-17.nak.james.8460.sbeok.shnf

Source:

FOB Nak 300>?>CDR

Taper Notes:

View NotesFOB Nak 300>?>CDR; Seeded to etree by JT James