07 Deal | 1983-10-17 | Grateful Dead

View Notes<b>flac16</b>; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassette (Sony D5)> Dat> CD; Edited By Charlie Miller

SOURCE 2 OF 24

2:52:13

SBD

Taper:

Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Phil Schuman Mike Yacavone Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1983-10-17.143305.beyerm201.holbrook.flac2448

Source:

Master AUD/MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC (several rows in front of SBD)

Lineage:

Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

SOURCE 3 OF 24

2:52:13

SBD

Taper:

Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Phil Schuman Mike Yacavone Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1983-10-17.143304.beyerm201.holbrook.flac1644

Source:

Master AUD/MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC (several rows in front of SBD)

Lineage:

Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notestour story in text file

SOURCE 4 OF 24

Matrix by Hunter Seamons

SHNID:

gd1983-10-17.mtx.seamons.fix-91192.91239.sbeok.shnf

Source:

MATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%)

Lineage:

See info file

Taper Notes:

View Notes---------------------------------------------------------------
2 SBD:

Recording Info:
Set 1: SBD -> Master Cassette -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC
Set 2: SBD -> Master Cassette -> Reel -> Dat -> CD -> EAC ->
Samplitude v7.02 Professional -> FLAC

Patch Info:
(FOB/12th Row) Sennheiser 421 -> Master Cassette (Sony D5) -> Dat -> CD
Patches in "Samson" and "Space"

Edited By Charlie Miller
charliemiller87@earthlink.net
12/26/04

Notes:
-- Seamless transition between discs 2 and 3.

---------------------------------------------------------------
AUD: 
Recording Info:
(FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k)

Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 24, 2008

Patch Info:
(FOB/12th Row) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=347) supplies:
Drums (complete track)

Notes:
-- Recorded By Rob Eaton
-- Dat provided by J.J. Clifton
----------------------------------------------------------------

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN)
April 3, 2008

Thank you to mayormarionbarry and Charlie Miller for their beautiful work and seeds at etree.



Notes:

1) While there are minor gaps in all sources at various places, there is a three-minute gap in the AUD patch (Sennheiser 421) during Drums, so only the SBD plays for part of Drums.

2) The speeds of all sources were relatively close (within 1%), so there were no MAJOR speed changes.

3) I was extremely impressed with the results of merging these sources. (I have abandoned several other matrix projects simply because I do not like how the sources sound together.) While the Set I SBD is significantly better than the Set II SBD, which sounds "flat," the AUD source really rounded out the sound in Set II. I would say this is my best sounding matrix yet in terms of fullness of sound and syncing techniques - and an amazing show! Set II has some awesome moments as well - I like Space a lot.

4) Enjoy!

SOURCE 5 OF 24

gd1983-10-17.mtx.seamons.91192.sbeok.shnf

Source:

MATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%)

Lineage:

See info file

Taper Notes:

View Notes---------------------------------------------------------------
2 SBD:

Recording Info:
Set 1: SBD -> Master Cassette -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC
Set 2: SBD -> Master Cassette -> Reel -> Dat -> CD -> EAC ->
Samplitude v7.02 Professional -> FLAC

Patch Info:
(FOB/12th Row) Sennheiser 421 -> Master Cassette (Sony D5) -> Dat -> CD
Patches in "Samson" and "Space"

Edited By Charlie Miller
charliemiller87@earthlink.net
12/26/04

Notes:
-- Seamless transition between discs 2 and 3.

---------------------------------------------------------------
AUD: 
Recording Info:
(FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k)

Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 24, 2008

Patch Info:
(FOB/12th Row) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=347) supplies:
Drums (complete track)

Notes:
-- Recorded By Rob Eaton
-- Dat provided by J.J. Clifton
----------------------------------------------------------------

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN)
April 3, 2008

Thank you to mayormarionbarry and Charlie Miller for their beautiful work and seeds at etree.

Notes:

1) While there are minor gaps in all sources at various places, there is a three-minute gap in the AUD patch (Sennheiser 421) during Drums, so only the SBD plays for part of Drums.

2) The speeds of all sources were relatively close (within 1%), so there were no MAJOR speed changes.

3) I was extremely impressed with the results of merging these sources. (I have abandoned several other matrix projects simply because I do not like how the sources sound together.) While the Set I SBD is significantly better than the Set II SBD, which sounds "flat," the AUD source really rounded out the sound in Set II. I would say this is my best sounding matrix yet in terms of fullness of sound and syncing techniques - and an amazing show! Set II has some awesome moments as well - I like Space a lot.

4) Enjoy!

SOURCE 6 OF 24

gd83-10-17.set1-sbd.skankweed.26460.sbeok.shnf

Source:

reDAE of very same audio CD as used for <a href= "shn/4768">previous</a> fileset, seeded to abgd by Skankweed

Taper Notes:

View NotesreDAE of very same audio CD as used for <a href="shn/4768" rel="nofollow">previous</a> fileset, seeded to abgd by Skankweed

SOURCE 7 OF 24

Scott Clugston and Charlie Miller

SHNID:

gd1983-10-17.148174.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496

Source:

Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the shnid137305 (FOB) Sennheiser 421 source which supplies a 6:10 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2019

SOURCE 8 OF 24

Scott Clugston and Charlie Miller

SHNID:

gd1983-10-17.148173.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648

Source:

Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Charlie Miller for the shnid137305 (FOB) Sennheiser 421 source which supplies a 6:10 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
September 2019

SOURCE 9 OF 24

gd1983-10-17.137328.senn421.miller.flac16

Source:

(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Joe B. Jones for his help with the pitch correction

**This fileset is 16bits @ 44.1**
  24bits > 16bits with r8brain

SOURCE 10 OF 24

gd1983-10-17.137305.senn421.miller.flac24

Source:

(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 11 OF 24

gd1983-10-17.senn441-u87.eaton.miller.91126.sbeok.flac16

Source:

(FOB) Sennheiser 441 (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat D(48k) D

Lineage:

Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC

Taper Notes:

View NotesPatch Info:
(FOB/12th Row) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=347) supplies:
Drums (complete track)

Notes:
-- Set 2 is seamless
-- Recorded By Rob Eaton
-- Dat provided by J.J. Clifton

SOURCE 12 OF 24

2:53:09

SHNID:

gd1983-10-17.166001.AudioTechnica.caffrey.flac1644

SOURCE 13 OF 24

2:46:17

SHNID:

gd1983-10-17.164608.senn421.vita.miller.clugston.flac1648

SOURCE 14 OF 24

2:47:11

Taper:

Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Phil Schuman Mike Yacavone Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1983-10-17.143307.mke2002.holbrook.flac2448

Source:

AUD MC Sennheiser mke2002 binaurals on dummy head on stand > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage 3-5' ROC 8 feet up on stand

Lineage:

Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notes//      Tape flip

Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.

tour story in text file

SOURCE 15 OF 24

2:47:11

Taper:

Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Phil Schuman Mike Yacavone Olvy Johnson

Transferrer:

Kyle Holbrook

SHNID:

gd1983-10-17.143306.mke2002.holbrook.flac1644

Source:

AUD MC Sennheiser mke2002 binaurals on dummy head on stand > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage 3-5' ROC 8 feet up on stand

Lineage:

Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notes//      Tape flip

tour story in text file

SOURCE 16 OF 24

gd1983-10-17.135188.Unk-Hill.Keo.Flac2496

Taper Notes:

View Notes* Patched With shnid # 122384 About 4:44 *

 Comments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
Some tape pauses between songs for both sets,
Drums missing a section in the middle from the
tape flip, patched, all and all another excellent 
share from the Steve Hill collection of master 
audience recordings and the Grateful Dead's Fall 
1983 Tour!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!

SOURCE 17 OF 24

gd1983-10-17.135187.Unk-Hill.Keo.Flac1644

Taper Notes:

View Notes* Patched With shnid # 122384 About 4:44 *

 Comments:Another Huge Thanks out to Steve for 
recording and sharing his source for this show!
Some tape pauses between songs for both sets,
Drums missing a section in the middle from the
tape flip, patched, all and all another excellent 
share from the Steve Hill collection of master 
audience recordings and the Grateful Dead's Fall 
1983 Tour!!!!!!!!!!!!
AS ALWAYS ENJOY!!!!

SOURCE 18 OF 24

gd1983-10-17.122384.chaisingwilma.flac24

Source:

lineage: sennheiser 421 fob> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 19 OF 24

gd1983-10-17.111611.Sennheiser.daweez.d5scott.flac16

Source:

Source: 2 Sennheiser 421 microphones (14th row-center) > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 20 OF 24

gd1983-10-17.fob.beyer.dyche.105301.flac16

Source:

2 Beyer M160's & 1 Beyer M88 Blend > sony TCD-5m

Lineage:

Master Cassette > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16

SOURCE 21 OF 24

gd1983-10-17.fob.senn421.chasingwilma.102070.flac16

Source:

Lineage: master cassette > cd > eac > flac Recording Equipment : (3) sennhesier 421 fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma

Lineage:

sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8

SOURCE 22 OF 24

gd1983-10-17.mtx.seamons.fix2.92424.sbeok.flac16

View NotesMATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%)

---------------------------------------------------------------
2 SBD:

Recording Info:
Set 1: SBD -> Master Cassette -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC
Set 2: SBD -> Master Cassette -> Reel -> Dat -> CD -> EAC ->
Samplitude v7.02 Professional -> FLAC

Patch Info:
(FOB/12th Row) Sennheiser 421 -> Master Cassette (Sony D5) -> Dat -> CD
Patches in "Samson" and "Space"

Edited By Charlie Miller
charliemiller87@earthlink.net
12/26/04

Notes:
-- Seamless transition between discs 2 and 3.

---------------------------------------------------------------
AUD: 
Recording Info:
(FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k)

Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 24, 2008

Patch Info:
(FOB/12th Row) Sennheiser 421 -> Cassette Master -> Dat -> CD (shnid=347) supplies:
Drums (complete track)

Notes:
-- Recorded By Rob Eaton
-- Dat provided by J.J. Clifton
----------------------------------------------------------------

Thank you to Charlie Miller for the SBD and AUD transfers, 
and to Rob Eaton for recording the show. 
And thanks to mayormarionbarry for the seed.

Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
April 3, 2008 Remastered June 24, 2008

Notes:

1) While there are minor gaps in all sources at various places, there is a three-minute gap in the AUD patch (Sennheiser 421) during Drums, so only the SBD plays for part of Drums.

2) Love the Space in this show, for some reason. Come to think of it, I love this show too.


Remastering Notes (06/24/08):

1) Portions of all songs were re-synced, except Friend of the Devil, Man Smart (Woman Smarter), Drums, and I Need a Miracle.

SOURCE 23 OF 24

gd1983-10-17.senn441.jackson.gmb.88957.sbeok.flac16

Source:

DAT Copy of Master Cassette Sennheiser MD 441 U > Sony TCD-5M FOB 10th Row Recorded and Copied to DAT by Chuck Jackson

Lineage:

Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 48 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/48 KHz WAV > Ozone 3.0 > MBIT+ and > CDWAV 1.9 Converted to 16/44.1 KHz WAV with r8brain > FLAC (level 8). with TLH Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables

Taper Notes:

View NotesTo burn to 3 discs begin d3 with s2t07 (Space).

SOURCE 24 OF 24

gd83-10-17.sennheiser.skank-levy.347.sbeok.shnf

Source:

FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD

Taper Notes:

View NotesFOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD; 4/17/84 filler; stemming from Skankweed's post to abgd; etreed by Evan Levy 2/00 after reextraction/SHN (md5s here are for etree copy)