Dire Wolf / | 1983-06-28 | Grateful Dead

View NotesRecording Notes
/   paused between songs
//  tape flip
/// tape swap
% missed start
# missed less than 10 seconds of music at transition into Sugar Magnolia

A final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was "a one piece die-cast metal alloy between transparent hard plastic plates " as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset.  In the Download Options Section click JPEG.

SOURCE 2 OF 13

2:43:36

SBD

Taper:

Tom Pinney & Kyle Holbrook and Executive Crew

Transferrer:

Kyle Holbrook

SHNID:

gd1983-06-28.142394.beyerm201.holbrook.flac1644

Source:

flac16/44.1 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)

Lineage:

Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View NotesRecording Notes
/   paused between songs
//  tape flip
/// tape swap
% missed start
# missed less than 10 seconds of music at transition into Sugar Magnolia

A final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was "a one piece die-cast metal alloy between transparent hard plastic plates " as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset.  In the Download Options Section click JPEG.

SOURCE 3 OF 13

Charlie Miller and Joe Noel

SHNID:

gd1983-06-28.141162.fob.bryant.miller.noel.t-flac1644

Taper Notes:

View NotesNotes:
- normal bias cassettes
- cross fades applied to tape pauses
- recording was on the boomy side so a lite high pass filter was applied.
- level drop in He's Gone (7:12 - 8:27) has been restored as best as possible
- left channel drop out in Stella Blue (0:07-0:10) filled in with right channel
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Patch Info:
- Source #28361 (Senn 441)
- s1t05; 08:16 - end
- s1t06; start - 0:04.2 & last 4.2 seconds
- s1t07; start - 0:22

SOURCE 4 OF 13

Charlie Miller and Joe Noel

SHNID:

gd1983-06-28.140523.FOB.Bryant.Miller.Noel.t-flac2496

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesNotes:
- normal bias cassettes
- cross fades applied to tape pauses
- recording was on the boomy side so a lite high pass filter was applied.
- level drop in He's Gone (7:12 - 8:27) has been restored as best as possible
- left channel drop out in Stella Blue (0:07-0:10) filled in with right channel

Patch Info:
- Source #28361 (Senn 441)
- s1t05; 08:16 - end
- s1t06; start - 0:04.2 & last 4.2 seconds
- s1t07; start - 0:22

SOURCE 5 OF 13

gd1983-06-28.149944.akg460B.ck61.analog4011.flac1644

Source:

Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Sec 100 Row C Seat 107 Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback

Lineage:

Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!

Taper Notes:

View Notes
Second night of two. Yes I did go to both. I thought this came out best. Really the only Dead show I really liked. Good ol Poplar Creek. Thank goodness for Archiv.org in getting a setlist and knowing where each song ends. This plays nice and loud on a good stereo system! I forgot until now that I was hitting the pause button between some songs. They sure knew how to waste time between those songs. Enjoy RB

Understand that all this archiving that is recorded in 24b/192khz I am doing SOLELY for myself. It is the best sound! Now sharing it in cd format is lossy. Besides I have enough work to do and consider yourself lucky if I do upload a CD format. If you really enjoy these archives get them at this resolution despite the file size. Down the road you will not be sorry. Is this a nice enough way to say it?

***Everything I do for my stereo room and gear is carefully chosen for the finest of quality control. This means A to B comparisons for EVERYTHING! I leave no stone unturned. I decide if what I do will end up being a more musical experience and not the opposite like more processed sounding. I split hairs!! I have learned what is more musical from all the decades of listening to differences. Stereo and audio gear is not nearly as subjective as people make it out to be. It is either more musical or more processed sounding at the end of the day. One more thing I learned, THERE IS NO SUCH THING AS THE SAME! Practically the same yes! The same, NO! So with this all said…..I thank all the people here for the great compliments since I came here in 2006. It means a lot to me after decades of sleepless nights and stressful days carrying in top shelve equipment every time out!***

With every digital transfer the master tapes become obsolete. If you try any which way to transfer them again they won't sound as good. As long as there are ample backups of course there is no need for them.

SOURCE 6 OF 13

gd1983-06-28.149921.akg460B.ck61.analog4011.flac24192

Source:

Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Sec 100 Row C Seat 107 Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback

Lineage:

Taper Notes:

View NotesSecond night of two. Yes I did go to both. I thought this came out best. Really the only Dead show I really liked. Good ol Poplar Creek. Thank goodness for Archiv.org in getting a setlist and knowing where each song ends. This plays nice and loud on a good stereo system! I forgot until now that I was hitting the pause button between some songs. They sure knew how to waste time between those songs. Enjoy RB

Understand that all this archiving that is recorded in 24b/192khz I am doing SOLELY for myself. It is the best sound! Now sharing it in cd format is lossy. Besides I have enough work to do and consider yourself lucky if I do upload a CD format. If you really enjoy these archives get them at this resolution despite the file size. Down the road you will not be sorry. Is this a nice enough way to say it?

***Everything I do for my stereo room and gear is carefully chosen for the finest of quality control. This means A to B comparisons for EVERYTHING! I leave no stone unturned. I decide if what I do will end up being a more musical experience and not the opposite like more processed sounding. I split hairs!! I have learned what is more musical from all the decades of listening to differences. Stereo and audio gear is not nearly as subjective as people make it out to be. It is either more musical or more processed sounding at the end of the day. One more thing I learned, THERE IS NO SUCH THING AS THE SAME! Practically the same yes! The same, NO! So with this all said…..I thank all the people here for the great compliments since I came here in 2006. It means a lot to me after decades of sleepless nights and stressful days carrying in top shelve equipment every time out!***

With every digital transfer the master tapes become obsolete. If you try any which way to transfer them again they won't sound as good. As long as there are ample backups of course there is no need for them.

SOURCE 7 OF 13

gd1983-06-28.146188.gardner.suraci.nak300.flac24

Source:

Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet

Lineage:

Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24

Taper Notes:

View NotesNote: it’s been pointed out that some of the encores on my recent uploads are the last file of set one. This is the way it was on the master cassette and I felt no reason to charge it. If it annoys anyone, you can simply change the track part of the file name

SOURCE 8 OF 13

gd1983-06-28.146187.gardner.suraci.nak300.flac16

Source:

Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet

Lineage:

Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16

Taper Notes:

View NotesNote: it’s been pointed out that some of the encores on my recent uploads are the last file of set one. This is the way it was on the master cassette and I felt no reason to charge it. If it annoys anyone, you can simply change the track part of the file name

SOURCE 9 OF 13

gd1983-06-28.135356.Unk-Hill.Keo.Flac1644

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Some tape pauses between songs, some missing
from drums and Looks Like Rain from the tape
flips, all and all another excellent share
from the Hill Collection of Masters and the
Grateful Dead's Summer 1983 Tour!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

SOURCE 10 OF 13

gd1983-06-28.135355.Unk-Hill.Keo.Flac2496

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Some tape pauses between songs, some missing
from drums and Looks Like Rain from the tape
flips, all and all another excellent share
from the Hill Collection of Masters and the
Grateful Dead's Summer 1983 Tour!!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!

SOURCE 11 OF 13

George "Fingers" Bethke;Justin Lee

Transferrer:

Dave Cohen

SHNID:

gd1983-06-28.senn421.bethke.lee.119579.flac16

Source:

Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions)

SOURCE 12 OF 13

gd1983-06-28.fob.senn441.miller.28361.flac16

Source:

flac16

Lineage:

CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller

Taper Notes:

View Notes<b>flac16</b>; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller

SOURCE 13 OF 13

gd83-06-28.sennheiser.hogan.3593.sbeok.shnf

Source:

FOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended)

Taper Notes:

View NotesFOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended);  Jim Vita recording, 17th Row center; Analog> digital> cdr: tascam 112mk11> Sony PCM R500 @44.1khz> HHB CDR-850 transfer by Jim Wise; Eac/SHN by Chuck Hogan with thanks to John Tallmadge