Deal | 1980-10-31 | Grateful Dead

View NotesNotes:
- Thanks to Tim Dalton for the source PCM
- Thanks to Charlie Miller for the transfer 
- Thanks to the folks responsible for the shnid140416 mono soundboard source which supplies the first 0:27 of "Heaven Help The Fool", a 0:10 patch in "Monkey & The Engineer", the first 0:02.4 of "Ripple", a 0:57 patch in "Ripple", a 0:29 patch in "Little Red Rooster", the first 0:03 of "Franklin's Tower", a 0:13 patch in "Drums", a 0:16 patch in "Fire On The Mountain", a patch in the transition and first few notes of "Going Down The Road Feeling Bad" (0:07 total), the final 3:42 of "Good Lovin', as well as the "Encore Break" and "Uncle John's Band" in their entireties

Mastered by Scott Clugston
March 13, 2018

SOURCE 2 OF 16

4:41:59

SBD

gd1980-10-31.140416.sbd.bershaw.flac16

Source:

Source: 10” 1/4 track SBD Feed Master Reels @ 7.5ips;

Lineage:

10” 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (October 2009) and mastering (December 2017) by Alan Bershaw

Taper Notes:

View NotesThis is a previously uncirculated soundboard direct recording of this show. All three sets and some of the break material were recorded in mono onto three 10" 1/4 track reels at 7.5ips. All three sets run seamlessly with nothing missing. 

This was recorded surreptitiously from a monitoring feed in one of the executive offices at RCMH. All of the music was captured on the 10" reels except for the complete encore, where the 3rd reel ran out at 1:45 into "Uncle John's Band." Cassettes existed for the rest of the same feed, but were recorded on TDK D-60s without Dolby and sound vastly inferior to the reels. To keep this entire recording from a single source, the cassette transfers seamlessly patch the remainder of ÒUncle JohnÕs BandÓ to the end of the recording. Ditto for tracks 30 to 34 during break 1 and tracks 51 to 58 during break 2 which were not recorded on the 10" reels. Other than the patch to complete UJB, every second of all 3 sets is sourced from the 10" reels which do not suffer from any notable flaws.

I don't think anything this complete has circulated before. Even after all these years, the backstage segments with bandmembers and the Jerry's Kids telethon material is still relatively funny and sure to bring back memories for those of us who were there. And as I can testify, a whole lot we forgot about - like Bob Weir or Al Franken joking about underage girls in ways that don't sound funny anymore (if they ever did). Almost all of it is custom-tailored humor for Deadheads circa 1980, so if you take Franken & Davis in context, you may enjoy much of the previously uncirculated break material.

I've wanted to share this recording for a long time, but officially released material prevented me from doing so - despite all of this music being a significantly different mix than anything commercially available. If you enjoyed the previous night from this same source, you'll find this recording equally enjoyable.

Happy New Year!

Alan

SOURCE 3 OF 16

gd1980-10-31.137840.partial.sbd.happyjack.sirmick.sbeok.flac24

Source:

Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend;

Lineage:

Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; transferred, edited and mastered SIRMick

Taper Notes:

View NotesComments:

- Unfortunately the master was stolen some years ago.


Notes:

- DC offset removed.
- A substantial number of pops removed, these were caused by a loose jack plug.
- Quite a few small dropouts have been repaired.
- All tracks have been pitch corrected.
- Some level adjustments have been made 
- Some noise reduction has been applied

The following patches have been made using Jim Wise's recording shnid 132278.

- Brown Eyed Women - first 38.7 seconds
- Deal - 3:31-3:32
- Franklin's Tower - 5:35-5:49, 6:25-6:29
- Drums - 2:43-end
- Space - start-4:00
- Fire On The Mountain - 1:19-1:19.5
- GDTRFB - 1:31-1:35
- Good Lovin' - 2:25-2:56

SOURCE 4 OF 16

gd1980-10-31.137839.partial.sbd.happyjack.sirmick.sbeok.flac16

Source:

Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend;

Lineage:

Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; transferred, edited and mastered SIRMick

Taper Notes:

View NotesComments:

- Unfortunately the master was stolen some years ago.


Notes:

- DC offset removed.
- A substantial number of pops removed, these were caused by a loose jack plug.
- Quite a few small dropouts have been repaired.
- All tracks have been pitch corrected.
- Some level adjustments have been made 
- Some noise reduction has been applied

The following patches have been made using Jim Wise's recording shnid 132278.

- Brown Eyed Women - first 38.7 seconds
- Deal - 3:31-3:32
- Franklin's Tower - 5:35-5:49, 6:25-6:29
- Drums - 2:43-end
- Space - start-4:00
- Fire On The Mountain - 1:19-1:19.5
- GDTRFB - 1:31-1:35
- Good Lovin' - 2:25-2:56

SOURCE 5 OF 16

gd1980-10-31.137449.sbd.happyjack.flac16

Source:

Updated source Info: SBD Recording [This is A 2nd Generation];

Lineage:

mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 12/27/2016; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; Converting Sample Rate: Adobe Audition 3.0 was also used to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE; the original seed of this source was marked as an AUD

SOURCE 6 OF 16

gd1980-10-31.137448.sbd.happyjack.flac24

Source:

Updated source Info: Source: SBD Recording [This is A 2nd Generation];

Lineage:

mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck [Sony UCX90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; CD Wave Editor To Split Tracks & converted to Flac24 [Level 6]; the original seed of this source was marked as an AUD

SOURCE 7 OF 16

gd80-10-31.sbd-preFM.cousinit.20377.sbeok.shnf

Source:

Soundboard

Lineage:

PreFM> MSR> R> C> DAT> WAV> SHN and MSR> R> C> DAT> WAV> SHN

Taper Notes:

View NotesSource:

Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN
Electric: MSR>R>C>DAT>WAV>SHN

C>SHN Conversion by Cousinit

Seeded to abgd 10/03

SOURCE 8 OF 16

gd1980-10-31.fob.sonyecm280.wise.miller.101428.flac16

Source:

(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16

Taper Notes:

View NotesNotes:
-- All disc changes are seamless
-- Recorded By Jim Wise (mics laid on shelf under rail @ center lodge)
-- Thanks to Jim Wise for lending me his master cassettes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 9 OF 16

gd1980-10-31.nak700.rolfe.miller.94270.sbeok.flac16

Source:

Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B)

Lineage:

Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16

Taper Notes:

View NotesPatch Source:
Sony ECM-280 -> Master Cassette -> PCM -> CD (shnid=1955) supplies:
Tuning (complete track)
Heaven Help The Fool (0:00 - 6:07)

Notes:
-- All disc changes are seamless
-- Recorded front row balcony
-- Thanks to Steve Rolfe for lending me his masters

SOURCE 10 OF 16

gd1980-10-31.132278.aud.sony.ecm-280.flac24

Source:

Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise

SOURCE 11 OF 16

gd1980-10-31.132277.aud.sony.ecm-280.flac16

Source:

<b>flac16/48kHz</b>; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise

SOURCE 12 OF 16

gd1980-10-31.131907.stankiewicz.flac2496

Source:

Partial Show; Beyer M-88>Sony TCD-5M 4th row right center; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered By Richie stankiewicz

Taper Notes:

View NotesSpecial Thanks to Jim Wise for the patch material on 
Dont Ease Me In, Drums and Space

SOURCE 13 OF 16

gd1980-10-31.122543.mtx.dusborne.flac16

Source:

3 Source Matrix: Soundboard (shnid=83158): Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Audience (shnid=94270): Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Audience (shnid=120839): Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger

Taper Notes:

View Notes----------------------------------------------------------------------------------------


---Thank You Steve Rolfe,Jim Wise,Keith Gatto and Pete Jaeger for recording the show.
---Thank You Charlie Miller for your work on Jim and Steve's recordings.
---Thank You Michael Turi For extracting the files from your personal cd's.
---Thank You Cousinit and Bill Tetzeli for your work on the SBD.
---Thanks to germain for everything;seeding,encouragement,advice and tutelage.

Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0

10-23-2012
----------------------------------------------------------------------------------------

---------------------------------------------------------------------------------------
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

dusborne 10-23-2012

SOURCE 14 OF 16

3:16:13

SHNID:

gd1980-10-31.120839.fob.nak700.gatto-jaeger.dusborne.flac16

Source:

Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-20-2012

Taper Notes:

View Notes---Thank You Keith Gatto and Pete Jaeger for recording the show.
---Thank You Michael Turi For extracting the files from your personal cd's.
---Thanks to germain for everything;seeding,encouragement,advice and tutelage.

--------------------------------------------------------------------------------

---------------------------------------------------------------------------------------

Notes

---This source ran fast, I pitch corrected by -0.3%
---There are no patches, the entire show was recorded.
---Smoothed cuts with fades
---many mic bumps smoothed out as best as could be done without hurting music
---241 cuts fixed during Drums!

----------------------------------------------------------------------------------------

Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.

dusborne 06-20-2012

SOURCE 15 OF 16

gd1980-10-31.prefm.cousinit-edited.patched.83158.sbeok.flac16

Source:

Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN

Lineage:

SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC

Taper Notes:

View NotesPatch fix of shnid 20377

C>SHN Conversion by Cousinit

Patch Source:

Master AUD (Sony ECM-280/D-5) Cass> PCM> ZA2> CD > EAC > SHN(shnid 1955)

except for part of drums (see below), which was patched with the AUD audio source from the circulating DVD (no source info given).

The following corrections were made:

- all tracks put back in phase by reinverting left channel in CE 2K
- multiple dropouts, splices, etc. patched
- first three tracks of second electric set put at end of CD 2 to allow CD3 to fit on one disc.  Disc change between CDs 2 and 3 is seamless.
- SBD from 1:32 of GDTRFB to end of the show is higher-pitched; this was corrected in CE Pro (stretched 100.383%) so speed and pitch matched the rest of the show.  It sounds like it was either patched in from an alternate SBD or played back on a different deck.

Many thanks to Charlie Miller for his advice on determining which channel to reinvert.  Thanks to Cousinit for the SBD source and his flaw notes, also mcole, Charles Weir, drgseeds and Deadhead for their SBD source comments and Charles (?) for his AUD source comment on the drums track.  Last but not least thanks to Jim Wise for his excellent audience patch source, as well as to (?) for circulating the DVD of this show, which provided part of drums.

Edited and seeded by Bill Tetzeli (btet@comcast.net)
3/8/2007

SOURCE 16 OF 16

gd80-10-31.wise.larson.1955.sbeok.shnf

Source:

Audience Recording: Sony ECM-280/D-5

Lineage:

Master AUD (Sony ECM-280/D-5) Cass> PCM> ZA2> CD

Taper Notes:

View NotesMaster AUD (Wise Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd