16 Not Fade Away | 1979-11-02 | Grateful Dead

View NotesNotes:
-- This was my 1st Grateful Dead concert and I turned 16 right after the encore ended
-- This was Brent's first Casey Jones (Billy yells 'fuck you guys' right before it starts)
-- Thanks to Rob Eaton for the dats
-- Thanks to Barry Glassberg and the MOTB crew for the patch source

SOURCE 2 OF 12

2:49:53

SBD

Rating:

8.00 / 1 rating

SHNID:

gd1979-11-02.152533.mtx.photoleon.flac1644

Source:

Matrix created in Adobe Audition by Joe Noel May 04, 2021

Lineage:

Source #1 (142393); 2 x Nakamichi CM-700's > Sony TCD5 > 37th Row Center on the Pole > MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green August 27, 2008 Source #2 (142393); SBD > Master Cassette (Sony TC-D5M/UDXL-II) > Dat (Panasonic SV3800/48k) Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k DATs provided by Rob Eaton Transfer & Mastering by Charlie Miller June 24, 2018

Taper Notes:

View NotesNotes
- Thanks to Barry Glassberg for recording the show & MOTB crew for the transfer.
- Thanks to Rob Eaton for the SBD DAT source & Charlie Miller for the transfer
- Thanks to Jack Schlottman for the critique.

SOURCE 3 OF 12

Adam Egert and Brian Green

SHNID:

gd1979-11-02.fob.nak700.glassberg.MOTB-0077.94221.flac24

Source:

2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC Analog Audience Source: Just in front of SBD (MAC) Media: 2 x Maxell UD-XLII 90 min

Lineage:

MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV

Taper Notes:

View NotesMastering Notes:

- The second tape starts with multiple flaws in the left channel that roll in and out
about every 2 seconds. Patching proved to be more invasive than correcting in wavelab 
and leaving minor artifacts so this was the route taken. 

- Tape flips cross faded where applicable

Notes:

-This is the firs set of shows with an official tapers section as per Barry Glassberg. Healy roped off an area just in front of the board and gave Barry control over the area. Barry made up stickers to gain entry behind the barricade for the section. Needless to say he invited his friends! They used this for the run. This being said the sound is a little distant yet front of board.

- Jerry's inaudible until the first chorus in Mississippi Half Step when he is finally turned on.

SOURCE 4 OF 12

Adam Egert and Brian Green

SHNID:

gd1979-11-02.fob.nak700.glassberg.MOTB-0077.94220.flac16

Source:

2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC Analog Audience Source: Just in front of SBD (MAC) Media: 2 x Maxell UD-XLII 90 min

Lineage:

MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV

Taper Notes:

View NotesMastering Notes:

- The second tape starts with multiple flaws in the left channel that roll in and out
about every 2 seconds. Patching proved to be more invasive than correcting in wavelab 
and leaving minor artifacts so this was the route taken. 

- Tape flips cross faded where applicable

Notes:

-This is the firs set of shows with an official tapers section as per Barry Glassberg. Healy roped off an area just in front of the board and gave Barry control over the area. Barry made up stickers to gain entry behind the barricade for the section. Needless to say he invited his friends! They used this for the run. This being said the sound is a little distant yet front of board.

- Jerry's inaudible until the first chorus in Mississippi Half Step when he is finally turned on.

SOURCE 5 OF 12

gd79-11-02.sbd.macdonald.7920.sbeok.shnf

Source:

Soundboard

Lineage:

SBD> MR> Dick's cassette> DAT> CD

Taper Notes:

View NotesSBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald

SOURCE 6 OF 12

SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN

Taper Notes:

View NotesFlaws: First 30-60 seconds of Miss 1/2 Step is missing

Posted to alt.binaries.gdead April 2001

SOURCE 7 OF 12

2:41:34

Taper:

Recorded, Transferred and Mastered by Rob Eaton

Transferrer:

Additional Editing by Charlie Miller charliemiller87@earthlink.net November 19, 2021

SHNID:

gd1979-11-02.154424.nak100.eaton.miller.flac.24

Source:

(FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350)

Lineage:

Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- This was my first Grateful Dead concert and I turned 16 right after the encore ended

SOURCE 8 OF 12

gd1979-11-02.164279.aud.CD320.ohr.flac1644

Source:

Master Audience Cassettes - recorded by Ohr Weinberg: 2 Cardiod Microphones (don't remember which ones) > Marantz Superscope CD-320 (no NR, Set 1 & 2 - Maxell UD-XLII 90 Cassettes, Encore - Fuji FX-II 90 Cassette) (Way up front on the floor with stand)

Lineage:

Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-830plus > CD Ohr : CD > EAC > WAV > FLAC

Taper Notes:

View NotesSet 1 tape flip: 31m:55s during audience between Franklins & El Paso
Set 2 tape flips: 40m:16s Jam after Saint, 1h:20m:27s during Sugar Mag (Take me out/....)

SOURCE 9 OF 12

gd1979-11-02.mtx.seamons.124392.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)

SOURCE 10 OF 12

gd1979-11-02.sonyECM.moskal.mandel.96553.flac16

Source:

Sony Stereo ECM -->SONY TCD126 Location: Behind Stage Right 30' 300 Section elevation

Lineage:

Master Cassette Transfer->RR ->Cassette; Cassette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac

Taper Notes:

View NotesAnother Taper Named Gerry Project

Notes:
*  Special Thanks to Gerry for Taping this and sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980's when tape trading &   collecting had a social aspect to it. If you are familiar with Hot Tuna 5-8-74 Gym S.U.N.Y. Stonybrook, NY , Gerry Taped it as well as many other great shows ..enjoy..

**  The Band had a set of PA's above the drumers

SOURCE 11 OF 12

gd79-11-02.aud.schlissel.12761.sbeok.shnf

View NotesAUD> MC> DAT> CDR; via Paul B, Alan Schlissel

SOURCE 12 OF 12

2:41:34

SHNID:

gd1979-11-02.154496.fob.nak100.cm.eaton.miller.t.flac.16