Bertha -> | 1979-04-22 | Grateful Dead

View NotesNotes:
- This is a composite of 3 sources, compiled, patched and tweeked to represent the best available sources (imo) as of 12/19
- Thanks to all the folks responsible for these recordings
- 1st set (source A) from the Brian Schley collection (shnid134401) is unaltered (thanks Jamie)
- 2nd set Bennet/Smith/Morris (source B)(shnid12001) was quite fast, the channel orientation was incorrect, the tape flips were obscured and had multiple drop outs. This 2nd set source was pitch corrected, channel corrected, the drop outs patched and the entire .wav was eq'ed
- 2nd set partial Betty board (source C) was pitch corrected and channel corrected
- Thanks to Mark Severson and the folks responsible for the shnid145139 (FOB) Sony ECM270 source which supplies a 0:20 patch in the "Drums > The Other One" transition
- Noodle into Other One included in "The Other One"

Mastered by Scott Clugston
December 2019

SOURCE 2 OF 11

3:43:13

SBD

Transferrer:

Matrix by Dave Usborne

SHNID:

gd1979-04-22.137822.mtx.dusborne.flac16

Source:

4 source matrix by dusborne; Soundboard Set 1 (shnid:134401) Source: SBD > ? > Cassette,Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644; Soundboard Set 2 (shnid:12001) SBD MC> C> DAT> CDR> WAV> SHN; Audience 1 (shnid:91346), Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board, Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0>(dither/downsample)> FLAC; Audience 2 (shnid:105309),Taped By: Rhineheart Holwein, Transfer By: Bob Menke; Mastering By: Derek McCabe,Analog

Lineage:

2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

SOURCE 3 OF 11

gd1979-04-22.134401.set1.sbd.unk.Schley.flac1644

Source:

1st Set, Source: SBD > ? > Cassette, from the Brian Schley tape collection.

Lineage:

XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. 09/2015

Taper Notes:

View NotesNote: This sounds clearer than the 1st Set SBD version currently 
circulating, and makes a decent match with 2nd Set from ID-12001.

SOURCE 4 OF 11

gd1979-04-22.set2-partial.sbd.deibert.12895.sbeok.shnf

Lineage:

master reel > PCM-1 > DAT-1 > SHN

Taper Notes:

View NotesNOTES:
* Sound Forge 6.0 volume raised to +2.7 dB.
* Sound Forge 6.0 peak normalization @ 99%.
shntool was used to place tracks on sector boundaries

SOURCE 5 OF 11

gd79-04-22.sbd.bennett.12001.sbeok.shnf

Source:

Soundboard

Lineage:

SBD> ?> C> C> WAV> SHN

Taper Notes:

View NotesComplete; Mixed sbd sources; 
Set 1 Source:  SBD>?>C>C>WAV>SHN
Set 2 Source:  SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith; Seeded to etree by Jim Bennett

SOURCE 6 OF 11

gd1979-04-22..s2.sbd.munder.9424.sbeok.shnf

Source:

SBD>MR>??>DAT>CDR

Taper Notes:

View Notes-There is some 'minor' right channel static in spots throughout the first disc.  This show was sent to me as (A-) and I think that is accurate despite the static.  

-He's Gone fades out and Drums fades in.  

-First show with Brent Mydland

-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.

EAC/SHN by Willy 
_willy_@junkiesplace.com

SOURCE 7 OF 11

48:26

Taper:

Betty Cantor;Tim Dalton

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1979-04-22.148708.2p.betty.pcm.dalton.miller.clugston.flac16

Source:

Betty's 7" Master Soundboard Ree1s > PCM > PCM

Lineage:

Tim Dalton's PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe CC 2019 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to Tim Dalton for the PCM source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Emphasis corrected
- Channel corrected
- Pitch corrected
- Noodle into Other One included in "The Other One"

Mastered by Scott Clugston
January 2020

SOURCE 8 OF 11

Scott Clugston and Charlie Miller

SHNID:

gd1979-04-22.145140.fob.sony.ecm270.severson.miller.clugston.flac2496

Source:

Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90)

Lineage:

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rhinehart Holwein and all the folks responsible for the shnid105309 AKG D224E source which supplies a 0:53 patch in "Fire On The Mountain", as well as a 0:03 patch in "Drums"
- Noodle into The Other One included in "The Other One"
- Brent's debut
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
February 2019

SOURCE 9 OF 11

Scott Clugston and Charlie Miller

SHNID:

gd1979-04-22.145139.fob.sony.ecm270.severson.miller.clugston.flac1648

Source:

Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90)

Lineage:

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rhinehart Holwein and all the folks responsible for the shnid105309 AKG D224E source which supplies a 0:53 patch in "Fire On The Mountain", as well as a 0:03 patch in "Drums"
- Noodle into The Other One included in "The Other One"
- Brent's debut
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
February 2019

SOURCE 10 OF 11

Bob Menke and Derek McCabe

SHNID:

gd1979-04-22.fob.holwein.menke.motb.0116.105309.flac16

Source:

2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog

Lineage:

MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]

SOURCE 11 OF 11

gd1979-04-22.aud.severson.minches.91346.flac1644

Source:

2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)

Lineage:

Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding

Taper Notes:

View Notes* [12:21 - 13:10] patched from source (12001): SBD MC>C>DAT>CDR>WAV>SHN equalized to match audience master