The Promised Land | 1979-01-18 | Grateful Dead

View NotesNotes:
-- Set 2 is seamless
-- This source has a patch added to Jack-A-Roe
-- Thanks to David Young and Rich Rothenberg for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 2 OF 8

2:44:47

SBD

Transferrer:

Charlie Miller

SHNID:

gd1979-01-18.sbd.miller.102444.flac16

Source:

SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5)

Lineage:

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to David Young and Rich Rothenberg for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 3 OF 8

gd1979-01-18.nak300.rolfe.miller.100210.flac24

Source:

(FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/24

Taper Notes:

View NotesPatch Info:
(FOB) Sennheiser 441 -> Cassette Master -> Dat -> CD (shnid=13058) supplies:
The Other One (9:15 - 10:29) (11:24 - 11:34)

Notes:
-- Thanks to Steve Rolfe for lending me his masters
-- Thanks to Joe B. Jones for his help pitch correcting the patch source

SOURCE 4 OF 8

gd1979-01-18.nak300.rolfe.miller.100209.sbeok.flac16

Source:

(FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16

Taper Notes:

View NotesPatch Info:
(FOB) Sennheiser 441 -> Cassette Master -> Dat -> CD (shnid=13058) supplies:
The Other One (9:15 - 10:29) (11:24 - 11:34)
Notes:
-- Set 2 is seamless
-- Thanks to Steve Rolfe for lending me his masters
-- Thanks to Joe B. Jones for his help pitch correcting the patch source

SOURCE 5 OF 8

gd1979-01-18.akg-shure.friend.andrewf.106900.flac16

Source:

FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H

Lineage:

MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged.

SOURCE 6 OF 8

gd1979-01-18.akg-shure.friend.andrewf.106899.flac24

Source:

FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend.

Lineage:

MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010

SOURCE 7 OF 8

gd79-01-18.rolfe.vernon.17175.sbeok.shnf

Source:

Audience Recording: TEAC PC-10 with nak 700 mic's fob

Lineage:

DAT > CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > SHN

Taper Notes:

View NotesEncoding by Matt Vernon 
Thanks to Dave Minor and Raoul Duke for the DAT's and CD's

Part of "The Music Never Stopped Project 2003"
- no drum solo this show!
- the sound for this source is more FOB and brighter than the other etree seed 
(http://db.etree.org/shninfo_detail.php?shnid=13058) for this date.  Spectral 
analysis shows that the rise and fall times of notes shorter for this source.
- the pre-emphasis bits were set per EAC. I digitally applied de-emphasis using curves taken from 
Cirrus Logic CS42L50 Data Sheet Figure 31.  The filter was defined by these values
  0db from 0 to 3.183kHz; -10db from 10.61kHz and higher; linear gain in between with highest 
accuracy setting on Cool Edit Pro.

- d1t3 sounds like something popping nearby (ballons? firecrackers?? not too intrusive whatever it is)
- d1t6 tape flip after song ends presumed (fade out/in after track)
- d1t7 fade out/in after track

SOURCE 8 OF 8

gd79-01-18.senn.fishman.13058.sbeok.shnf

Source:

Audience Recording: Sennheiser 441's?

Lineage:

FOB AUD Master Cassette > DAT >CD-R > SHN

Taper Notes:

View NotesSource: FOB AUD Master Cassette > DAT >CD-R > SHN. Mikes are allegedly Sennheiser 441's via Fishman