tuning | 1976-06-10 | Grateful Dead

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Grateful Dead

2,065 shows

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

252 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,064 shows

1,410 tapes

Jerry's Middle Finger

160 shows

194 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

385 shows

564 tapes

North Mississippi Allstars

Phil Lesh and Friends

777 shows

2,784 tapes

Pigeons Playing Ping Pong

String Cheese Incident

1,231 shows

1,966 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Powered by PanicStream

Yonder Mountain String Band

Grateful Dead

1976

Summer 1976

Late Show Port Chester, NY, USA

Late Show Port Chester, NY, USA

Late Show Port Chester, NY, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Cameron Indoor Stadium, Duke U.

William and Mary College Hall

Williamsburg, VA, USA

Community War Memorial Auditorium

Onondaga County War Memorial

Auditorium, Ohio State U

Indianapolis, IN, USA

Oakland-Alameda County Stadium

Oakland-Alameda County Stadium

6/10/76

Sources

SOURCE 1 OF 12

gd1976-06-10.141690.sbd.miller.flac1644

Source:

Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller

Taper Notes:

View NotesNotes:
-- This is pretty much mono
-- Thanks to Tim Dalton for the PCM
-- Two sets of masters were used to make this show complete

SOURCE 2 OF 12

gd1976-06-10.matrix.tobin.84985.sbeok.flac16

Source:

SBD + AUD Matrix 2 Source Mix(65%-SBD/35%-AUD)

Lineage:

See info file

Taper Notes:

View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  
- Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd
- FLAC conversion 11-MAY-2007

Audio Patching:

1) Before Promised Land, 1 minute and 16.000 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

2) During Lazy Lightning, 24.865 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

3) Between Supplication and Row Jimmy, 42.861 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

4) During Might As Well, 28.054 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

5) During Let It Grow, 26.345 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

6) Between Let It Grow and Friend Of The Devil, 54.113 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD -6

SET TWO

Stereo Matrix
SBD -3
AUD -6

SOURCE 3 OF 12

DAT from the collection of Todd Evans

Transferrer:

Jamie Waddell

SHNID:

gd1976-06-10.sbd.gems.82921.flac16

Source:

SBD Master Reel -> PCM -> Dat (44.1k)

Lineage:

DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0

Taper Notes:

View NotesNotes-
-5 seconds of static on GEM DAT in Sugaree patched with shnid 14264
-a slight tape warble/glitch in Cassidy (exists on all sbd sources) surgically improved in Spectrum Edit Mode
-Skip and short L channel static burst @ 7:13.6 of TLEO (d1t04) of 14264 NOT present on GEM DAT original transfer.
-about 10 more seconds of tuning/crowd exists on GEM source between Row Jimmy and Big River than on 14264.  Confirmed with comparison to circulating audience sources.
-Digi Noise present on 14264 in the last 5 seconds on Row Jimmy not present on GEM DAT
-about 15 missing seconds on master reel in Lazy Lightnin patched with the Jerry Moore Audience Recording, shnid 18425.
-about 20 missing seconds on Master Reel in Might As Well patched with Jerry Moore Audience Recording, shnid 18425.
-about 20 missing seconds on Master Reel in Let It Grow patched with Jerry Moore Audience Recording, shnid 18425.




a **GEMS** Production www.shnflac.net

SOURCE 4 OF 12

gd76-06-10.sbd.bertha-ashley.23370.sbeok.shnf

Source:

Soundboard

Lineage:

SBD> MR> PCM> DAT> WAV> SHN> DAW (Bertha)> WAV/SHN

Taper Notes:

View NotesBertha Remaster of the Master Reel source.
SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN

SOURCE 5 OF 12

gd76-06-10.sbd.miller.14264.sbeok.shnf

Source:

Soundboard

Lineage:

SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN

Taper Notes:

View NotesSBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller

SOURCE 6 OF 12

gd1976-06-10.145134.akg1000.warburton.smith.sirmick.flac1644

Source:

AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of loge.

Lineage:

Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496 Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24

Taper Notes:

View NotesNotes:

- 8 second patch in "Row Jimmy" - patch source shnid 18425 - Thank you to the late  Jerry Moore, etc.
- Tape flip after "FOTD" smoothed.

Thanks to Joe B. Jones for his assistance with pitch correction.

Thanks to Matt Smith for a really nice transfer.

Thanks to Jimmy Warburton for lending us his reels.

edited and mastered
SIRMick
August 2018

SOURCE 7 OF 12

SIRMick and Matt Smith

SHNID:

gd1976-06-10.143003.akg1000.warburton.smith.sirmick.flac2496

Source:

Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log;

Lineage:

MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018

Taper Notes:

View NotesNotes:

- 8 second patch in "Row Jimmy" - patch source shnid 18425 - Thank you to the late  Jerry Moore, etc.
- Tape flip after "FOTD" smoothed.

Thanks to Joe B. Jones for his assistance with pitch correction.

Thanks to Matt Smith for a really nice transfer.

Thanks to Jimmy Warburton for lending us his reels.

edited and mastered
SIRMick
August 2018

SOURCE 8 OF 12

gd1976-06-10.mtx.dts.tobin.85004.sbeok.flac16

Source:

DTS-Audio-5.1 Mix by Kevin Tobin

Lineage:

See info file

Taper Notes:

View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  
- Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd
- FLAC conversion 11-MAY-2007

Audio Patching:

1) Before Promised Land, 1 minute and 16.000 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

2) During Lazy Lightning, 24.865 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

3) Between Supplication and Row Jimmy, 42.861 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

4) During Might As Well, 28.054 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

5) During Let It Grow, 26.345 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

6) Between Let It Grow and Friend Of The Devil, 54.113 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better.

---------------------------------------------------------

DTS-Audio-CD Info

Front  
Left Channel SBD  
Right Channel SBD

Center
Mixed to mono -1.5db SBD

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1.5db SBD Reel

--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

SOURCE 9 OF 12

Mark Cohen, David Minches

SHNID:

gd76-06-10.warburton.minches.18426.sbeok.shnf

Source:

Audience Recording: AKG 1000Es

Lineage:

AKG 1000Es> Sony TC-152. Reel -> DAT -> SHN

Taper Notes:

View NotesRecorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches.

SOURCE 10 OF 12

Mark Cohen, David Minches

SHNID:

gd76-06-10.moore.minches.18425.sbeok.shnf

Source:

Audience Recording: AKG 200Es

Lineage:

AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT > SHN

Taper Notes:

View NotesRecorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches.

SOURCE 11 OF 12

gd76-06-10.hopkins.vernon.5918.sbeok.shnf

Source:

Audience Recording: Sony ECM 99a stereo mic

Lineage:

FOB Sony 152 cassette deck with Sony ecm 99a stereo mic; Audience Master Cassettes > DAT > DAT clone > CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN

Taper Notes:

View NotesFOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. [Note: Dolby decoded version created 7/13/03]

SOURCE 12 OF 12

S. Dunahee and W. Stube

SHNID:

gd1976-06-10.unk.dunahee-stube.237.shnf