It Must Have Been The Roses | 1976-06-03 | Grateful Dead

View Notes- Previous version had the channels swapped in "Samson &
  Delilah" thru "It Must Have Been the Roses", as well as
  "The Wheel", thus the need for this fixed version
- Thanks to miles1960 for bringing the channel swap issue to my
  attention
- Thanks to anonymous for the updated tracks
- Upgrade to all copies in general circulation (10/2017)
- Thanks to Keith Kreider for the PCM source
- Thanks to Charlie Miller for the PCM transfer
- Thanks to Charlie Miller for shnid123607 which supplies the
  tuning and first several seconds of Might As Well (t01), the
  final 0:34 of "Supplication" (t07) and the tuning before
  "Candyman" (t08), the final 0:21 of "Let It Grow" (t15), the
  between song tuning between "Let It Grow" (t15) and "It Must
  Have Been The Roses" (t16), the first 0:14 of "It Must Have
  Been The Roses"(t16),the final 0:04 of "One More Saturday
  Night" (t21),as well as the tuning before, and the entire
  "The Wheel" (t22)encore.
- 2nd Set Let It Grow is always a treat
- Help On The Way-> Slipknot!-> Franklin's Tower clocks in at
  29:36
- IMO, a beautiful capture and transfer
- Pass the popcorn and enjoy!

SOURCE 2 OF 16

3:18:19

SBD

gd1976-06-03.123608.sbd.miller.flac24

Source:

SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)

Lineage:

WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Stella Blue tease after Let It Grow
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 3 OF 16

gd1976-06-03.123607.sbd.miller.flac16

Source:

SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)

Lineage:

WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- All disc changes are seamless
-- Stella Blue tease after Let It Grow
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 4 OF 16

Matrix by Hunter Seamons

SHNID:

gd1976-06-03.mtx.seamons.91912.sbeok.shnf

Source:

MATRIX MIX: SBD/AUD (About 60%/40%)

Taper Notes:

View Notes---------------------------------------------------------------
SBD: 
Bertha Remaster of the Master Reel Source.  SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A  Pitch correction by Hunter Seamons (8/10/07)

--------------------------------------------------------------- AUD: 

MC > DAT > WAV > SHN  Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on.  A > D and SHN by Noah Weiner (noahbw@attbi.com) - November, 2002
 ----------------------------------------------------------------  Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008

SOURCE 5 OF 16

Pitch correction by Hunter Seamons using Final Cut Pro

SHNID:

gd1976-06-03.sbd.seamons.fix-20004.86745.sbeok.shnf

Source:

SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN -

Taper Notes:

View NotesSpeed was increased by 3.41%.

SOURCE 6 OF 16

gd76-06-03.sbd.bertha-ashley.20004.sbeok.shnf

Source:

Soundboard

Lineage:

SBD> MR> DAT> WAV> SHN> DAW (Bertha)> CDA/SHN

Taper Notes:

View NotesSBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN
(*)Encores included.

SOURCE 7 OF 16

gd1976-06-03.sbd.bertha.17266.shnf

Source:

SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA

Taper Notes:

View NotesNotes:

Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on August 20, 2002.

(*)Missing One More Saturday Night and The Wheel.

SOURCE 8 OF 16

gd76-06-03.sbd.serafin.7719.sbeok.shnf

Source:

Soundboard

Lineage:

SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD

Taper Notes:

View NotesSBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; <a href="http://db.etree.org/shninfo_detail.php?shnid=12946" rel="nofollow">reseed</a> with encores also circulates

SOURCE 9 OF 16

MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR

Taper Notes:

View NotesMissing Saturday Night and Wheel (Encore) after Franklin's Tower.

SOURCE 10 OF 16

gd1976-06-03.123464.akgD224E.holwein.miller.flac16

Source:

Recording Info: AKG D224E -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller

Taper Notes:

View NotesNotes:
-- All disc changes are seamless
-- Recorded By Reinhardt Holwein
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 11 OF 16

Matt Smith and Scott Clugston

SHNID:

gd1976-06-03.148568.fob.sony.ecm18n.lee.smith.clugston.flac2496

Source:

Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master (FOB) cassette source
- Thanks to Matt Smith for the transfer
- Pitch corrected

Mastered by Scott Clugston
December 2019

SOURCE 12 OF 16

Matt Smith and Scott Clugston

SHNID:

gd1976-06-03.148567.fob.sony.ecm18n.lee.smith.clugston.flac1648

Source:

Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master (FOB) cassette source
- Thanks to Matt Smith for the transfer
- Pitch corrected

Mastered by Scott Clugston
December 2019

SOURCE 13 OF 16

gd1976-06-03.mtx.seamons.ht06.123898.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)

SOURCE 14 OF 16

gd1976-06-03.aud.berger.99910.flac16

Lineage:

mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac

Taper Notes:

View Notessource: aud 1st gen reel
Jerry Moore's copy

SOURCE 15 OF 16

gd76-06-03.lee.weiner.14263.sbeok.shnf

Source:

Audience Recording: Sony ECM18N

Lineage:

AUDMC > DAT > WAV > SHN; 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on

Taper Notes:

View NotesAUDMC > DAT > WAV > SHN

Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on

SOURCE 16 OF 16

gd76-06-03.aud.vernon.7825.sbeok.shnf

Source:

Audience Recording