Not Fade Away Reprise -> | 1987-05-03 | Grateful Dead

View NotesNotes:
-- Recorded by Don Pearson and Dan Healy
-- Multiple ultramatrix masters were used to make this complete
-- This is 166865 2496 > 1648

SOURCE 2 OF 13

2:30:09

SBD

gd1987-05-03.sbd.walker-scotton.miller.83738.sbeok.flac16

Source:

SBD -> Cassette Master (Maxell MX90/Sony D5)

Lineage:

Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16

Taper Notes:

View NotesPatch Info:
Pre-FM SBD/(FOB) Schoeps CMC3/MK2 Matrix supplies:
Drums (9:50 - 10:04)
Notes:
-- Disc change is seamless
-- Thanks to Paul Scotton and Joani Walker for the tapes

SOURCE 3 OF 13

PO and Stucco TINA Holmes

Transferrer:

Jamie Waddell

SHNID:

gd1987-05-03.135937.dsbd.GEMS.flac16

Source:

Digital Soundboard > PCM copy > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the fixed version has the channels corrected; please don't circulate the original version

Taper Notes:

View Notesupdate: this has the speakers in the right place

tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm


This recording was gratefully supplied by PO and Stucco TINA Holmes.

Wavelab 7.1 for Minor Edits by Jamie Waddell
16 bit 44.1kHz  a project **GEMS** 2016

- no sonic manipulation was performed, as the pcm sounds
- provides more complete audio around the tuning and Little Bunny Foo Foo than the casette sbd
- 10 minutes of the house music between sets, Little Feat, on master, not included here

SOURCE 4 OF 13

gd87-05-03.sbd.hinko.18848.sbeok.shnf

Source:

SBD > MC > DAT > CD > EAC > SHN

Taper Notes:

View NotesSBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko

SOURCE 5 OF 13

gd1987-05-03.sbd.hinko.16175.sbeok.shnf

Lineage:

SHN > EAC > CoolEdit (for patches) > MKWact > SHNTool > SHN

SOURCE 6 OF 13

mixed by Sean Weber, converted to shn by Bill Gardner

SHNID:

gd1987-05-03.sbd-mtx.weber.gardner.1193.sbeok.shnf

View Notes65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR
35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR

SOURCE 7 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1987-05-03.152832.fob.nak700.wagner.miller.clugston.flac2496

Source:

Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6

Lineage:

Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Wagner for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht and the folks responsible for the Neumann KM84i source which supplies the first 0:11 of "Estimated Prophet", as well as a 0:32 patch in the "Drums > Space" transition
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
January 2021

SOURCE 8 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1987-05-03.148782.neumann.km84i.hecht.miller.clugston.flac2496

Source:

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to cousinit for the shnid98294 Nakamichi 700 source which supplies an 0:11 patch in "Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
October 2019

SOURCE 9 OF 13

Scott Clugston and Charlie Miller

SHNID:

gd1987-05-03.148781.neumann.km84i.hecht.miller.clugston.flac1648

Source:

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to cousinit for the shnid98294 Nakamichi 700 source which supplies an 0:11 patch in "Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
October 2019

SOURCE 10 OF 13

2:34:29

SHNID:

gd1987-05-03.166865.ultramatrix.miller.flac2496

SOURCE 11 OF 13

2:31:19

SHNID:

gd1987-05-03.152831.fob.nak700.wagner.miller.clugston.flac1648

SOURCE 12 OF 13

gd1987-05-03.nak700.cousinit.98294.flac16

Source:

FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>FLAC

SOURCE 13 OF 13

gd1987-05-03.weber.gardner.tetzeli.fix-1193.34396.reflac.flac16

Source:

Fix of shnid 1193.

Taper Notes:

View Notes-----------------------------------------------------------------------------------------------
Fix of shnid 1193.  

This is actually a refix.  My first one was probably okay, but I wanted something more accurate in making the transition between CDs 2 and 3 seamless, something that was difficult because of the fades in the overlapping sections.  Unfortunately, what I discovered was there was something qualitatively different between the end of CD 2 and the beginning of CD 3, so no matter how exactly I matched the volume at the splice points you could easily hear where the splice was.  I finally had to settle for approximately matching the levels at the overlap, synching the overlap precisely and doing a cross fade in CE Pro (around 4 sec. into Space).  It's not perfect, but it's the best I can do and it sounds pretty good.  I'm sure someone else can do better.

I converted the SHNs to FLAC and merged the drums and space into one track each (they had been three tracks each).

Bill Tetzeli, btet@adelphia.net
5:20 AM 4/29/2006
-----------------------------------------------------------------------------------------------