Sampson & Delilah | 1986-03-23 | Grateful Dead

Bands

Featured

Grateful Dead

2,056 shows

16,447 tapes

Phil Lesh and Friends

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

12 shows

14 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,084 shows

1,448 tapes

Jerry's Middle Finger

176 shows

211 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

389 shows

568 tapes

North Mississippi Allstars

Pigeons Playing Ping Pong

String Cheese Incident

1,246 shows

1,992 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1986

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Cumberland County Civic Center

Cumberland County Civic Center

Providence Civic Center

Providence Civic Center

Providence Civic Center

Hartford Civic Center

Hartford Civic Center

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Hubert H. Humphrey Metrodome

Alpine Valley Music Theatre

Alpine Valley Music Theatre

River Bend Music Center

Rubber Bowl, U. of Akron

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Oakland, CA, USA

3:08:48

11 tapes

Songs

Sources

SOURCE 1 OF 18

gd1986-03-23.142392.sbd.miller.flac1648

Source:

SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)

Lineage:

Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/

Taper Notes:

View NotesNotes:
-- Thanks to Rob Eaton for the Dats
-- Thanks to the Oade Brothers for the patch source

SOURCE 2 OF 18

Andrew F. and Andrew F

SHNID:

gd1986-03-23.133940.sbd.set2partial.andrewf.flac1644

Source:

Partial Set 2 Source: SBD > ? > Cassette.

Lineage:

Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015

Taper Notes:

View NotesNote: This was found on an unmarked tape that contained a compilation 
of various 1986 soundboard material. Hopefully the rest will surface...

SOURCE 3 OF 18

Scott Clugston and Charlie Miller

SHNID:

gd1986-03-23.156623.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:09 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
May 2020

SOURCE 4 OF 18

Scott Clugston and Charlie Miller

SHNID:

gd1986-03-23.148873.senn441.mattes.miller.clugston.flac2496

Source:

Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes and Robby Hunt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in the "Drums > Space" transition
- Debut Of "Desolation Row"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
December 2019

SOURCE 5 OF 18

Scott Clugston and Charlie Miller and Jim Wise

SHNID:

gd1986-03-23.141998.fob.oade.schoeps.cmc4.mk41.wise.miller.clugston.flac1644

Source:

Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16

Taper Notes:

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk
- Thanks to Jim Wise for the hard disk
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Tony Suraci for the shnid79879 Nakamichi 304 source which supplies a 0:01.2 patch at the end of "Mama Tried"
- Other One space included in "The Other One"
- Another fine Oade capture

Mastered by Scott Clugston
May 17, 2018

SOURCE 6 OF 18

2:11:57

SHNID:

gd1986-03-23.159373.OTS-Nak300.pasterrnak.vernon.flac2448

SOURCE 7 OF 18

2:11:57

SHNID:

gd1986-03-23.159372.OTS-Nak300.pasterrnak.vernon.flac1648

SOURCE 8 OF 18

2:06:44

Taper:

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1986-03-23.156077.beyerm201-murtha.holbrook.flac2448

Source:

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master]

Lineage:

Taper Notes:

View Notes##- not on the master tapes; replaced with SHN ID:111956; https://archive.org/details/gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16

Comments:
First known Grateful Dead version of "Willie & The Hand Jive"
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour.
It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

SOURCE 9 OF 18

2:06:44

Taper:

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney

Transferrer:

Kyle Holbrook

SHNID:

gd1986-03-23.156076.beyerm201-murtha.holbrook.flac1644

Source:

Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master]

Lineage:

Taper Notes:

View Notes##- not on the master tapes; replaced with SHN ID:111956; https://archive.org/details/gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16

Comments:
First known Grateful Dead version of "Willie & The Hand Jive"
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour.
It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

SOURCE 10 OF 18

gd1986-03-23.148872.senn441.mattes.miller.clugston.flac1648

Source:

Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Ted Mattes and Robby Hunt for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in the "Drums > Space" transition
- Debut Of "Desolation Row"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
December 2019

SOURCE 11 OF 18

gd1986-03-23.133873.cmc34-fob.deemph.flac16

Source:

FOB Schoeps CMC3s/MK4s>PCM>DAT;

Taper Notes:

View Notes*de-emphasis version of SHNID 132708*

July 26, 2015 - the FLACs sounded way too bright with a high noise floor
Applied deemphasis musing xACT 2.34 by chillwig #ripbrent

SOURCE 12 OF 18

gd1986-03-23.127536.chasingwilma.flac24

Source:

source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 13 OF 18

gd1986-03-23.nak100.holtz.jaz.102167.flac16

Source:

Nakamichi cm 100's w/shotguns -> Sony TC-D5

Lineage:

Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8

SOURCE 14 OF 18

gd1986-03-23.nak300.damico.87649.flac16

Source:

nak 300 mics w/cp4 shotguns > sony d-5

Lineage:

nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

SOURCE 15 OF 18

gd1986-03-23.nakcm304.suraci.sbeok.79879.flac16

Source:

Nak CM304's>SonyD5

Lineage:

Nak CR5A>Lunatec V3>Sd722

Taper Notes:

View Notes* Recorded from directly behind SBD, very close to center.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

SOURCE 16 OF 18

gd1986-03-23.nak300.mandel.79565.shnf

Source:

Nakamichi 300 Shotguns CP4's & Sony TCD5M

Lineage:

Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

SOURCE 17 OF 18

2:19:20

Source:

MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's)

SOURCE 18 OF 18

MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn

Taper Notes:

View NotesMAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn