He's Gone > | 1985-06-30 | Grateful Dead

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Grateful Dead

2,064 shows

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell Orchestra

Blueground Undergrass

Circles Around The Sun

G. Love and Special Sauce

Godspeed You Black Emperor!

Hard Working Americans

Horseshoes and Hand Grenades

Infamous Stringdusters

Jazz Mandolin Project

206 shows

254 tapes

Jeff Austin and Chris Castino

11 shows

13 tapes

Jeff Austin And Friends

Jerry Joseph and the Jackmormons

1,082 shows

1,441 tapes

Jerry's Middle Finger

155 shows

181 tapes

Joe Russo Presents: Hooteroll? + Plus

2 shows

5 tapes

Joe Russo's Almost Dead

King Gizzard & the Lizard Wizard

New Riders of the Purple Sage

388 shows

567 tapes

North Mississippi Allstars

Phil Lesh and Friends

759 shows

2,515 tapes

Pigeons Playing Ping Pong

String Cheese Incident

514 shows

588 tapes

Surprise Me Mr. Davis

Ted Leo and the Pharmacists

The California Honeydrops

Yonder Mountain String Band

1985

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Berkeley Community Theater

Springfield Civic Center

Springfield Civic Center

Cumberland County Civic Center

Cumberland County Civic Center

Providence Civic Center

Providence Civic Center

Philadelphia, PA, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Marin Veterans Memorial Auditorium

Alpine Valley Music Theatre

Alpine Valley Music Theatre

River Bend Music Center

Cuyahoga Falls, OH, USA

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Merriweather Post Pavilion

Merriweather Post Pavilion

Ventura County Fairgrounds

Ventura County Fairgrounds

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

Southern Star Amphitheater

Oklahoma City, OK, USA

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Devore Field, Southwestern College

Pembroke Pines, FL, USA

Carolina Coliseum, U. of South Carolina

Community War Memorial Auditorium

Community War Memorial Auditorium

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Henry J. Kaiser Convention Center

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

Oakland, CA, USA

4:59:06

19 tapes

Sources

SOURCE 1 OF 27

All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net July 15, 2023

SHNID:

gd1985-06-30.165131.s2.sbd.pcm.latvala.miller.flac1644

Source:

SBD > PCM Master > DAT Clone (44.1k)

Lineage:

DAT Clone (Panasonic SV-3900) > Samplitude Pro X6 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- Thanks to Dick Latvala for the source dat

SOURCE 2 OF 27

2:33:08

SBD

Taper:

Recorded by Steve Marcus

Transferrer:

All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net December 25, 2020

SHNID:

gd1985-06-30.151255.sbd.marcus.miller.flac1644

Source:

SBD > Cassette Master (Sony WM-D6C/Dolby C) > DAT > CD > WAV

Lineage:

WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16

Taper Notes:

View NotesNotes:
-- Recorded by Steve Marcus
-- I cleaned up a lot of PA static but some still remains
-- Thanks to the Oade Brothers for the patch source

SOURCE 3 OF 27

gd1985-06-30.sbd.miller.89192.sbeok.flac16

Source:

SBD -> Cassette Master -> Dat -> CD

Lineage:

CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC

Taper Notes:

View Notes-- Disc change is seamless
-- Two SBD Cassette Masters were used to make this show complete
-- Many flaws have been fixed but PA static still remains
-- There is no channel swapping on this source
-- It sounds like there was some prior processing done to the discs
-- This recording is for from perfect but it's still the best I've heard
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 4 OF 27

gd85-06-30.sbd.miller.30158.sbeok.flacf

Source:

flac16

Lineage:

SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC

Taper Notes:

View Notes<b>flac16</b>; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC

Converted By Charlie Miller

SOURCE 5 OF 27

gd1985-06-30.mtx.seamons.94642.sbeok.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View Notes*Matrix*

----------------------------------------------------
SBD:

Recording Info:
SBD -> Cassette Master -> Dat -> CD

Transfer Info:
CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC
(2 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 21, 2007

----------------------------------------------------
AUD:

Recorded by Jim Oade
Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)

Field:
Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Transfer:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

---------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
and to the Oade Brothers and Darrin Sacks for the AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
September 21, 2008

Notes:

1) Occasional static/clicks/pops in the sources.

2) Cuts in the SBD between some songs. Some dropouts in C.C. Rider, and briefs cuts in LL Rain, Drums, and Other One. Other One also has some brief, shifty channel business.

3) The show appears to be seamless.

SOURCE 6 OF 27

gd1985-06-30.nakcm304-beyerm101.suraci.89039.flac24

Source:

Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M *OTS at SBD, Stand at 9 Feet

Lineage:

Nak CR5A>Lunatec V3(analog out)>722@24/96 Adobe Audition 2.0>Cdwav/tracking>flac24

Taper Notes:

View Notes// tape flips, very little missing.
* Recorded from row directly behind SBD, very close to center.

SOURCE 7 OF 27

gd1985-06-30.nak-beyer.tonys.79641.sbeok.flac16

Source:

Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M *OTS at SBD, Stand at 9 Feet

Lineage:

Nak CR5A>Lunatec V3(analog out)>722@24/96 > Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16

Taper Notes:

View Notes// tape flips, very little missing.
* Recorded from row directly behind SBD, very close to center.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

SOURCE 8 OF 27

Tommy Brane and Darryl Hinko

SHNID:

gd1985-06-30.sbd.brame-hinko.23223.sbeok.shnf

Source:

SBDmc>DAT>CD

Taper Notes:

View Notesfixed disc 3 SHNid=366 by Darryl Hinko and Tommy Brame 

***This orginal shnset was downloaded from GDLive. It was all sorts
of messed up. Darryl Hinko retracked Stella>Around and Around.
I combined both of the TOO tracks (as they should've been to begin
with.) I also corrected any SBE from the edits and now it's all good.

SOURCE 9 OF 27

gd85-06-30.sbd.georges.366.sbeok.shnf

Source:

SBDmc> DAT> CD

Taper Notes:

View NotesSBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net

SOURCE 10 OF 27

Scott Clugston and Charlie Miller

SHNID:

gd1985-06-30.148523.fob.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Tony Suraci for the shnid79641 Nakamichi 304 + Beyer M101 source which supplies a 0:27 patch at the beginning of "Looks Like Rain", as well as a 0:06 patch in "Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
October 2019

SOURCE 11 OF 27

Scott Clugston and Charlie Miller

SHNID:

gd1985-06-30.148522.fob.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Tony Suraci for the shnid79641 Nakamichi 304 + Beyer M101 source which supplies a 0:27 patch at the beginning of "Looks Like Rain", as well as a 0:06 patch in "Drums"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
October 2019

SOURCE 12 OF 27

Charlie Miller and Joe Noel

SHNID:

gd1985-06-30.145353.ots.at.835b.akg.d12e.blend.ackerman.miller.noel.t-flac16

Source:

Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS)

Lineage:

Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > FLAC 24/96
April 04, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 25242 (Schoeps CMC441) supplies
- s1t08; 0:05 - 0:23
- s2t06; 4:42 - 5:04

Notes:
- This is an upgrade to shnid 102134
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- Grateful for The Oade Bros. efforts that supply the patch source

SOURCE 13 OF 27

1:39:08

Taper:

Mike Guy and Jim Pailes

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-06-30.144155.set2.nak304.guy.pailes.miller.clugston.flac2496

Source:

Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90)

Lineage:

Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mike Guy & Jim Pailes for the master audience cassette source
- Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the CMC4/MK41 source which supplies a 1:39 patch in "Drums", as well as "US Blues" in its entirety
- Other One space included in "The Other One"
- Pitch corrected
- 1st set tape lost

Mastered by Scott Clugston
December 2018

SOURCE 14 OF 27

1:39:08

Taper:

Mike Guy and Jim Pailes

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-06-30.144154.set2.nak304.guy.pailes.miller.clugston.flac1648

Source:

Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90)

Lineage:

Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mike Guy & Jim Pailes for the master audience cassette source
- Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the CMC4/MK41 source which supplies a 1:39 patch in "Drums", as well as "US Blues" in its entirety
- Other One space included in "The Other One"
- Pitch corrected
- 1st set tape lost

Mastered by Scott Clugston
December 2018

SOURCE 15 OF 27

Charlie Miller and Joe Noel

SHNID:

gd1985-06-30.141619.OTS.AT835b-AKGD12e-Blend.Ackerman.Miller.Noel.t-flac2496

Source:

Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesPatch info:
- shnid 25242 (Schoeps CMC441) supplies
- s1t08; 0:05 - 0:23
- s2t06; 4:42 - 5:04

Notes:
- This is an upgrade to shnid 102134
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- Grateful for The Oade Bros. efforts that supply the patch source

SOURCE 16 OF 27

2:29:03

SHNID:

gd1985-06-30.152702.akgc422.davis-murtha.holbrook.flac2448

SOURCE 17 OF 27

2:29:05

Taper:

Executive Crew;Mike Davis;Kenny Davis;Sean Murtha;Kyle Holbrook;Tom Pinney;John Borg;Gary Steel

Transferrer:

Kyle Holbrook

SHNID:

gd1985-06-30.152701.akgc422.davis-murtha.holbrook.flac1644

Source:

Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill)

Lineage:

Taper Notes:

View Notes# volume changes, both ours and Healy's first 3 minutes; afterward sound quality improves dramatically
/ There were more stage EQ issues after Samson, so we paused the tape.

The entire show suffers from the infamous summer of 1985 PA distortion which was later found to have some origination from Phil's pick ups in the new 6 string bass.

This upload is from a fresh master take off with a newly serviced cassette deck. The old takeoff exhibits lots of tape flutter and channel swapping. The original 24 bit post of these masters was:
shn ID 84267.sbeok.flac16

SOURCE 18 OF 27

2:26:29

Taper:

Mark McCue and Davey Meade

Transferrer:

Alex Ford

SHNID:

gd1985-06-30.138288.senn441.mccue.meade.flac24

Source:

flac24/48kHz; MAC; Sennheiser 441s > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler> .wav @24/48> xAct> flac24; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford

Taper Notes:

View Notes* tape flip patched using shnid #7833

SOURCE 19 OF 27

2:26:26

Taper:

Mark McCue and Davey Meade

Transferrer:

Alex Ford

SHNID:

gd1985-06-30.138280.senn441.mccue.meade.sbeok.flac16

Source:

MAC; Sennheiser 441's > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford

Taper Notes:

View Notes* tape flip patched using shnid #7833

SOURCE 20 OF 27

gd1985-06-30.126176.chasingwilma.flac24

Source:

source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 21 OF 27

Ray Ackerman;Tracks, FLACs, Tags by Craig Taraszki

SHNID:

gd1985-06-30.at835-d12e.Ackerman-Taraszki.102134.flac16

Source:

(2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5

Lineage:

Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16

Taper Notes:

View Notes* s1t08 0:09-0:21 patched from Schoeps cmc4/mk41 (90deg/17cm)> Oade m118> Oade Modified Sony PCM-F1

SOURCE 22 OF 27

gd1985-06-30.akgC422.holbrook.burke.84267.sbeok.flac16

Source:

AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby)

Lineage:

Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41

Taper Notes:

View NotesNotes: 
The tape flips occur at 6:04 of Looks Like Rain, 2:44 of Drums and at the track split between s2t12 and s2t13. 

Personnel: 
Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums 
Phil Lesh - Bass Guitar 
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals

SOURCE 23 OF 27

gd1985-06-30.akgC422.holbrook.burke.84246.flac24

Source:

AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby)

Lineage:

Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41

Taper Notes:

View NotesNotes: 
The tape flips occur at 6:04 of Looks Like Rain, 2:44 of Drums and at the track split between s2t12 and s2t13. 

Personnel: 
Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums 
Phil Lesh - Bass Guitar 
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals

SOURCE 24 OF 27

gd1985-06-30.cpb.2nd-retransfer.33702.flac16

Lineage:

MC > Playback on Marantz SD 4050 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs

Taper Notes:

View NotesThis recording was done to capture as much as possable.
There were no tape flips requiring fast forwarding or
rewinding during the actual recording. Side A of the first
tape was recorded then Side A of the second cassette.
Everything was then fast forwarded at the break and the
B Sides were recorded. Very little crowd noise has
been removed.


This is the last transfer of this tape.  I did it for myself
since I got much improved computer hardware.  It is at a point
were I am totally happy with the results I listen to.  

You are very welcome to a copy.

SOURCE 25 OF 27

Doug Oade - Darren Sacks

SHNID:

gd85-06-30.oade-schoeps.sacks.25242.sbeok.flacf

Source:

Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks)

Taper Notes:

View NotesSource: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 <br />
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks)

SOURCE 26 OF 27

gd85-06-30.aud.set1.mckeown.7893.sbefail.shnf

Source:

Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN

Taper Notes:

View Notesset 1; Recorded by Tommy McKeown;  Master AUD  Sony D5 Sennheiser ME 80 & 441's > Wav > SHN; 5 sec. dropout on left channel during BEW

SOURCE 27 OF 27

gd85-06-30.aud.oade-sacks.set2.7833.sbefail.shnf

Source:

Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable)

Taper Notes:

View Notesset 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks