Morning Dew -> | 1985-06-14 | Grateful Dead

View NotesNotes:
-- This is an uncirculated sources which is an upgrade
-- There was an equipment break after Hell In A Bucket
-- Thanks to Joe B. Jones for his help with the pitch correction

Additional notes:
- emphasis corrected

Patch info:
- shnid: 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN)
- s1t01; all
- s2t01; start - 01:06

Patch notes:
- shnid 117028 was speed corrected & noise removal was performed to create a seamless blend.

Edited & patched with Audacity by Joe Noel
February 26, 2019

SOURCE 2 OF 26

2:25:18

SBD

Transferrer:

Charlie Miller

SHNID:

gd1985-06-14.135656.sbd.miller.flac1648

Source:

SBD -> Cassette Master (Dolby B) -> Dat (48k)

Lineage:

Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 ->Samplitude Professional v11.2.1 -> FLAC/

Taper Notes:

View NotesNotes:
-- This is an uncirculated sources which is an upgrade
-- There was an equipment break after Hell In A Bucket
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 3 OF 26

gd1985-06-14.135615.sbd-new.miller.flac16

Source:

SBD -> Cassette Master (Dolby B) -> Dat (48k)

Lineage:

Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 ->Samplitude Professional v11.2.1 -> FLAC/

Taper Notes:

View NotesNotes:
-- This is an uncirculated sources which is an upgrade
-- There was an equipment break after Hell In A Bucket
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 4 OF 26

gd1985-06-14.sbd.miller.117028.flac16

Source:

SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN

Lineage:

SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC

Taper Notes:

View NotesNotes:
-- Encore on end of Set 1 to fit show into 2 discs
-- Encore can be re-joined with set 2 seamlessly
-- This is a re-master of shnid=13747
-- There was an equipment break after Hell In A Bucket
-- Fixed swapped channels, corrected pitch, fixed uneven levels and cleaned flaws
-- Thanks to Joe B. Jones for his help with the pitch correction

SOURCE 5 OF 26

1:20:12

SBD

Transferrer:

Charlier Miller and Joe Noel

SHNID:

gd1985-06-14.145329.s2-complete.SBD.Miller.Noel.t-flac1648

Source:

SBD -> Cassette Master (Dolby B) -> Dat (48k)

Lineage:

Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k

Taper Notes:

View NotesNotes:
-- This is an uncirculated sources which is an upgrade
-- There was an equipment break after Hell In A Bucket
-- Thanks to Joe B. Jones for his help with the pitch correction

Patch info:
- shnid: 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN)
- s2t01; all

Patch notes:
- shnid 117028 was speed corrected & noise removal was performed to create a seamless blend.
- the patched was created with Audacity by Joe Noel Feb. 19, 2019

SOURCE 6 OF 26

See info files for details

Transferrer:

Chris Chappell

SHNID:

gd1985-06-14.matrix.chappell.85831.sbeok.flac16

Source:

Matrix: (SBD/AUD mix) See info file for details

Lineage:

See info file for details

Taper Notes:

View NotesGeneral Notes:

This show was plagued by technical issues in the first set, causing
the band to take a break mid-set, only to come back to the stage and
breakout Keep On Growing.  Stagger Lee and Comes A Time enjoy 3 and 5
year resurrections respectively.  Great second set Dew opener.  Jerry 
is low in the mix for most of the show (something slighly enhanced by 
the matrix, but not much), and I assume this had to do with the technical 
issues which by the next night seemed to be fully resolved. 

Both SBD sources were synched to the AUD.  Set 1 SBD through Peggy-O
was pitched up between 2 and 17 cents, and from Bucket until the end
of the set the SBD was pitched down between 4 and 14 cents.  Set 2 SBD 
was pitched up around 12 cents, and the McCue AUD was used to patch
crowd/tuning for the Sgt Pepper's 20th anniversary opening reference,
s1t07 (mid 1st set break), the tuning for set 2 opener, and a little
crowd at the very end to enhance the fadeout. No EQ was applied, and 
very spare Waves L2 limiting was employed to the matrix mix.

Thanks to Randy Carman for the SBD source. Thanks to Jim and Doug Oade 
for recording the wonderful AUD, Doug for transferring it, and Darrin Sacks 
for tracking it.  Thanks to Mark McCue and crew for taping the AUD used to 
patch, and Alex Ford for transferring and seeding it.

Enjoy!
-Chappy

SOURCE 7 OF 26

gd85-06-14.sbd.carman.13747.sbeok.shnf

Source:

SBD > DAT > CDR/?

Taper Notes:

View NotesSource: SBD > DAT > CDR/?
Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca

SOURCE 8 OF 26

Scott Clugston, Charlie Miller

SHNID:

gd1985-06-14.167248.neumann.km84i.hecht.miller.clugston.flac2496

Source:

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:36 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2023

SOURCE 9 OF 26

Scott Clugston and Charlie Miller

SHNID:

gd1985-06-14.148769.nak700.severson.miller.clugston.flac2496

Source:

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Drums"
- Pre-Show Press Conference included
- Equipment break after "Hell In A Bucket"
- Pitch corrected

Mastered by Scott Clugston
January 2019

SOURCE 10 OF 26

Scott Clugston and Charlie Miller

SHNID:

gd1985-06-14.148768.nak700.severson.miller.clugston.flac1648

Source:

Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Drums"
- Pre-Show Press Conference included
- Equipment break after "Hell In A Bucket"
- Pitch corrected

Mastered by Scott Clugston
January 2019

SOURCE 11 OF 26

Charlie Miller and Joe Noel

Lineage:

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesPatch info:
- source #132932 (Schoeps)
- s1t01; 07:15 - end
- s1t06; start - 01:23

Notes:
- files have been speed corrected
- tape pauses have been cross faded
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
* technical problems cause the band to leave the stage
* first of only four performances

SOURCE 12 OF 26

Charlie Miller and Joe Noel

SHNID:

gd1985-06-14.140888.s1.unkown.Bryant.Miller.Noel.t-flac2496

Lineage:

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesPatch info:
- source #132932 (Schoeps)
- s1t01; 07:15 - end
- s1t06; start - 01:23

Notes:
- files have been speed corrected
- tape pauses have been cross faded
* technical problems cause the band to leave the stage
* first of only four performances

SOURCE 13 OF 26

gd1985-06-14.sony220t.keshavan.miller.105542.flac16

Source:

Sony ECM-220T -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Encore on end of Set 1 to fit show into 2 discs
-- Encore can be re-joined with set 2 seamlessly
-- Equipment break after Hell In A Bucket
-- Thanks to Rango Keshavan for lending me his masters

SOURCE 14 OF 26

2:28:26

SHNID:

gd1985-06-14.167247.neumann.km84i.hecht.miller.clugston.flac1648

SOURCE 15 OF 26

2:32:35

Taper:

Recorded, Transferred & Mastered by Anon

Transferrer:

Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021

SHNID:

gd1985-06-14.152788.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648

Source:

Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.

Lineage:

Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec.

Taper Notes:

View NotesNotes;
- Thanks to Anon for sharing his masters & the outstanding transfer while hiding out while hiding out away from the Bay Area.
- Thanks to the Oade Bros & all involved with the patch source.
- Tapes pauses/flips have been cross faded where applicable.
- This source has been pitch corrected.
- There was an equipment breakdown after Hell in a Bucket.
* first performance
- China Doll ends with a percussion jam lead by Brent.
- 24/48 > dBpoweramp > 16/48

SOURCE 16 OF 26

Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021

SHNID:

gd1985-06-14.152641.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448

Source:

Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.

Lineage:

Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec.

Taper Notes:

View NotesNotes;
- Thanks to Anon for sharing his masters & the outstanding transfer while hiding out while hiding out away from the Bay Area.
- Thanks to the Oade Bros & all involved with the patch source.
- Tapes pauses/flips have been cross faded where applicable.
- This source has been pitch corrected.
- There was an equipment breakdown after Hell in a Bucket.
* first performance
- China Doll ends with a percussion jam lead by Brent.

SOURCE 17 OF 26

gd1985-06-14.132932.schoeps.Oades.BCE.flac16

Source:

Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald; All editing and sound alteration done with Diamond Cut Forensics 8.5. The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presence

Taper Notes:

View NotesMastering by Dan McDonald
All editing and sound alteration done with Diamond Cut Forensics 8.5.  

-The recording sounded distant.  I used a 30-band equalizer and Punch & Crunch effect 
 to give it more presence.

-After Hell in a Bucket, the band left the stage to fix equipment problems. There 
 was a break in recording. Slight editing for flow.

-The space before the encore was editedto make it flow more smoothly, cut out blank spots.

metadata added

Thanks to Doug Oade & Jim Wise for making this beautiful recording available.

BCE Collaboration
twentydegreesofsolitude@gmail.com

SOURCE 18 OF 26

2:28:00

Transferrer:

Andrew F. and Andrew F

SHNID:

gd1985-06-14.nak300.andrewf.130924.flac1644

Source:

OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 08/2014

Taper Notes:

View NotesNotes: We were half-way up OTS center with mics at 6-feet and 
angled downwards slightly. Patches from ID-24451, intro 0:57 > 
1:10, and ID-105542, intro 2:11 > 4:12, C.C.Rider 0:00 > 0:05, 
echo 0:00 > 0:04, barbed wire 0:00 > 0:06, Space 0:09 > 0:30, 
and Space 5:16 > 5:21.

CDRs: Overburn 2nd Set, or put encore onto end of Disc One.

SOURCE 19 OF 26

gd1985-06-14.nak300.andrewf.130923.flac2448

Source:

OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 08/2014

Taper Notes:

View NotesNotes: We were half-way up OTS center with mics at 6-feet and 
angled downwards slightly. Patches from ID-24451, intro 0:57 > 
1:10, and ID-105542, intro 2:11 > 4:12, C.C.Rider 0:00 > 0:05, 
echo 0:00 > 0:04, barbed wire 0:00 > 0:06, Space 0:09 > 0:30, 
and Space 5:16 > 5:21.

SOURCE 20 OF 26

gd1985-06-14.126338.akg.thompson.damico.flac16

Source:

Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper

Taper Notes:

View NotesTHIS RECORDING CAME FROM THE 2ND DECK UHER CR 160 WHICH WAS PATCHED OUT OF KEN MANCE UHER CR 240. RECORDING MADE FROM TAPERS SECTION.

Sgt Peppers Playing Right Before Dancin'.  Also Equipment Problems During 1st Set Band Left The Stage After Hell In A Bucket Until Problems Where Fixed .

SOURCE 21 OF 26

gd1985-06-14.126336.akg.thompson.damico.flac24

Source:

Taper Notes:

View NotesTHIS RECORDING CAME FROM THE 2ND DECK UHER CR 160 WHICH WAS PATCHED OUT OF KEN MANCE UHER CR 240. RECORDING MADE FROM TAPERS SECTION.

Sgt Peppers Playing Right Before Dancin'.  Also Equipment Problems During 1st Set Band Left The Stage After Hell In A Bucket Until Problems Where Fixed . 

*First 15 Seconds of Tuning Spliced In From Schoeps source

SOURCE 22 OF 26

gd1985-06-14.111797.BeyerM160.daweez.d5scott.flac16

Source:

Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 23 OF 26

anonymous taper, Jamie Poris, Mark Severson

Transferrer:

Brian Green and Evan K.

SHNID:

gd1985-06-14.nak700.anon-severson-poris.lmpp.97221.flac16

Source:

3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B )

Lineage:

MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs (Cambridge EQ, Precisions Buss Compressor, Precision Limiter) > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )

Taper Notes:

View NotesNotes:

- Huge thanks to the Anon Taper for supplying the masters made with Mark Severson and Jamie Poris

- Tape flips crossfaded where applicable.

- patch in space from shnID 4978 (due to a very unfortunate tape player malfunction)

- Day Job from ShnID 4978

- In the first tape, there is an odd clicking noise. It's not a digital anomaly as
it's on the masters. Not sure exactly what it is. I've tried to attentualte, but it's still there.
Not a major issue, but worth noting.

--------------------------------------------------------------
- Taped by He who wishes to remain nameless, Mark Severson, Jamie Poris

- Transferred and Edited by Bgreen (On The ** LMPP ** Edit Station)

- Tracked, flac'ed, and packed by Evan K (AKA spaceboy)

- First seeded to www.shnflac.net Feb. 2009

- Brought To You By Live Music Preservation Project

- questions/comments:

-contact lmpp.productions@gmail.com

SOURCE 24 OF 26

2:18:05

Taper:

Adam, Justin & Monica

Transferrer:

Alex Ford

SHNID:

gd1985-06-14.senn441.mccue.ford.32867.sbeok.flac16

Source:

Sennheiser 441's > Sony D5 > Sony D5 > Cassettes

Lineage:

Cassettes>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC> HD>CDR>EAC>WinXP Pro>Flac Frontend>FLAC16.

Taper Notes:

View NotesNotes:
 - first "Keep On Growing"
 - last Comes A Time" 10/02/80
 - last Stagger Lee 08/10/82
 - * d1t08 Stagger Lee missing first few seconds, fades in
 - ^ Jam at beginning of Drums is with Brent, Mickey & Bill
 - # d2t05 Space missing last few seconds 
 - Drums > Space were split with CD Wave Editor

SOURCE 25 OF 26

Doug Oade - Darren Sacks

SHNID:

gd85-06-14.oade-schoeps.sacks.24451.sbeok.flacf

Source:

Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

Taper Notes:

View NotesRecorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

SOURCE 26 OF 26

gd85-06-14.oade.sacks.4978.sbeok.shnf

Source:

Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section

Lineage:

Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks

Taper Notes:

View NotesSchoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz)  Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks