Not Fade Away | 1985-04-01 | Grateful Dead

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:24 patch in the "Drums > Space" transition
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
November 2022

SOURCE 2 OF 33

2:21:43

Taper:

Rob Eaton

Transferrer:

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1985-04-01.163539.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:24 patch in the "Drums > Space" transition
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
November 2022

SOURCE 3 OF 33

gd1985-04-01.150874.nak701x3.barnum.miller.flac2496

Source:

3x Nak 701s > MX-100 > D5

Lineage:

Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, pitch correction, resample, MBit+ dither) > FLAC 16

Taper Notes:

View NotesSet II only.  A few seconds of drums patched with the raw Oade PCM source, which also provides the end of the NFA crowd chant through Baby Blue (which was probably on Side B of the cassette that had the first set, which is missing).

Sounds like a fun show.  The recording is slightly unbalanced (the right channel is about 3 dB louder than the left) but aren't we all?

Thanks to Charlie Miller for the C > D transfer.

SOURCE 4 OF 33

gd1985-04-01.150873.nak701x3.barnum.miller.flac16

Source:

3x Nak 701s > MX-100 > D5

Lineage:

Taper Notes:

View NotesSet II only.  A few seconds of drums patched with the raw Oade PCM source, which also provides the end of the NFA crowd chant through Baby Blue (which was probably on Side B of the cassette that had the first set, which is missing).

Sounds like a fun show.  The recording is slightly unbalanced (the right channel is about 3 dB louder than the left) but aren't we all?

Thanks to Charlie Miller for the C > D transfer.

SOURCE 5 OF 33

2:20:37

Taper:

Rob Hunt and Ted Mattes

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-04-01.149312.senn441.hunt.mattes.miller.clugston.flac2496

Source:

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Just Like Tom Thumb's Blues"(0:30 total), as well as a 0:33 patch in "Space"
- Pitch verified

Mastered by Scott Clugston
March 2020

SOURCE 6 OF 33

2:20:37

Taper:

Rob Hunt and Ted Mattes

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-04-01.149311.senn441.hunt.mattes.miller.clugston.flac1648

Source:

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Just Like Tom Thumb's Blues"(0:30 total), as well as a 0:33 patch in "Space"
- Pitch verified

Mastered by Scott Clugston
March 2020

SOURCE 7 OF 33

Joe Noel and Charlie Miller

SHNID:

gd1985-04-01.145060.s2.ots.at835b.akg.d12e.blend.ackerman.miller.noel.t-flac1644

Source:

Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6

Lineage:

Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > FLAC 24/96
April 02, 2018

Patch info:
- source #140859
- s2t06; 2:59 - 3:17

Notes:
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- Grateful for Robert Bryant's efforts that supply the patch source
- This file set is 16 bit @ 44.1

SOURCE 8 OF 33

Charlie Miller and Joe Noel

SHNID:

gd1985-04-01.141603.OTS.s2.AT835b-AKGD12e-Blend.Ackerman.Miller.Noel.t-flac2496

Source:

Set 2 Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

Taper Notes:

View NotesPatch info:
- source #140859
- s2t06; 2:59 - 3:17

Notes:
- Thanks to Ray for his generosity
- Thanks to Charlie for aiding & abetting
- Grateful for Robert Bryant's efforts that supply the patch source

SOURCE 9 OF 33

Charlie Miller and Joe Noel

Lineage:

Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT: 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View NotesPatch info:
- source #23659 (Schoeps CMC441)
- s2t06; 07:15 - end
- s2t07; start - 00:29
- s2t11; 06:32 - end
- s2t12; all

Notes:
- tape flip patched
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

SOURCE 10 OF 33

Charlie Miller and Joe Noel

SHNID:

gd1985-04-01.140859.s2.unkown.Bryant.Miller.Noel.t-flac2496

Lineage:

Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View NotesPatch info:
- source #23659 (Schoeps CMC441)
- s2t06; 07:15 - end
- s2t07; start - 00:29
- s2t11; 06:32 - end
- s2t12; all

Notes:
- tape flip patched

SOURCE 11 OF 33

1:14:40

SHNID:

gd1985-04-01.167192.beyer.m160.vita.miller.clugston.flac2496

SOURCE 12 OF 33

2:18:32

SHNID:

gd1985-04-01.167191.beyer.m160.vita.miller.clugston.flac1648

SOURCE 13 OF 33

2:17:35

Taper:

Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt

Transferrer:

Kyle Holbrook

SHNID:

gd1985-04-01.152074.beyerm88.holbrook.flac2448

Source:

Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height

Lineage:

Taper Notes:

View Notes/    tape paused between songs
**   cut in middle

SOURCE 14 OF 33

gd1985-04-01.149791.akg224.dyche.flac1644

Source:

AKG 224’s > Sony TCD-5M > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT

SOURCE 15 OF 33

gd1985-04-01.145331.aud.lamarre.berger.flac16

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's

Lineage:

nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

SOURCE 16 OF 33

gd1985-04-01.145330.aud.lamarre.berger.flac24

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's

Lineage:

nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

SOURCE 17 OF 33

gd1985-04-01.138254.5-1.tobin.flac1648

Source:

flac16/48kHz; 5.1 LPCM Surround Sound (48k) AUD1 (shnid = 87290) taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788)

Lineage:

(3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - mixing by Kevin Tobin

Taper Notes:

View NotesSurround Sound Mix (48k) 5.1 LPCM

SOURCE 18 OF 33

gd1985-04-01.138253.dts.tobin.flac16

Source:

DTS-Audio-CD 5.1 Mix: AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788)

Lineage:

Taper Notes:

View NotesDTS-Audio-CD 5.1 Mix

More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

SOURCE 19 OF 33

2:21:46

Transferrer:

Matrix by Kevin Tobin

SHNID:

gd1985-04-01.138252.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788)

Lineage:

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix

SOURCE 20 OF 33

gd1985-04-01.138250.upg-aud.tobin.flac2448

Source:

(original shnid = 124788)

Lineage:

Taper Notes:

View NotesPatched and pitch corrected audience (48/24)

Only minor patching needed except 8 seconds during drums and to add the "How to Make Phil Sing" before Tom Thumb Blues.
Speedwise the audience was extremely fast when compared to other recordings - 1.750 seconds per minute.
Note: 96/24 conversion to 48/24 was performed using r8brain PRO for a project I was working on and then made available only because of the speed/pitch difference between the original and the corrected version.

SOURCE 21 OF 33

2:21:46

Taper:

Patched and Pitch corrected Audience Recording by Joe D'Amico

Transferrer:

Kevin Tobin

SHNID:

gd1985-04-01.138246.upg-aud.tobin.flac16

Source:

Patched/Pitch Corrected Audience (original shnid = 87290) taper: Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 06-May-2017 - Trader Little Helper
- Tagged 06-May-2017 - Tag&Rename
---------------------------------------------------------
Only minor patching needed except 24 seconds during drums. 
Speedwise the audience was fast when compared to other recordings - 0.750 seconds per minute.

Brokedown House Production

SOURCE 22 OF 33

gd1985-04-01.124788.chasingwilma.flac24

Source:

lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

SOURCE 23 OF 33

gd1985-04-01.nak300.morris.114488.flac24

Source:

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

Taper Notes:

View NotesNotes:
 - Tape flip in Looks Like Rain spliced at 5:08.
 - Tape flip between Drums and Space. 
 - Recorded by Bob Morris and Sam Morris. 
 - Transfer (Nov 2009) & 2496 conversion / edits (Jun 2011) by Bob Morris.

SOURCE 24 OF 33

2:15:27

Taper:

Bob Morris and Sam Morris

Transferrer:

Bob Morris

SHNID:

gd1985-04-01.nak300.morris.106787.flac16

Source:

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90)

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper Notes:

View NotesTape flip in Looks Like Rain spliced at 5:05 (Soundforge).
Tape flip between Drums and Space.
Recorded by Bob Morris and Sam Morris.

SOURCE 25 OF 33

Dave Barfield and David Lane

Transferrer:

Dave Barfield

SHNID:

gd1985-04-01.nak300.barfield-lane.103296.flac24

Source:

nak 300/cp4 (ots, 12\') > tcd5m/maxell mx 90

Lineage:

master cassette > tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24)

SOURCE 26 OF 33

Ray Ackerman;Tracks, FLACs, Tags by Craig Taraszki

SHNID:

gd1985-04-01.at835-d12e.Ackerman-Taraszki.102139.flac16

Source:

(2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5

Lineage:

Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16

SOURCE 27 OF 33

gd1985-04-01.nak300.damico.87290.sbeok.flac16

Source:

nak 300 mics > sony d-6 > mac

Lineage:

mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

SOURCE 28 OF 33

gd1985-04-01.beyerm88.suraci.78512.sbeok.flac16

Source:

*Beyer M88's >Sony D5M FOB, stand at 7 feet

Lineage:

Sony D5Pro>Lunatec V3>722@24/96 722>Adobe Aud. 2.0>16bit>Cdwav>flac

Taper Notes:

View Notes*thanks Eugene for the mics

SOURCE 29 OF 33

2:15:35

Taper:

Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade

Transferrer:

Alex Ford

SHNID:

gd1985-04-01.senn421.mccue.ford.76321.sbeok.flac

Source:

MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II)

Lineage:

MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 >

Taper Notes:

View NotesNotes:

- 3 second fade in's applied to d1t01 & d2t02, 2 sec fade out applied to d3t06.
- tape flip during Space @ 0:01

SOURCE 30 OF 33

David Minor and Matt Vernon

SHNID:

gd1985-04-01.nak.minor.vernon.30885.sbeok.flac16

Source:

Nak CM100's > D5 at the soundboard

Lineage:

EAC/FLAC

Taper Notes:

View Notesd1t2 - cuts in at start
d1t9 brief drop out at start of China Cat
d2t1 - fade out at end

SOURCE 31 OF 33

Doug Oade - Darren Sacks

SHNID:

gd85-04-01.oade-schoeps.sacks.23659.sbeok.flacf

Source:

Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

Taper Notes:

View NotesSchoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1

SOURCE 32 OF 33

gd85-04-01.oade.connor.8521.sbeok.shnf

Source:

Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn

Taper Notes:

View NotesSources:
Primary Source:Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn
Secondary Source:Steve Ziemba's Cassette Master;Aud>Nak300>D5>CM>CDR>EAC>Shn;The secondary source supplies the Baby Blue encore; Seeded to fungus and abgd by Charlie Connor with Thanks to Scott Clugston and Doug Oade

SOURCE 33 OF 33

gd85-04-01.ziemba.connor.5594.sbeok.shnf

Source:

Aud> Nak300> D5> CM> CDR> EAC(Secure Mode)> CDWave (Retracking Only)> shnv3 (MKW ACT)

Taper Notes:

View NotesAud> Nak300> D5> CM> CDR> EAC(Secure Mode)> CDWave (Retracking Only)> shnv3 (MKW ACT); Cassette master recorded by Steven Ziemba; Transferred to cd by Michael Lai; EAC/Retracked/Shn'ed by Charlie Connor; to abgd