Black Peter > | 1983-08-27 | Grateful Dead

View NotesNotes:
- Thanks to Mark Severson for the master (FOB) source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the folks responsible for the shnid92307 (FOB) Nakamichi 300 source which supplies an 0:11 patch in "Drums"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
December 2019

SOURCE 2 OF 11

2:25:56

Taper:

Mark Severson

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1983-08-27.148749.fob.nak700.severson.miller.clugston.flac1648

Source:

Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M

Lineage:

Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master (FOB) source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the folks responsible for the shnid92307 (FOB) Nakamichi 300 source which supplies an 0:11 patch in "Drums"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
December 2019

SOURCE 3 OF 11

1:22:36

SHNID:

gd1983-08-27.163471.set2.senn421.vita.miller.clugston.flac2496

SOURCE 4 OF 11

1:22:36

SHNID:

gd1983-08-27.163470.set2.senn421.vita.miller.clugston.flac1648

SOURCE 5 OF 11

2:24:31

Taper:

Kyle Holbrook & Chris Kidwell

Transferrer:

Kyle Holbrook

SHNID:

gd1983-08-27.142903.beyerm201.holbrook.flac2448

Source:

<b/>flac24/48khz </b> Source Audience Recording: Beyer M 201c: Master Maxell MX90Location: set 1: 70 feet from stage|DFC

Lineage:

Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notes//   tape flip
*    more like  Wang Dang Doodle tease
The tour story is in the setlist file.

SOURCE 6 OF 11

Kyle Holbrook & Chris Kidwell

Transferrer:

Kyle Holbrook

SHNID:

gd1983-08-27.142902.beyerm201.holbrook.flac1644

Source:

<b/>flac16/44.1khz </b> Source Audience Recording: Beyer M 201c: Master Maxell MX90Location: set 1: 70 feet from stage|DFC

Lineage:

Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notes//   tape flip
*    more like  Wang Dang Doodle tease

The tour story is in the setlist file.

SOURCE 7 OF 11

gd1983-08-27.111818.Sennheiser421.daweez.d5scott.flac16

Source:

Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

SOURCE 8 OF 11

gd1983-08-27.aud.keith.92307.sbeok.flac16

Source:

FOB, Nakamichi CM300's > Sony TC-D5 (MAC) > C1 (Sony TC-D5 > Marantz PMD-340 > TDK SA-90's) (no Dolby)

Lineage:

C1 > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC

Taper Notes:

View NotesI was taping in a group of about 25 people set up FOB. At the 
end of the show I found out that the guy whose deck I patched 
from had bad batteries, and my whole tape sounded fuzzy. I 
quickly got a nearby taper to dub the show for me and taped 
right over my master. Thanks to taper "Keith" for the copy... 

Notes: 
- Start of LLR cuts in after tape-flip. 
- Disc break is seamless. 
- Patches from ShnID-16439 as follows: Jack Straw 0:28 > 0:33, 
  Space 2:49 > 3:38, and Space 4:00 > 4:05. 
- Alternate burn option: D1 as 1st Set plus encore, D2 as 2nd Set.

SOURCE 9 OF 11

gd1983-08-27.aud.herbst.31635.flac16

Lineage:

my cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC

Taper Notes:

View NotesNotes: d1t08 and d1t10 are each missing the first few seconds of music.

Recording Comments:

If I were to guess, I'd say this was recorded from a FOB location, on the Jerry side of the stage - I saw Emmylou Harris & The Nash Ramblers play in this building during the 1990 Bumbershoot Festival, and from my recollection, it's not a very big place - I'd guess that the soundboard was probably located about half-way back on the floor...if anyone can shed any more light on the probable taping location or mics used, based on the sound, please do!  My best guess would be that Jamie had some type of Sennheiser mics then (maybe 441's), and a Sony D5 deck, but that's just a guess...

SOURCE 10 OF 11

gd83-08-27.aud.hinko.16439.sbeok.shnf

SOURCE 11 OF 11

gd83-08-27.sennheiser.dodd.12359.sbeok.shnf

Source:

AUD(Senn. 421Âs)>MC>DAT>CDREac >shn (secure with proper offsets) by Ernie Dodd

Taper Notes:

View NotesAUD(Senn. 421Âs)>MC>DAT>CDR
Eac >shn (secure with proper offsets) by Ernie Dodd; Note Ernie has since supplied the missing tracks (disc 3); See info file for details